Shuti Hieroglyph (two-feather Adornment)
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Shuti Hieroglyph (two-feather Adornment)
The ancient Egyptian Shuti, a ''two-feather adornment'' for crowns, is part of a series of hieroglyphs for "crowns"; usage as a hieroglyph is not as common as the actual crown represented in Egyptian art, and artworks. One popular use of the ''Shuti, two-feather crown'' is by the deity Amun, one of his many crowns he is portrayed wearing. The tail feathers in this crown are generally straight, and are assumed to be the tail feathers of a falcon. They can be compared to the ostrich features in the Atef crown of Osiris, or the single ostrich feather that symbolizes Maat. The ''shuti hieroglyph'' and crown may be based upon Maat's ostrich feather, the single curved-top "shu-feather" hieroglyph. It is shown in iconography in both the straight-feather form (when used as a doubled crown). However, the straight feathers of Amun's crown are thought to be falcon feathers. The Budge two-volume dictionary of hieroglyphs records 20 spellings for ''shuti'', from multiple sources.Budge. ' ...
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Ancient Egypt
Ancient Egypt () was a cradle of civilization concentrated along the lower reaches of the Nile River in Northeast Africa. It emerged from prehistoric Egypt around 3150BC (according to conventional Egyptian chronology), when Upper and Lower Egypt were amalgamated by Menes, who is believed by the majority of List of Egyptologists, Egyptologists to have been the same person as Narmer. The history of ancient Egypt unfolded as a series of stable kingdoms interspersed by the "Periodization of ancient Egypt, Intermediate Periods" of relative instability. These stable kingdoms existed in one of three periods: the Old Kingdom of Egypt, Old Kingdom of the Early Bronze Age; the Middle Kingdom of Egypt, Middle Kingdom of the Middle Bronze Age; or the New Kingdom of Egypt, New Kingdom of the Late Bronze Age. The pinnacle of ancient Egyptian power was achieved during the New Kingdom, which extended its rule to much of Nubia and a considerable portion of the Levant. After this period, Egypt ...
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Hieroglyph
Ancient Egyptian hieroglyphs ( ) were the formal writing system used in Ancient Egypt for writing the Egyptian language. Hieroglyphs combined ideographic, logographic, syllabic and alphabetic elements, with more than 1,000 distinct characters.In total, there were about 1,000 graphemes in use during the Old Kingdom period; this number decreased to 750–850 during the Middle Kingdom, but rose instead to around 5,000 signs during the Ptolemaic period. Antonio Loprieno, ''Ancient Egyptian: A Linguistic Introduction'' (Cambridge: Cambridge UP, 1995), p. 12. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Egyptian hieroglyphs are the ultimate ancestor of the Phoenician alphabet, the first widely adopted phonetic writing system. Moreover, owing in large part to the Greek and Aramaic sc ...
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Amun
Amun was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. His oracle in Siwa Oasis, located in Western Egypt near the Libyan Desert, remained the only oracle of Amun throughout. With the 11th Dynasty ( BC), Amun rose to the position of patron deity of Thebes by replacing Montu. Initially possibly one of eight deities in the Hermapolite creation myth, his worship expanded. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I (16th century BC), Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra (alternatively spelled Amon-Ra or Amun-Re). On his own, he was also thought to be the king of the gods. Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom (with the exception of the " Atenist heresy" under Akhenaten). Amun-Ra in this period (16th–11th centur ...
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Atef Crown
Atef () is the specific feathered white crown of the ancient Egyptian deity Osiris. It combines the Hedjet, the white crown of Upper Egypt, with curly ostrich feathers on each side of the crown for the Osiris cult. The feathers are identified as ostrich from their curl or curve at the upper ends, with a slight flare toward the base. They are the same feather as (singly) worn by Maat. They may be compared with the falcon tail feathers in two-feather crowns such as those of Amun, which are more narrow and straight without curve. The Atef crown identifies Osiris in ancient Egyptian painting. Osiris wears the Atef crown as a symbol of the ruler of the underworld. The tall bulbous white piece in the center of the crown is between two ostrich feathers. The feathers represent truth and justice. The Atef crown is similar, save for the feathers, to the plain white crown ( Hedjet) first recorded in the Predynastic Period and worn as a symbol for pharaonic Upper Egypt. Gallery Orna ...
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Osiris
Osiris (, from Egyptian ''wikt:wsjr, wsjr'') was the ancient Egyptian deities, god of fertility, agriculture, the Ancient Egyptian religion#Afterlife, afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a Pharaoh, pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set (deity), Set cut him to pieces after killing him, with her sister Nephthys, Osiris' sister-wife, Isis, searched Egypt to find each part of Osiris. She collected all but one – Osiris’s genitalia. She then wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the Christianization of the Roman Empire, rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of ...
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Maat
Maat or Maʽat ( Egyptian: ''mꜣꜥt'' /ˈmuʀʕat/, Coptic: ⲙⲉⲓ) comprised the ancient Egyptian concepts of truth, balance, order, harmony, law, morality, and justice. Maat was also the goddess who personified these concepts, and regulated the stars, seasons, and the actions of mortals and the deities who had brought order from chaos at the moment of creation. Her ideological opposite was Isfet (Egyptian '' jzft''), meaning injustice, chaos, violence or to do evil. Pronunciation Cuneiform texts indicate that the word ''m3ˤt'' was pronounced /múʔʕa/ during the New Kingdom of Egypt, having lost the feminine ending ''t''. Vowel assimilation of ''u'' to ''e'' later produced the Coptic word "truth, justice". History The earliest surviving records indicating that Maat is the norm for nature and society, in this world and the next, were recorded during the Old Kingdom of Egypt, the earliest substantial surviving examples being found in the Pyramid Texts of Unas ( and ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ...
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Determinative
A determinative, also known as a taxogram or semagram, is an ideogram used to mark semantic categories of words in logographic scripts which helps to disambiguate interpretation. They have no direct counterpart in spoken language, though they may derive historically from glyphs for real words, and functionally they resemble classifiers in East Asian and sign languages. For example, Egyptian hieroglyphic determinatives include symbols for divinities, people, parts of the body, animals, plants, and books/abstract ideas, which helped in reading but were not pronounced. Cuneiform In cuneiform texts of Sumerian, Akkadian and Hittite languages, many nouns are preceded or followed by a Sumerian word acting as a determinative; this specifies that the associated word belongs to a particular semantic group.Edzard, 2003 These determinatives were not pronounced. In transliterations of Sumerian, the determinatives are written in superscript in upper case. Whether a given sign is a m ...
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List Of Egyptian Hieroglyphs
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard. It describes 763 signs in 26 categories (A–Z, roughly). Georg Möller compiled more extensive lists, organized by historical epoch (published posthumously in 1927 and 1936). In Unicode, the block ''Egyptian Hieroglyphs'' (2009) includes 1071 signs, organization based on Gardiner's list. As of 2016, there is a proposal by Michael Everson to extend the Unicode standard to comprise Möller's list. Subsets Notable subsets of hieroglyphs: * Determinatives * Uniliteral signs * Biliteral signs * Triliteral signs * Egyptian numerals Letter classification by Gardiner List of hieroglyphs See also *Egyptian hieroglyphs * Transliteration of Ancient Egyptian * Gardiner's sign list * List of cuneiform ...
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