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Shakespeare's Late Romances
The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising ''Pericles, Prince of Tyre''; ''Cymbeline''; ''The Winter's Tale''; and ''The Tempest''. '' The Two Noble Kinsmen'', of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's ''Shakspere'' (1877). Later writers have generally been content to adopt Dowden's term. Shakespeare's plays cannot be precisely dated, but it is generally agreed that these comedies followed a series of tragedies including ''Othello'', ''King Lear'' and ''Macbeth''. Shakespeare wrote tragedies because their productions were financially successful, but he returned to comedy towards the end of his career, mixing it with tragic and mystical elements. Shakespeare's late romances were also influenced by the development of tragicomedy and the extreme elaboration of the courtly masque as staged by Ben Jonso ...
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Miranda - The Tempest JWW
Miranda may refer to: People * Miranda (given name), includes list of real and fictional people with given name Miranda * Miranda (surname), includes list of people with surname Miranda * Miranda (footballer, born 1947) (Deoclécio Manuel de Miranda), Brazilian footballer * Miranda (footballer, born 1957) (Donizete Manuel Onofre), Brazilian footballer * Miranda (footballer, born 1984) (João Miranda de Souza Filho), Brazilian footballer * Miranda (footballer, born 1998) (Guilherme dos Santos Rodrigues), Brazilian footballer * Miranda (footballer, born 2000) (Matheus dos Santos Miranda), Brazilian footballer * Miranda Hart (born 1972), English comedian and actress, sometimes mononymously referred to as Miranda Law * ''Miranda v. Arizona'', an American legal case * ''Miranda'' warning, an American police warning given to suspects about their rights, before they are interrogated Places Solar System * Miranda (moon), a moon orbiting Uranus Australia * Miranda, New South Wales ...
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Henry VIII (play)
''The Famous History of the Life of King Henry the Eighth'', often shortened to ''Henry VIII'', is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. An alternative title, , is recorded in contemporary documents, with the title not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays. During a performance of ''Henry VIII'' at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original Globe building to the ground. Characters * Prologue/Epilogue * Henry VIII – King of England * Cardinal Wolsey – Archbishop of York and Lo ...
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Lord Chamberlain's Men
The Lord Chamberlain's Men was an English company of actors, or a "playing company" (as it then would likely have been described), for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I. It was founded during the reign of Elizabeth I of England in 1594 under the patronage of Henry Carey, 1st Baron Hunsdon, then the Lord Chamberlain, who was in charge of court entertainments. After Carey's death on 23 July 1596, the company came under the patronage of his son, George Carey, 2nd Baron Hunsdon, for whom it was briefly known as Lord Hunsdon's Men. When George Carey in turn became Lord Chamberlain on 17 March 1597, it reverted to its previous name. The company became the King's Men in 1603 when ...
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James VI And I
James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and King of Ireland, Ireland as James I from the union of the Scottish and English crowns on 24 March 1603 until Death and funeral of James VI and I, his death in 1625. Although he long tried to get both countries to adopt a closer political union, the kingdoms of Kingdom of Scotland, Scotland and Kingdom of England, England remained sovereign states, with their own parliaments, judiciaries, and laws, ruled by James in personal union. James was the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII of England, Henry VII, King of England and Lord of Ireland, and thus a potential successor to all three thrones. He acceded to the Scottish throne at the age of thirteen months, after his mother was forced to abdicate in his favour. Although his mother was a Catholic, James was brought up as a Protestant. Four regents gove ...
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Elizabeth I
Elizabeth I (7 September 153324 March 1603) was List of English monarchs, Queen of England and List of Irish monarchs, Ireland from 17 November 1558 until her death in 1603. She was the last and longest reigning monarch of the House of Tudor. Her eventful reign, and its effect on history and culture, gave name to the Elizabethan era. Elizabeth was the only surviving child of Henry VIII and his second wife, Anne Boleyn. When Elizabeth was two years old, her parents' marriage was annulled, her mother was executed, and Elizabeth was declared royal bastard, illegitimate. Henry Third Succession Act 1543, restored her to the line of succession when she was 10. After Henry's death in 1547, Elizabeth's younger half-brother Edward VI ruled until his own death in 1553, bequeathing the crown to a Protestant cousin, Lady Jane Grey, and ignoring the claims of his two half-sisters, Mary I of England, Mary and Elizabeth, despite statutes to the contrary. Edward's will was quickly set aside ...
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The Masque Of Queens
''The Masque of Queens, Celebrated From the House of Fame'' is one of the earlier works in the series of masques that Ben Jonson composed for the House of Stuart in the early 17th century. Performed at Whitehall Palace on 2 February 1609, it marks a notable development in the masque form, in that Jonson defines and elaborates the anti-masque for the first time in its pages. Masque development In his preceding masques, Jonson had been experimenting with elements of sharper opposition and variety: '' The Masque of Blackness'' (1605) and '' The Masque of Beauty'' (1608), both written for and featuring Queen Anne, form a contrasting and complementary pairing; '' Hymenaei'' (1606) contained two contrasting sets of masquers; and '' The Hue and Cry After Cupid'' (1608) featured twelve boy torchbearers "in antic attire." In the case of ''The Masque of Queens'', Jonson writes that Queen Anne "had commanded me to think on some dance or show that might precede hers and have the place of a ...
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The Masque Of Blackness
''The Masque of Blackness'' was an early Jacobean era masque, first performed at the Stuart Court in the Banqueting Hall of Whitehall Palace on Twelfth Night, 6 January 1605. It was written by Ben Jonson at the request of Anne of Denmark, the queen consort of King James I, who wished the masquers to be disguised as Africans. Anne was one of the performers in the masque along with her court ladies, all of whom appeared in blackface makeup. In a ceremony earlier on the day, Prince Charles, Anne's second son (who was still in Scotland at Dunfermline Palace) was given the title of Duke of York. Plot and themes The plot of the masque follows the ladies arriving at the royal court to be "cleansed" of their blackness by King James; a stage direction that was impossible to fulfill on stage. They had been instructed by a riddle to seek the land "Britannia". The theme of the masque was a commentary on the Jacobean debate on the Union and the disparate identities of the people of Britai ...
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Beaumont And Fletcher
Beaumont and Fletcher were the English dramatist A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwri ...s Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially giv ...
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Pastoral
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A ''pastoral'' is a work of this genre. A piece of music in the genre is usually referred to as a pastorale. The genre is also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy) ...
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Romance (prose Fiction)
Romance is "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", a narrative method that contrasts with the modern, main tradition of the novel, which realistically depicts life. Walter Scott describes romance as a "kindred term" to the novel, and many European languages do not distinguish between them (e.g., "''le roman'', ''der Roman'', ''il romanzo''" in French, German, and Italian, respectively). There is a second type of romance: love romances in genre fiction, where the primary focus is on love and marriage. The term "romance" is now mainly used to refer to this type, and for other fiction it is "now chiefly archaic and historical" ( OED). Works of fiction such as '' Wuthering Heights'' and '' Jane Eyre'' combine elements from both types. Although early stories of historical romance often took the form of the romance, the terms "romance novel" and "historical romance" are confusing, because the words "romance" ...
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Henry Condell
Henry Condell ( bapt. 5 September 1576 – December 1627) was a British actor in the King's Men, the playing company for which William Shakespeare wrote. With John Heminges, he was instrumental in preparing and editing the First Folio, the collected plays of Shakespeare, published in 1623.Pogue, Kate. ''Shakespeare's Friends''. Greenwood Publishing Group (2006) pp. 129-136 Life and career Condell's early life is obscure. It appears that he may have been from East Anglia, as his will mentions 'my Cosen Gilder late of newe Buckenham’. According to Edmond: The only Henry Condell so far discovered at a suitable date in that part of England was the son of a Robert Condell of St Peter Mancroft, Norwich, a fishmonger, and his wife, Joan, née Yeomans, of New Buckenham, a market town not far from Norwich. Henry Condell, presumably their son, was baptized at St Peter on 5 September 1576. Traditionally, he is associated with the "Harry" who appears in the cast list for Richard T ...
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