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Shakespeare's Influence On Tolkien
Shakespeare's influence on Tolkien was substantial, despite Tolkien's professed dislike of the playwright. Tolkien disapproved in particular of Shakespeare's devaluation of elves, and was deeply disappointed by Shakespeare's prosaic explanation of how Birnam Wood came to Dunsinane Hill in ''Macbeth''. Tolkien was influenced especially by ''Macbeth'' and ''A Midsummer Night's Dream'', and he used ''King Lear'' for "issues of kingship, madness, and succession". He arguably drew on several other plays, including ''The Merchant of Venice'', ''Henry IV, Part 1'', and ''Love's Labour's Lost'', as well as Shakespeare's poetry, for numerous effects in his Middle-earth writings. The Tolkien scholar Tom Shippey suggests that Tolkien may even have felt a kind of fellow-feeling with Shakespeare, as both men were rooted in the county of Warwickshire. Shakespeare as a source Tolkien's dislike of Shakespeare J. R. R. Tolkien, a philologist and medievalist as well as a fantasy author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythlore
''Mythlore'' is a biannual (originally quarterly) peer-reviewed academic journal founded by Glen GoodKnight and published by the Mythopoeic Society. Although it publishes articles that explore the genres of myth and fantasy in general, special attention is given to the three most prominent members of the Inklings: J. R. R. Tolkien, C. S. Lewis, and Charles Williams. The current editor-in-chief is the Tolkien scholar Janet Brennan Croft. The Tolkien Society describes ''Mythlore'' as a "refereed scholarly journal". History ''Mythlore'' appeared in January 1969 under the editorship of Glen H. GoodKnight, founder of the Mythopoeic Society. Early issues were fanzines, albeit with a " sercon" ("serious and constructive") bent; for a time it included alternate issues of ''Mythprint''. ''Mythlore'' became a peer-reviewed journal beginning with issue #85 (Winter 1999), under the editorship of Theodore Sherman. Since 2006, it has been edited by Janet Brennan Croft. The full text of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gondor
Gondor is a fictional kingdom in J. R. R. Tolkien's writings, described as the greatest realm of Men in the west of Middle-earth at the end of the Third Age. The third volume of ''The Lord of the Rings'', '' The Return of the King'', is largely concerned with the events in Gondor during the War of the Ring and with the restoration of the realm afterward. The history of the kingdom is outlined in the appendices of the book. Gondor was founded by the brothers Isildur and Anárion, exiles from the downfallen island kingdom of Númenor. Along with Arnor in the north, Gondor, the South-kingdom, served as a last stronghold of the Men of the West. After an early period of growth, Gondor gradually declined as the Third Age progressed, being continually weakened by internal strife and conflict with the allies of the Dark Lord Sauron. By the time of the War of the Ring, the throne of Gondor is empty, though its principalities and fiefdoms still pay deference to the absent king by sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Return Of The King
''The Return of the King'' is the third and final volume of J. R. R. Tolkien's ''The Lord of the Rings'', following '' The Fellowship of the Ring'' and ''The Two Towers''. It was published in 1955. The story begins in the kingdom of Gondor, which is soon to be attacked by the Dark Lord Sauron. Title and publication Tolkien conceived of ''The Lord of the Rings'' as a single work comprising six "books" plus extensive appendices. In 1953, he proposed titles for the six books to his publisher, Rayner Unwin; Book Five was to be ''The War of the Ring'', while Book Six was to be ''The End of the Third Age''. These titles were eventually used in the (2000) ''Millennium edition''. Rayner Unwin however split the work into three volumes, publishing the fifth and sixth books with the appendices into the final volume with the title ''The Return of the King''. Tolkien felt the chosen title revealed too much of the story, and indicated that he preferred ''The War of the Ring'' as a title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Drout
Michael D. C. Drout (; born 1968) is an American Professor of English and Director of the Center for the Study of the Medieval at Wheaton College. He is an author and editor specializing in Anglo-Saxon and medieval literature, science fiction and fantasy, especially the works of J. R. R. Tolkien and Ursula K. Le Guin. Career Drout holds a Ph.D. in English from Loyola University Chicago (May 1997), an M.A. in English from the University of Missouri (May 1993), an M.A. in Communication from Stanford University (May 1991), and a B.A. in Professional and Creative Writing from Carnegie Mellon University. He is best known for his studies of Tolkien's scholarly work on ''Beowulf'' and the precursors and textual evolution of the essay '' Beowulf: the Monsters and the Critics'', published as '' Beowulf and the Critics by J. R. R. Tolkien'' (2002), which won the Mythopoeic Award for Scholarship in Inklings Studies, 2003. He is the editor of the '' J.R.R. Tolkien Encyclopedia: Scholarship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Lear By George Frederick Bensell
King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king. *In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European traditions of tribal rulership (c.f. Indic '' rājan'', Gothic '' reiks'', and Old Irish ''rí'', etc.). *In the context of classical antiquity, king may translate in Latin as '' rex'' and in Greek as ''archon'' or ''basileus''. *In classical European feudalism, the title of ''king'' as the ruler of a ''kingdom'' is understood to be the highest rank in the feudal order, potentially subject, at least nominally, only to an emperor (harking back to the client kings of the Roman Republic and Roman Empire). *In a modern context, the title may refer to the ruler of one of a number of modern monarchies (either absolute or constitutional). The title of ''king'' is us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael D
Michael D may refer to: * Mike D (born 1965), founding member of the Beastie Boys Arts * Michael D. Cohen (actor) (born 1975), Canadian actor * Michael D. Ellison, African American recording artist * Michael D. Fay, American war artist * Michael D. Ford (1928–2018), English set decorator * Michael D. Roberts, American actor Business * Michael D. Dingman (1931–2017), American businessman * Michael D. Ercolino (1906–1982), American businessman * Michael D. Fascitelli, (born c. 1957), American businessman * Michael D. Penner (born 1969), Canadian lawyer and businessman Education * Michael D. Aeschliman (born 1948), American–Swiss educator * Michael D. Cohen (academic) (1945–2013), professor of complex systems, information and public policy at the University of Michigan * Michael D. Hanes, American music educator * Michael D. Hurley (born 1976), British Professor of Literature and Theology * Michael D. Johnson, a former President of John Carroll University * Michael D. Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods, and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition, and extrasensory perception. The philosophy of naturalism contends that nothing exists beyond the natural world, and as such approaches supernatural claims with skepticism. Etymology and history of the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real within t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Fairy-Stories
"On Fairy-Stories" is an essay by J. R. R. Tolkien which discusses the fairy story as a literary form. It was written as a lecture entitled "Fairy Stories" for the Andrew Lang lecture at the University of St Andrews, Scotland, on 8 March 1939. The essay is significant because it contains Tolkien's explanation of his philosophy on fantasy and thoughts on mythopoeia. Moreover, the essay is an early analysis of speculative fiction by one of the most important authors in the genre. Alongside his 1936 essay " ''Beowulf'': The Monsters and the Critics", it is his most influential scholarly work. Literary context J. R. R. Tolkien was a professional philologist as well as an author of fiction, starting with the children's book ''The Hobbit'' in 1937; he had not intended to write a sequel. The Andrew Lang Lecture was important as it brought him to clarify for himself his view of fairy stories as a legitimate literary genre, rather than something intended exclusively for children ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England In Middle-earth
England and Englishness are represented in multiple forms within J. R. R. Tolkien's Middle-earth writings; it appears, more or less thinly disguised, in the form of the Shire and the lands close to it; in kindly characters such as Treebeard, Faramir, and Théoden; in its industrialised state as Isengard and Mordor; and as Anglo-Saxon England in Rohan. Lastly, and most pervasively, Englishness appears in the words and behaviour of the hobbits, both in '' The Hobbit'' and in '' The Lord of the Rings''. Tolkien has often been supposed to have spoken of wishing to create "a mythology for England"; though it seems he never used the actual phrase, commentators have found it appropriate as a description of much of his approach in creating Middle-earth, and the legendarium that lies behind '' The Silmarillion''. England An English Shire England and Englishness appear in Middle-earth, more or less thinly disguised, in the form of the Shire and the lands close to it, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On First Looking Into Chapman's Homer
"On First Looking into Chapman's Homer" is a sonnet written by the English Romantic poet John Keats (1795–1821) in October 1816. It tells of the author's astonishment while he was reading the works of the ancient Greek poet Homer, who was freely translated by the Elizabethan playwright George Chapman. The poem has become an often-quoted classic that is cited to demonstrate the emotional power of a great work of art and the ability of great art to create an epiphany in its beholder. Background information Keats's generation was familiar enough with the polished literary translations of John Dryden and Alexander Pope, which gave Homer an urbane gloss similar to Virgil but was expressed in blank verse or heroic couplets. Chapman's vigorous and earthy paraphrase (1616) was put before Keats by Charles Cowden Clarke, a friend from his days as a pupil at a boarding school in Enfield Town. They sat up together till daylight to read it: "Keats shouting with delight as some passage of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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