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Self-Portrait With Two Circles
''Self-Portrait with Two Circles'' is an oil on canvas painting by the Dutch artist Rembrandt, painted c. 1665–1669, one of over 40 painted self-portraits by Rembrandt. In the portrait, Rembrandt holds his palette, brushes, and maulstick. The painting is notable for its monumentality and the enigmatic background consisting of a shallow space with the fragments of two circles. Description ''Self-Portrait with Two Circles'' is one of more than 40 self-portraits Rembrandt painted (as well as a similar number in other media) and one of a number of depictions in several media dating at least from 1629 that show him at work drawing, etching, or painting. He wears a fur-lined robe, beneath which is a red garment. On his head is a white hat, similar to that worn in several other late self-portraits.White, et al, 210 Unlike other late self-portraits, in ''Self-Portrait with Two Circles'', Rembrandt, with one hand on his hip, appears confrontational and even defiant.Porter, 196 The ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Ag ...
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Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artis ...
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Paintings In London
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative ...
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17th-century Portraits
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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1660s Paintings
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * T ...
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Protogenes
Protogenes (; el, Πρωτογένης; fl. 4th century BC) was an ancient Greek painter, a contemporary rival of Apelles. As with the other famous ancient Greek painters, none of his work has survived, and it is known only from literary references and (brief) descriptions. Biography Protogenes was born in Caunus, on the coast of Caria but resided in Rhodes during the latter half of the 4th century BC. He was celebrated for the minute and laborious finish which he bestowed on his pictures, both in drawing and in color. Apelles, his great rival, standing astonished in presence of one of these works, could console himself only by saying that it was wanting in charm. Pliny the Elder, in his '' Natural History'', relates the story of a contest between Apelles and Protogenes: 'Apelles sailed o Rhodes eager to see the works of a man known to him only by reputation, and on his arrival immediately repaired to the studio. Protogenes was not at home, but a solitary old woman was keeping ...
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Alexander The Great
Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to the throne in 336 BC at the age of 20, and spent most of his ruling years conducting a lengthy military campaign throughout Western Asia and Egypt. By the age of thirty, he had created one of the largest empires in history, stretching from Greece to northwestern India. He was undefeated in battle and is widely considered to be one of history's greatest and most successful military commanders. Until the age of 16, Alexander was tutored by Aristotle. In 335 BC, shortly after his assumption of kingship over Macedon, he campaigned in the Balkans and reasserted control over Thrace and Illyria before marching on the city of Thebes, which was subsequently destroyed in battle. Alexander then led the League of Corinth, and used his author ...
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Apelles
Apelles of Kos (; grc-gre, Ἀπελλῆς; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed ('' Naturalis Historia'' 35.36.79–97 and ''passim''), rated him superior to preceding and subsequent artists. He dated Apelles to the 112th Olympiad (332–329 BC), possibly because he had produced a portrait of Alexander the Great. Biography Probably born at Colophon in Ionia, he first studied under Ephorus of Ephesus, but after he had attained some celebrity he became a student to Pamphilus at Sicyon He thus combined the Dorian thoroughness with the Ionic grace. Attracted to the court of Philip II, he painted him and the young Alexander with such success that he became the recognized court painter of Macedon, and his picture of Alexander holding a thunderbolt ranked in the minds of many with the Alexander with the spear of the sculptor Lysippus. Hundreds of years later, Pl ...
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Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics ...
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Aristotel
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of philosophy within the Lyceum and the wider Aristotelian tradition. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion. Little is known about his life. Aristotle was born in ...
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Rota Aristotelis
Rota or ROTA may refer to: Places * Rota (island), in the Marianas archipelago * Rota (volcano), in Nicaragua * Rota, Andalusia, a town in Andalusia, Spain * Naval Station Rota, Spain People * Rota (surname), a surname (including a list of people with the name) * Rota Waitoa (died 1866), New Zealand Anglican clergyman Arts, entertainment, and media * ''Rota'' (poem), once proposed to be the national anthem of Poland * ''Rota'', a collection of poems by A. W. Yrjänä * Rota, a type of round (music) Organizations * Rota (formation), an infantry or cavalry unit * Reach Out To Asia, a non-governmental organization based in Qatar * Roman Rota, the highest appellate tribunal of the Roman Catholic Church * Rondas Ostensivas Tobias de Aguiar, a military police force in São Paulo * Rota Club, a 1659–1660 London debate society * Royal Rota, the press pool for the British Royal Family Other uses * Rota (architecture), a rotating cylinder built into a wall, used for exchanging mail an ...
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Self-portrait Of Titian
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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