Satcitananda
( sa, सच्चिदानन्द, IAST: ; also Sat-cit-ananda or ) is an epithet and description for the subjective experience of the ultimate unchanging reality, called Brahman,Devadutta Kali (2005), Devimahatmyam: In Praise of the Goddess, Motilal Banarsidass, , page 365, Quote: "Saccidananda, being-consciousness-bliss, a threefold epithet attempting to describe the unitary, indescribable Brahman". in certain branches of Hindu philosophy, especially Vedanta. It represents "existence, consciousness, and bliss" or "truth, consciousness, bliss". Etymology () is a compounded Sanskrit word consisting of "sat", "chit", and "ananda", all three considered as inseparable from the nature of ultimate reality called Brahman in Hinduism.James Lochtefeld (2002), "Satchidananda" in The Illustrated Encyclopedia of Hinduism, Vol. 2: N-Z, Rosen Publishing, , page 578 The different forms of spelling is driven by euphonic (sandhi) rules of Sanskrit, useful in different contexts. * sat ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cit (consciousness)
Chit ( sa, चित् or Cit) is a Sanskrit word meaning consciousness. It is a core principle in all ancient spiritual traditions originating from the Indian subcontinent, including Hinduism, Sikhism and Jainism. Hinduism In Upanishads it is referred to as ''the Drshta'' or '' the Seer'', and the sense that makes all other sense experiences possible. Chit is one of three aspects forming the satcitananda nature of the Absolute, according to the Vedic scriptures. See also * Satcitananda * Citta ''Citta'' ( Pali and Sanskrit: चित्त; pronounced ''chitta''; IAST: ''citta)'' is one of three overlapping terms used in the '' nikaya'' to refer to the mind, the others being ''manas'' and '' viññāṇa''. Each is sometimes used i ... * Siddhar References Further reading * External links Arthur Avalon, ''Shakti and Shâkta. Chapter 14: Cit-Shakti (The Consciousness Aspect of the Universe)'' Sanskrit words and phrases {{IndoAryan-lang-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Moksha
''Moksha'' (; sa, मोक्ष, '), also called ''vimoksha'', ''vimukti'' and ''mukti'', is a term in Hinduism, Buddhism, Jainism and Sikhism for various forms of emancipation, enlightenment, liberation, and release. In its soteriological and eschatological senses, it refers to freedom from ''saṃsāra'', the cycle of death and rebirth. In its epistemological and psychological senses, ''moksha'' is freedom from ignorance: self-realization, self-actualization and self-knowledge. In Hindu traditions, ''moksha'' is a central concept and the utmost aim of human life; the other three aims being ''dharma'' (virtuous, proper, moral life), '' artha'' (material prosperity, income security, means of life), and '' kama'' (pleasure, sensuality, emotional fulfillment). Together, these four concepts are called Puruṣārtha in Hinduism. In some schools of Indian religions, ''moksha'' is considered equivalent to and used interchangeably with other terms such as ''vimoksha'', ''vimu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brihadaranyaka Upanishad
The ''Brihadaranyaka Upanishad'' ( sa, बृहदारण्यक उपनिषद्, ) is one of the Principal Upanishads and one of the first Upanishadic scriptures of Hinduism. A key scripture to various schools of Hinduism, the ''Brihadaranyaka Upanisad'' is tenth in the Muktikā or "canon of 108 Upanishads". The ''Brihadaranyaka Upanishad'' is estimated to have been composed about 7th-6th century BCE, excluding some parts estimated to have been composed after the '' Chandogya Upanishad''. The Sanskrit language text is contained within the ''Shatapatha Brahmana'', which is itself a part of the Shukla Yajur Veda. The ''Brihadaranyaka Upanishad'' is a treatise on Ātman (Self), includes passages on metaphysics, ethics and a yearning for knowledge that influenced various Indian religions, ancient and medieval scholars, and attracted secondary works such as those by Adi Shankara and Madhvacharya. Chronology The chronology of ''Brihadaranyaka Upanishad'', like other ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Satchidananda Saraswati
Satchidananda Saraswati (; 22 December 1914 – 19 August 2002), born C. K. Ramaswamy Gounder and usually known as Swami Satchidananda, was an Indian yoga guru and religious teacher, who gained fame and following in the West. He founded his own brand of Integral Yoga, and its spacious Yogaville headquarters in Virginia. He was the author of philosophical and spiritual books and had a core of founding disciples who compiled his translations and updated commentaries on traditional handbooks of yoga such as the ''Yoga Sutras of Patanjali'' and the '' Bhagavad Gita'' for modern readers. In 1991, multiple female members of staff made allegations of sexual manipulation and abuse, more coming forwards after an initial protest. No legal complaints were filed, and Satchidananda denied all accusations. Early life and education Satchidananda Saraswati was born C. K. Ramaswamy Gounder on 22 December 1914, Note, the publication date of the obituary was Wednesday, August 21, 2002, wherei ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sahaja
Sahaja ( pra, সহজ sa, सहज ) means spontaneous enlightenment in Indian and Tibetan Buddhist spirituality. Sahaja practices first arose in Bengal during the 8th century among yogis called Sahajiya siddhas. Ananda Coomaraswamy describes its significance as "the last achievement of all thought", and "a recognition of the identity of spirit and matter, subject and object", continuing "There is then no sacred or profane, spiritual or sensual, but everything that lives is pure and void." Etymology The Sanskrit nd the Tibetan, which precisely follows itliterally means: 'born or produced together or at the same time as. Congenital, innate, hereditary, original, natural (...by birth, by nature, naturally...)'. Etymologically, means 'together with', and derives from the root , meaning 'to be born, produced, to occur, to happen'. The Tibetan is an exact etymological equivalent of the Sanskrit. means 'together with', and means 'to be born, to arise, to come about, to b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prajnaparamita
A Tibetan painting with a Prajñāpāramitā sūtra at the center of the mandala Prajñāpāramitā ( sa, प्रज्ञापारमिता) means "the Perfection of Wisdom" or "Transcendental Knowledge" in Mahāyāna and Theravāda Buddhism. Prajñāpāramitā refers to a perfected way of seeing the nature of reality, as well as to a particular body of Mahāyāna scriptures ( sūtras) which discusses this wisdom. It also refers to the female deity Prajñāpāramitā Devi, a personification of wisdom also known as the "Great Mother" (Tibetan: ''Yum Chenmo''). The word ''Prajñāpāramitā'' combines the Sanskrit words '' prajñā'' "wisdom" (or "knowledge") with '' pāramitā'' "perfection" or " transcendent". Prajñāpāramitā is a central concept in Mahāyāna Buddhism and is generally associated with ideas such as emptiness ('' śūnyatā''), 'lack of svabhāva' ( essence), the illusory (''māyā'') nature of things, how all phenomena are characterized by "non- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Luminous Mind
Luminous mind ( Skt: or , Pali: ; Tib: ; Ch: ; Jpn: ; Kor: ) is a Buddhist term which appears only rarely in the Pali Canon, but is common in the Mahayana sūtras and central to the Buddhist tantras. It is variously translated as "brightly shining mind", or "mind of clear light" while the related term ''luminosity'' (Skt. ; Tib. ; Ch. ; Jpn. ; Kor. ) is also translated as "clear light" or "luminosity" in Tibetan Buddhist contexts or, "purity" in East Asian contexts. The Theravada school identifies the "luminous mind" with the ''bhavanga'', a concept first proposed in the Theravāda Abhidhamma. The later schools of the Mahayana identify it with ''bodhicitta'' and ''tathagatagarbha''. The luminosity of mind is of central importance in the philosophy and practice of the Buddhist tantras, Mahamudra, and Dzogchen. Early Buddhist texts In the Early Buddhist Texts there are various mentions of luminosity or radiance which refer to the development of the mind in meditation. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Journey In Satchidananda
''Journey in Satchidananda'' is the fourth solo album by Alice Coltrane. Four of the album's tracks were recorded at the Coltrane home studios in Dix Hills, New York, in November 1970, while the remaining track was recorded live at the Village Gate in July of that year. It was released by Impulse! Records in 1971. On the album, Coltrane appears on piano and harp, and is joined by saxophonist Pharoah Sanders, bassists Cecil McBee (studio tracks) and Charlie Haden (live track), and drummer Rashied Ali. Vishnu Wood also appears on oud on the live track, while the studio recordings also feature Majid Shabazz on bells and tambourine and Tulsi on tanpura. ''Journey in Satchidananda'' is important in that it marks a transition between Coltrane's first three recordings and her subsequent releases, which reveal a more personalized outlook. The album's title and title track reflect the influence of Swami Satchidananda, to whom Coltrane had become close while being his disciple. "Shi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rama
Rama (; ), Ram, Raman or Ramar, also known as Ramachandra (; , ), is a major deity in Hinduism. He is the seventh and one of the most popular ''avatars'' of Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. Rama is said to have been born to Kaushalya and Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala. His siblings included Lakshmana, Bharata (Ramayana), Bharata, and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Advaita Vedanta
''Advaita Vedanta'' (; sa, अद्वैत वेदान्त, ) is a Hindu sādhanā, a path of spiritual discipline and experience, and the oldest extant tradition of the orthodox Hindu school Vedānta. The term ''Advaita'' (literally "non-secondness", but usually rendered as "nondualism", and often equated with monism) refers to the idea that '' Brahman'' alone is ultimately real, while the transient phenomenal world is an illusory appearance ('' maya'') of Brahman. In this view, (''jiv) Ātman'', the experiencing self, and ''Ātman-Brahman'', the highest Self and Absolute Reality, is non-different. The ''jivatman'' or individual self is a mere reflection or limitation of singular ''Ātman'' in a multitude of apparent individual bodies. In the Advaita tradition, '' moksha'' (liberation from suffering and rebirth) is attained through recognizing this illusoriness of the phenomenal world and disidentification from the body-mind complex and the notion of 'd ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |