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Santa María De Iquique (cantata)
''Santa María de Iquique, cantata popular'' is a cantata composed in 1969 by the Chilean composer Luis Advis, Luis Advis Vitaglich, combining elements of both classical and folkloric/indigenous musical traditions to produce what became known as a popular cantata and one of Quilapayún’s most acclaimed and popular music interpretations. The theme of the cantata is a historical industrial dispute that ended with the Santa María de Iquique Massacre, massacre of miners in the northern Chilean city of Iquique in 1907. The reading is impeccably executed by the Chilean actor Hector Duvauchelle, who captures the increasingly tense struggle between the miners and their exploiters in the narrative. Instrumental interludes and songs empower the progression of the story leading to a final song which voices the miners demand for an end to exploitation with visions of an egalitarian and free world. Composer's Notes The following are the statements made by Luis Advis, that appeared on the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quilapayún
Quilapayún () are a folk music group from Chile and among the longest lasting and most influential ambassadors of the ''Nueva canción, Nueva Canción Chilena'' movement and genre. Formed during the mid-1960s, the group became inseparable with the revolution that occurred in the popular music of the country under the Popular Unity (Chile), Popular Unity Government of Salvador Allende. Since its formation and during its forty-year history both in Chile and during its lengthy period of exile in France the group has seen modifications to its personnel lineup and the subject and content of its work. Controversy regarding irreconcilable differences with the current and former group directors led to the division into two distinctive Quilapayún ensembles; one in Chile (Quilapayún-Histórico) and one in France (Quilapayún-France). History Quilapayún originated in 1965 when Julio Numhauser and the brothers Julio and Eduardo Carrasco formed a folk music trio, which they simply called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1970 Cantatas
Year 197 ( CXCVII) was a common year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an artificial canal between the Tigris a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violoncello
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrator
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patricio Castillo (folk Musician)
Patricio Castillo (born 1946, Cautín, Chile) is a Chilean musician and former member of the Chilean folk music group Quilapayún. He is well known for his collaborations with the Chilean singer-songwriter, Víctor Jara. Biography Castillo was born into a musical family; both of his parents were classical musicians and pedagogues, his father a violinist and his mother a pianist. Early in his life Castillo defined his aspirations to pursue a career in music as his parents had done. He was a childhood friend of Horacio Salinas who also originated from his hometown; who would also go on to join the neo-folkloric ''New Chilean Song'' movement that aimed to renovate Chilean folklore. Castillo was educated in Santiago and in 1963 he began to study classical guitar at the National Conservatorium of Music which would later become part of the University of Chile. In 1965 Castillo enters the Faculty of Philosophy and Education of the University of Chile to study humanities with a focus on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willy Oddó
Guillermo Oddó Parraguez (October 14, 1943 – November 7, 1991), better knolwn as Willy Oddó, was a Chilean musician and engineer known as a leading vocalist in the Chilean folk music ensemble, Quilapayún between 1967 and 1987. Biography He was born in Chile and studied at the State Technical University in Santiago de Chile, where he participated in the musical "peñas" and other cultural and student activities together with Hernan Gomez. He spent some time at the Naval Academy, where he showed an aptitude for playing football. He joined Quilapayún in 1967 to replace Julio Numhauser (who left the group) and he rapidly become the most distinctive and loved member of the musical ensemble. Oddó was Quilapayun's baritenor and played guitar, winds, percussion and was central on stage during live performances. He was the solo vocal on a number of songs, including ''Canto a la Pampa'' and ''Mamma mia dame cento lire'' of the X Vietnam (album), X Vietnam album, ''La Carta'' from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolfo Parada
Rodolfo Parada Lillo is a Chilean musician, composer, engineer and anthropologist. Parada joined Quilapayún in 1968, which made the group into a sextet - the formation which recorded the “ Cantata Santa María de Iquique. Upon joining the group he became the major solo voice of the ensemble (e.g. in ''“Dicen que la patria es…”, “Por que los pobres no tienen”, “Plegaria a un labrador”, “Vamos mujer”''. A fan of the “chanson française” he decided to reduce his activity as a student leader while the group was at its popularity peak during the Salvador Allende Government. He first composed ''“Ausencia”'' for the group in their “Quilapayún 5” album with assistance from Eduardo Carrasco. Whilst in exile he composed the instrumental music pieces: ''“Susurro”'' and ''"El paso del ñandu"'', plus he also composed music for Pablo Neruda's poem ''"El arbol de los libres"'' and for Rafael Alberti's ''"La primavera"''. After exile his voice register u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Carrasco
Eduardo Guillermo Carrasco Pirard (born July 2, 1940) is a Chilean musician, university professor of philosophy, author, and one of the founders of the Chilean folk music group Quilapayún - and the group's musical director from 1969 to 1989. Biography Carraco was born in Santiago. He studied at the elite José Victorino Lastarria Lyceum in Santiago and then entered the Pontificia Universidad Católica de Chile to study philosophy; he subsequently travelled to Germany to study at the Ruprecht Karl Universitat of Heidelberg. In 1964 he returned to Chile to continue his study of philosophy at the University of Chile and in 1965 he forms the musical ensemble Quilapayun with his brother Julio Carrasco and his friend Julio Numhauser. Carrasco completed his formal study of philosophy in April 1970 when he submitted a thesis on ''Friedrich Nietzsche and the Jews: Reflections on the misrepresentation of a thought''; he then commenced to study music at the National Conservatorium of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Cortázar
Julio Florencio Cortázar (26 August 1914 – 12 February 1984; ) was an Argentine and naturalised French novelist, short story writer, poet, essayist, and translator. Known as one of the founders of the Latin American Boom, Cortázar influenced an entire generation of Spanish-speaking readers and writers in America and Europe. He is considered to be one of the most innovative and original authors of his time, a master of history, poetic prose, and short stories as well as the author of many groundbreaking novels, a prolific author who inaugurated a new way of making literature in the Hispanic world by breaking classical molds. He is perhaps best known as the author of multiple narratives that attempt to defy the temporal linearity of traditional literature. Cortázar lived his childhood, adolescence, and incipient maturity in Argentina. In 1951, he settled in France for what would prove to be more than three decades. However, he also lived in Italy, Spain, and Switzerlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and Computational musicology, computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical traditions, the origins of works, and the biographies of composers. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthetics, Music education, pedagogy, musical acoustics, the science and technology of Organology, musical instruments, and the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
