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Sant'Andrea In Via Flaminia
Sant'Andrea in Via Flaminia () is a Roman Catholic churches of Rome, church dedicated to St Andrew the Apostle in Rome, Italy. The edifice is also known as ''Sant'Andrea del Vignola'', after its architect Giacomo Barozzi da Vignola. History It was commissioned by Pope Julius III, in completion of a vow relative to his escape following the Sack of Rome (1527), Sack of Rome, 1527. The small church on the Via Flaminia, scarcely more than a chapel, was designed by Giacomo Barozzi da Vignola in 1552 and completed the following year, while Vignola was also employed by Julius nearby at the Villa Giulia. Sant'Andrea was the first church with an elliptical dome and the first step toward the Baroque world of elliptical forms. The interior space is vividly expressed on the exterior. The ''tempio'' as it was long called, is an unadorned cube with a dentilled cornice without a frieze, surmounted by an elliptical low dome masked by a high plain drum (architecture), drum with a comparable fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Architecture In Italy
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Rome
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People * Roman (given name), a given name, including a list of people and fictional characters *Roman (surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Early Modern Period Domes
Domes built in the 16th, 17th, and 18th centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the time, but the study of dome structures changed radically due to developments in mathematics and the study of statics. Analytical approaches were developed and the ideal shape for a dome was debated, but these approaches were often considered too theoretical to be used in construction. The Gothic ribbed vault was displaced with a combination of dome and barrel vaults in the Renaissance architecture, Renaissance style throughout the sixteenth century. The use of lantern towers, or timburios, which hid dome profiles on the exterior declined in Italy as the use of windowed Tholobate, drums beneath domes increased, which introduced new structural difficulties. The spread of domes in this style outside of Italy began with central Europe, although there was often a stylistic delay of a century or two. Use of the oval dome spread qui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Valadier
Giuseppe Valadier (April 14, 1762 – February 1, 1839) was an Italian architect and designer, urban planner and archaeologist and a chief exponent of Neoclassicism in Italy. A teacher of architecture at the Accademia di San Luca, Valadier was a pioneer archeologist and a restorer of monuments, such as the Milvian Bridge (1805) and the Arch of Titus in Rome, (1819–21). He retraced the ancient line of the Via Flaminia (1805) and restored Giacomo Barozzi da Vignola's neglected Church of Sant'Andrea in Via Flaminia, which influenced his own Church of Santa Maria della Salute in Fiumicino, the newly-established port for Rome. Biography Early life and education The son of a goldsmith, Giuseppe Valadier was born in Rome on April 14, 1762. Although he was expected to follow his father’s profession and indeed subsequently took over the family workshop, he pursued his own vocation from an early age. In 1775 he won a prize at the Concorso Clementino of the Accademia di San Luc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neoclassical Architecture
Italian Neoclassical architecture refers to architecture in Italy during the Neoclassical period (1750s–1850s). History and influences In the 1750s and 1760s, the rich and frivolous Rococo was going out of fashion, and there was a growing desire to return to the simple, yet elegant classicism of architecture in Ancient Greece, Ancient Rome and to a lesser extent Renaissance architecture. In its purest form it is this new style principally derived from the architecture of Classical Greece and the architecture of Pompeii and Herculaneum. Since it was widely based on Classicism, the movement was named ''Neo''-Classicism. Neoclassical did not particularly evolve in any particular nation, but the founders were France, England, Italy, Germany and Spain. Everything from villas, palaces, gardens, interiors and art began to be based on Roman and Greek themes. Buildings and edifices Before the discoveries of the lost cities of Pompeii and Herculaneum, buildings were themed on Ancient Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pellegrino Tibaldi
San Sebastiano (Milan) Pellegrino Tibaldi (1527, Valsolda - 27 May 1596, Milan), also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter. Biography Tibaldi was born in Puria di Valsolda, then part of the duchy of Milan, but grew up in Bologna. His father worked as stonemason. He may have apprenticed with Bagnacavallo or Innocenzo da Imola. His first documented painting was likely as at 15 years of age, a ''Marriage of Saint Catherine''. In 1547, he went to Rome to study under Perin del Vaga. He was employed in the decoration of the ''Sala del Consiglio'' of Castel Sant'Angelo. When Perino died in 1547, Tibaldi became the leader in the large-scale fresco painting of the chambers and doorways (1547–1549). The frescoes are described as Michelangelesque in influence. From 1550 to 1553 Tibaldi collaborated with Marco Pino on the frescoes of the vault of Daniele da Volterra’s della Rovere Chapel in Trinità dei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Siciolante Da Sermoneta
Girolamo Siciolante da Sermoneta (1521 – c. 1580) began his career as an Italian Mannerist painter but later adopted the reformist naturalism of Girolamo Muziano in the 1560s and 70s. He was active in Rome in the mid 16th century. Native to Sermoneta, he was reputed to have been a pupil of Leonardo da Pistoia. His first known work is an altarpiece once in the Valvisciolo Abbey, now in the Palazzo Caetani in Rome. In Piacenza he painted a ''Holy Family with Saint Michael'' (1545–1546). In 1548, he painted a ''Madonna with Six Saints'' for San Martino Maggiore in Bologna. In 1548-1549 In collaboration with Jacopino del Conte, he completed the Raphaelesque style frescoes depicting the ''Baptism of Clovis'' in the Remigius chapel of the church of San Luigi dei Francesi, which had been left unfinished by Perino del Vaga. In the 1550s, he painted the ''Crucifixion'' as an altarpiece for the Spanish national church in Rome, San Giacomo degli Spagnoli, paid for by a do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
In architecture, a niche (Canadian English, CanE, or ) is a recess or cavity constructed in the thickness of a wall for the reception of decorative objects such as statues, busts, urns, and vases. In Classical architecture examples are an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. In the first century B.C, there was no exact mention of niches, but rather a zotheca or small room. These rooms closely resemble alcoves similar to a niche but slightly larger. Different sizes and sculpture methods suggest the term niche was understood. Greeks and Romans especially, used niches for important family tombs. Etymology The word derives from the Latin (), via the French . The Italian ''Contrade of Siena#Nicchio (Seashell), nicchio'' () may also be involved in the origin of the word, as the traditional decoration for the top of a niche is a scallop shell, hence also the alternative term of semi-dome, "conch" for a semi-dome, usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
