Saint Catherine Of Alexandria (Palladas, Sinai)
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Saint Catherine Of Alexandria (Palladas, Sinai)
''Catherine of Alexandria'' is a tempera painting created by Ieremias Palladas. Palladas was a monk associated with Saint Catherine of Alexandria, Catherine's sacred monastery in Egypt also known as Mount Sinai. He was a painter and teacher. His nephew became the Greek Orthodox Patriarch of Alexandria, Patriarch of Alexandria. His name was Gerasimos Palladas. Ieremias was a Sinaitic monk because of his association with Saint Catherine of Alexandria, Catherine's monastery on Mount Sinai. The monastery encloses the site where it is assumed by Christians that Moses saw the burning bush. Ieremias Palladas, Ieremias was one of the most influential figures of his time. The Nectarius of Jerusalem, Patriarch of Jerusalem Nectarius wrote about the painter in his archives. Catherine of Alexandria, Saint Catherine was an educated woman and princess from Alexandria, Egypt. She was alive from 287 to 305. She died seven years before Constantine the Great, Constantine recognized the new ...
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Ieremias Palladas
Ieremias Palladas (; 1580–1592 – 1659), also known as Pouladas (), or Ieremia Pallada, was a Greek Renaissance painter. He was a clergyman, painter, and educator. He was affiliated with Saint Catherine's Monastery in Mount Sinai, Egypt. He is one of the most notable Greek painters of the 17th century. His family consisted of clergy and painters. His nephew was Patriarch of Alexandria Gerasimos Palladas. His work was influenced by Nikolaos Tzafouris and Angelos Akotantos. Georgios Klontzas and Emmanuel Lambardos were active in Crete around the same period. Palladas influenced the works of Theocharis Silvestros, Iakovos Moskos, Ioannis Kornaros and Philotheos Skoufos. According to the Institute of Neohellenic Research, twenty-four of his works survived. His specialty was painting crosses for the iconostasis or templo. Most of his works are in Egypt. History Ieremias was born in Chandaka now Heraklion. His father's name was Stephanos. His family was very famou ...
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Saint Catherine Of Alexandria (Palladas, Heraklion)
Saint Catherine is a tempera painting created by Ieremias Palladas. Palladas was a Greek painter from Crete. He was a Sinaitic monk. He was associated with Saint Catherine's sacred monastery in Egypt also known as Mount Sinai. The monastery is at the location where Mosses received his tablets. There was a dependency of the monastery in Heraklion, Crete by the same name. Palladas completed works for the monastery in Egypt. He also created works for the Holy Sepulture in Jerusalem and a church in Bethlehem. His version of the martyr became the framework of Cretan paintings of Saint Catherine. Another Sinaitic monk named Theocharis Silvestros worked with Palladas. He also created notable versions of Saint Catherine around the same period. Saint Catherine was both a princess and a scholar. She was from Alexandria, Egypt. She was alive between 287-305. She was a follower of the new Christian faith. She converted hundreds of followers to the new faith. She was imprisone ...
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Lectern
A lectern is a standing reading desk with a slanted top, on which documents or books are placed as support for reading aloud, as in a scripture reading, lecture, or sermon. A lectern is usually attached to a stand or affixed to some other form of support. To facilitate eye contact and improve posture when facing an audience, lecterns may have adjustable height and slant. People reading from a lectern, called lectors, generally do so while standing. The word has its origins in the medieval Latin term ''lectrum'', related to ''legere'' which means 'to read'. In pre-modern usage, the word ''lectern'' was used to refer specifically to the "reading desk or stand ... from which the Scripture lessons (''lectiones'') ... are chanted or read." One 1905 dictionary states that "the term is properly applied only to the class mentioned [church book stands] as independent of the pulpit." By the 1920s, however, the term was being used in a broader sense; for example, in reference to a memorial se ...
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Stole (vestment)
The stole is a liturgy, liturgical vestment of various Christianity, Christian religious denomination, denominations, which symbolizes priesthood, priestly authority; in Protestant denominations which do not have priests but use stoles as a liturgical vestment, however, it symbolizes being a member of the ordained. It consists of a band of colored cloth, usually of silk, about seven and a half to nine feet long and three to four inches wide, whose ends may be straight or may broaden out in the shape of a spade or bell. The center of the stole is worn around the back of the neck and the two ends hang down parallel to each other in front, either attached to each other or hanging loose. The stole is almost always decorated in some way, usually with two crosses, or sometimes another significant religious design. It is often decorated with contrasting galloons (ornamental trim (sewing), trim) and Christianity and fringed garments, fringe is usually applied to the ends of the stole follow ...
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Pellegrina
The pellegrina is a cape-like item of clerical dress worn by some Catholic ecclesiastics. Description Similar to the mozzetta but open in front, the pellegrina is a short shoulder cape reaching to the elbow. It is made of black or white material trimmed and lined with amaranth red (for bishops) or scarlet red (for cardinals). The pope's pellegrina is entirely white. In some countries, priests wear a pellegrina of the same colour as their plain black cassock. Use The general rule of the Roman Catholic Church is that the pellegrina may be worn with the cassock by cardinals and bishops. In 1850, the year in which Pope Pius IX restored the Catholic hierarchy in England and Wales, he was understood to grant to all priests there the privilege of wearing a replica in black of his own white cassock with pellegrina. Since then, the wearing of the pellegrina with the cassock has been a sign of a Catholic priest in England and Wales, Scotland, Ireland, Australia, and New Zea ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an idiosyncratic style (although ...
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Breaking Wheel
The breaking wheel, also known as the execution wheel, the Wheel of Catherine or the (Saint) Catherine('s) Wheel, was a torture method used for public execution primarily in Europe from antiquity through the Middle Ages up to the 19th century by breaking the bones of a criminal or bludgeoning them to death. The practice was abolished in Bavaria in 1813 and in the Electorate of Hesse in 1836: the last known execution by the "Wheel" took place in Prussia in 1841. In the Holy Roman Empire, it was a " mirror punishment" for highwaymen and street thieves, and was set out in the ''Sachsenspiegel'' for murder, and arson that resulted in fatalities. Punishment Those convicted as murderers, rapists, traitors or robbers were to be executed by the wheel, sometimes termed to be "wheeled" or "broken on the wheel", would be taken to a public stage scaffold site and tied to the floor. The execution wheel was typically a large wooden spoked wheel, the same as was used on wooden transpo ...
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Astrolabe
An astrolabe (; ; ) is an astronomy, astronomical list of astronomical instruments, instrument dating to ancient times. It serves as a star chart and Model#Physical model, physical model of the visible celestial sphere, half-dome of the sky. Its various functions also make it an elaborate inclinometer and an analog computer, analog calculation device capable of working out several kinds of problems in astronomy. In its simplest form it is a metal disc with a pattern of wires, cutouts, and perforations that allows a user to calculate astronomical positions precisely. It is able to measure the horizontal coordinate system, altitude above the horizon of a celestial body, day or night; it can be used to identify stars or planets, to determine local latitude given local time (and vice versa), to survey, or to triangulation, triangulate. It was used in classical antiquity, the Islamic Golden Age, the European Middle Ages and the Age of Discovery for all these purposes. The astrolabe, ...
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Gnomon
A gnomon (; ) is the part of a sundial that casts a shadow. The term is used for a variety of purposes in mathematics and other fields, typically to measure directions, position, or time. History A painted stick dating from 2300 BC that was excavated at the archeological site of Taosi is the oldest gnomon known in China. The gnomon was widely used in ancient China from the second millennium BC onward in order to determine the changes in seasons, orientation, and geographical latitude. The ancient Chinese used shadow measurements for creating calendars that are mentioned in several ancient texts. According to the collection of Zhou Chinese poetic anthologies ''Classic of Poetry'', one of the distant ancestors of King Wen of the Zhou dynasty used to measure gnomon shadow lengths to determine the orientation around the 14th century BC. The ancient Greek philosopher Anaximander (610–546 BC) is credited with introducing this Babylonian instrument to the Ancient Greeks. The ...
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Square And Compasses
The Square and Compasses (or, more correctly, a square and a set of compasses joined) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind". However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole. The name Square and Compass was used by two national college fraternities that were created by Master Masons, specifically Square and Compass and a group later called Sigma Mu Sigma. With a "G" In many English speaking countries, the Square and Compasses are depicted with the letter "G" in the center. The letter has mu ...
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Mount Catherine
Mount Catherine (; ), is the highest mountain in Egypt. It is located near the town of Saint Catherine, Egypt, Saint Catherine in the South Sinai Governorate. The name is derived from the Christian tradition that angels transported to this mountain the body of the martyred Saint Catherine of Alexandria. At the summit of the mountain, there is a chapel built in 1905 and a meteorological station. History Archaeology On the north of Mount Catherine, archaeologists uncovered a cave with paintings of people and animals in red pigment dates back to the Chalcolithic Period,–4th millennium BC in January of 2020. According to John Darnell, red painted images are not as common as engraved images and text. The painting resembling a camel shows that at least some of the graffiti are not older than the first millennium BC and may belong to a later period. The cave was filled with graffiti from different periods over time. Geology Mount Catherine is a large Horst (geology), horst ...
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Theotokos
''Theotokos'' ( Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are or (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in , and Θεοφόρος respectively. The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because her son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mother of God (Greek: ) or Mother of Incarnate God, abbreviated ΜΡ ΘΥ (the first and last letter of main two words in ...
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