|
Sadarang
Sadarang (1670–1748) was the pen name of the Hindustani musical composer and artist Naimat Khan, who was active in the eighteenth century. He and his nephew Adarang changed the Khayal style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal. Sadarang served in the court of Mughal Emperor Muhammad Shah (ruled 1719-1748). Sadarang and Adarang remain influential in Hindustani classical music, mainly through their compositions. Salar Jung Nawwab Dargah Quli Khan, a young noble Deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Naimat Khan play the Bīn. He wrote in ''Risala Salar Jung'' later translated as ''Muraqqa-i-Dehli'', "When he begins to play the Bīn, when the notes of the Bīn throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...).Na’mat Khan is acquainted with all aspects of music.Naimat Khan is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity. Etymology () is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language, Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingass� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wazir Khan (Rampur)
Ustad Mohammad Wazir Khan (1860–1926) served as the head of Arbab-e-Nishat (Music Department of Rampur State) during the period of Nawab Hamid Ali Khan of Rampur. He was also an excellent playwright who established the Rampur theatre in the building of club Ghar in Rampur. Early life and background Wazir Khan was born in 1860 in the former Rampur State to Ameer Khan Beenkar. He was the descendant of Naubat Khan and Hussaini (Tansen's daughter). Besides music, Wazir Khan's interests spanned many fields and areas. He was also a professional playwright, poet, published author, painter, passionate photographer, and a well-practiced calligrapher. Primarily he used to do calligraphy in Arabic and Persian. In poetry, he was the student of the noted poet Daagh Dehlvi. As a musicologist, he wrote the Risala Mausibi. In addition, Wazir Khan was proficient in many languages, such as Arabic, Persian, Urdu, Hindi, Bangla, Marathi and Gujarati. Cuisine All the Naubat Khanis were fond o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naubat Khan
Naubat Khan (also known as Ali Khan Karori) was an Indian classical music composer, musician and instrumentalist who was made a Mansabdar by Mughal Emperor Akbar. He is known today for his skills with the ''rudra veena'' or ''bīn'', which he is shown playing in paintings by Mughal court artists. Naubat Khan was the contemporary and son in law of legendary Tansen. Early life and background Naubat Khan was the grandson of Raja Samokhan Singh of Kishangarh. Samokhan Singh, a Jodhpur State, Jodhpur prince, was himself a great veena player of his time. As the Mughal Emperor Akbar fought his wars of conquest in India, he fought against Raja Samokhan Singh. Singh was defeated in the battle and his grandson Misri Singh (Naubat Khan) was kept under house arrest. Misri Singh later accepted Islam and was named Ali. He was trained under Abdul Rahim Khan-I-Khana, the son of Bairam Khan to get an understanding of the Mughal court procedures. Ali was given the title of Khan by Mughal Emperor A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adarang
Firoz Khan, who used the pen name Adarang, was a Hindustani musical composer and artist. Career Mughal Emperor Muhammad Shah patronized Adarang, who revolutionized Hindustani classical music through propagation of Khayal with Sadarang. In the context of Sitar the mention of Adarang deserves attention. Firoz Khan, Adarang, was one of the chief musicians in the royal court and is considered as the first musician who introduced sitar in the 18th century through the Delhi court. Nawab Dargah Quli Khan's description of his mehfils in Muraqqa-e-Dehli is taken as the earliest mention yet found of Sitar in Northern India. Later Sadullah Khan the son of Ali Mohammed Khan used to invite Adarang to Aonla for musical conferences.Tareekh-e-Rohilla by Nafees Siddiqui Personal life Adarang was the nephew and son-in-law of Sadarang. He was the son of Naubat Khan II. Adarang was the descendant of Naubat Khan and Hussaini (Tansen Rāmtanu ( – 26 April 1589), popularly referred to as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad Shah
Mirza Nasir-ud-Din Muḥammad Shah (born Roshan Akhtar; 7 August 1702 – 26 April 1748) was the thirteenth Mughal emperor from 1719 to 1748. He was son of Khujista Akhtar, the fourth son of Bahadur Shah I. After being chosen by the Sayyid Brothers of Barha, he ascended the throne at the young age of 16, under their strict supervision. He later got rid of them with the help of Nizam-ul-Mulk, Asaf Jah I – Syed Hussain Ali Khan was murdered at Fatehpur Sikri in 1720 and Sayyid Hassan Ali Khan Barha was captured in battle in 1720 and fatally poisoned in 1722. Muhammad Shah was a great patron of the arts, including musical, cultural and administrative developments, he is thus often referred to as Muhammad Shah Rangila (). His pen-name was "Sadrang" and he is also sometimes referred to as "Bahadur Shah Rangila" after his grand father Bahadur Shah I. Muhammad Shah's reign was marked by rapid and irreversible decline of the Mughal Empire that was exacerbated by Nader Shah's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen Name
A pen name or nom-de-plume is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to merge multiple persons into a single identifiable author, or for any of several reasons related to the marketing or aesthetic presentation of the work. The author's real identity may be known only to the publisher or may become common knowledge. In some cases, such as those of Elena Ferrante and Torsten Krol, a pen name may preserve an author's long-term anonymity. Etymology ''Pen name'' is formed by joining pen with name. Its earliest use in English is in the 1860s, in the writings of Bayard Taylor. The French-language phrase is used as a synonym for "pen name" ( means 'pen') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Empire
The Mughal Empire was an Early modern period, early modern empire in South Asia. At its peak, the empire stretched from the outer fringes of the Indus River Basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India.. Quote: "The realm so defined and governed was a vast territory of some , ranging from the frontier with Central Asia in northern Afghanistan to the northern uplands of the Deccan plateau, and from the Indus basin on the west to the Assamese highlands in the east." The Mughal Empire is conventionally said to have been founded in 1526 by Babur, a Tribal chief, chieftain from what is today Uzbekistan, who employed aid from the neighboring Safavid Iran, Safavid and Ottoman Empires Quote: "Babur then adroitly gave the Ottomans his promise not to attack them in return for their military aid, which he received in the form of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deccanis
The Deccanis or Deccani people are an Indo-Aryans, Indo-Aryan ethno-religious community of Deccani language, Deccani-speaking Muslims who inhabit or are from the Deccan region of India. The community traces its origins to the shifting of the Delhi Sultanate's capital from Delhi to Daulatabad Fort, Daulatabad in 1327 during the reign of Muhammad bin Tughluq. Further ancestry can also be traced from immigrant Muslims referred to as Afāqi, Afaqis, also known as Pardesis who came from Central Asia, Iraq and Iran and had settled in the Deccan region during the Bahmani Sultanate (1347). The migration of Muslim Hindustani language, Hindavi-speaking people to the Deccan and intermarriage with the local Hindus who converted to Islam, led to the creation of a new community of Hindustani language, Hindustani-speaking Muslims, known as the Deccani, who would come to play an important role in the politics of the Deccan. Their language, Deccani, emerged as a language of linguistic prestige and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Veena
The ''rudra veena'' () (also spelled ''rudraveena'' or ''rudra vīnā'') — also called the ''bīn'' in North India — is a large plucked string instrument used in Hindustani music, especially dhrupad. It is one of the major types of '' veena'' played in Indian classical music, notable for its deep bass resonance. Oral tradition ascribes the instrument to Shiva, the principal deity within Hinduism. The rudra veena is seen in temple architecture predating the Mughals. It is also mentioned in court records as early as the reign of Zain-ul Abidin (1418–1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms ' songwriter' or ' singer-songwriter' are more often used, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
