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Sackbut
A sackbut is an early form of the trombone used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older. ''Sackbut'', originally a French term, was used in England until the instrument fell into disuse in the eighteenth century; when it returned, the Italian term ''trombone'' became dominant. In modern English, an older trombone or a replica is called a ''sackbut''. The bell section ...
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Trombone
The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the Baritone horn, baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass tr ...
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Cornett
The cornett (, ) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from in length, usually described as in G. The note sounded with all finger-holes covered is A, which can be lowered a further whole tone to G by slackening the embouchure. The name ''cornett'' comes from the Italian ''cornetto'', meaning "small horn". It was used in performances by professional musicians for both state and liturgical music, especially accompanying choral music. It also featured in popular music in '' alta capella'' or loud wind ensembles. British organologist Anthony Baines wrote that the cornett "was praised in the very terms that were to be bestowed upon the oboe .. it could be sounded as loud as a trumpet and as soft as a recorder, and its tone approached that of the human voice ...
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Alta Cappella
An alta cappella or alta musica (Italian), haute musique (French) or just alta was a kind of town wind band found throughout continental Europe from the thirteenth to the eighteenth centuries, which typically consisted of shawms and slide trumpets or sackbuts. '' Waits'' is the British equivalent. These were not found anywhere outside of Europe. History ''Alta musique'' in general refers to the "loud music" of instruments like shawms, sackbuts, trumpets, and drums, in contrast to ''basse musique'', the "soft music" of recorders, viols, fiddles, harps, psalteries, and the like. Howard Mayer Brown, and Keith Polk, "Alta (i)", Grove Music Online, edited by Deane Root (accessed 28 January 2015) These ensembles first appeared in Europe in the thirteenth century, taken from the ceremonial loud bands of the Arab World, consisting of small shawms, nakers, and other percussion, together with pairs of straight trumpets functioning as something of a cross between drone and percussion. In ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ...
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Slide Trumpet
The slide trumpet is an early type of trumpet fitted with a movable section of telescopic tubing, similar to the slide of a trombone. Eventually, the slide trumpet evolved into the sackbut, which evolved into the modern-day trombone. The key difference between these two instruments is that the slide trumpet possesses only a ''single'' slide joint, rather than the two joints in the U-shaped slide of the sackbut or trombone. There are several types of slide trumpet of different places and eras. Early instrument The slide trumpet grew out of the war trumpet as used and developed in Western and Central Europe: Don Smithers argues that the slide grew out of the detachable leadpipe, and separated the use of the trumpet as a dance instrument from the trumpet as a signaling device in war. Renaissance slide trumpet :''See: Clarion'' As no instruments from this period are known to have survived, the details—and even the existence—of a Renaissance slide trumpet is a matter of some ...
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Clarion (instrument)
Clarion is a name for a high-pitched trumpet used in the Middle Ages and the Renaissance. It is also a name for a 4' organ reed stop that produces a high-pitched or clarion-like sound on a pipe organ in the clarion trumpet's range of notes. The word ''clarion'' has changed meanings over centuries and across languages. Today, in modern French'' clairon'' refers to the bugle, while in Italy '' chiarina'' refers to modern trumpets of historic design, made from bent tubing and without valves, similar to the natural trumpet. Resembling these instruments is the modern fanfare trumpet, like the ''chiarina'' or natural trumpet, but with the option of using valves. ''Clarion'' became a musical term to refer the upper register of the standard trumpet. However, a ''clarin'' trumpet did exist with a narrower bore than the standard trumpet and a "broad, flat mouthpiece," designed to "play the high partials." In war the trumpet historically had a harsh sound, often described as, "like the ...
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Brass Instrument
A brass instrument is a musical instrument that produces sound by Sympathetic resonance, sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term ''labrosone'', from Latin elements meaning "lip" and "sound", is also used for the group, since instruments employing this "lip reed" method of sound production can be made from other materials like wood or animal horn, particularly early or traditional instruments such as the cornett, alphorn or shofar. There are several factors involved in producing different Pitch of brass instruments, pitches on a brass instrument. Slide (wind instrument), Slides, Brass instrument valve, valves, Crook (music), crooks (though they are rarely used today), or Key (instrument), keys are used to change vibratory length of tubing, thus changing the available harmonic series (music), harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produ ...
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Crumhorns
The crumhorn is a double reed instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being played again. It was also spelled krummhorn, krumhorn, krum horn, and cremorne. Terminology The name derives from the German (or or ) meaning ''bent horn''. This relates to the old English meaning curve, surviving in modern English in 'crumpled' and ' crumpet' (a curved cake). The similar-sounding French term , when used correctly, refers to a woodwind instrument of different design, though the term is often used in error synonymously with that of crumhorn. It is uncertain if the Spanish wind instrument (attested in an inventory of 1559) designates the crumhorn, but it is known that crumhorns were used in Spain in the 16th century, and the identification seems likely.Boydell 2001 Three Italian terms for the instrument, apart from the ...
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Buisine
The ''buisine'' and the ''añafil'' were variations of a type of straight medieval trumpet usually made of metal, also called a herald's trumpet. While arguably the same instrument, the two names represent two separate traditions, in which a Persian-Arabic-Turkic instrument called the '' Nafir'' entered European culture in different places and times. The term ''buisine'' (Old French; also, ''busine'', ''buysine'', ''buzine'') descends from '' Buccina'', a Roman military horn. The horn was mainly used for military and ceremonial purposes. When Europeans went to the crusades, the instrument was seen as a proper military target (in the same way a flag or pendant was), something to capture and bring home. The term ''añafil'' descends from '' al-Nafir'', the Persian-Arab Islamic trumpet which was used by Moorish armies in Spain, before the Crusades. By the Reconquista (722–1492) when residents of the future Spain retook the Iberian Peninsula, ''añafil'' was part of the nation's l ...
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