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Ring Of The Nibelung
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * ''Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them withou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Drama
is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas. Usage Mundt formulated his definition explicitly in contrast to intermezzo, or a piece that sits in between dramatic entities. To this day, is associated with the works of Richard Wagner where poetry, music and stage performances were not arbitrarily combined. Wagner himself composed the music and libretto and was a consultant on the stage design and choreography. This all-encompassing art, or , called on the diegesis of in order to further the immersive feel. Wagner himself resisted calling his works , which would imply a drama "meant for music," like a libretto. Instead he wanted to put music at the service of the drama, which indeed in its original ancient Greek form was inseparable from music. Nevertheless, the term music drama has become accepted. A major characteristic of Musik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelung
The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root ''nebel'', meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the ''Nibelungenlied''. The most widespread use of Nibelung is used to denote the Burgundian royal house, also known as the Gibichungs (German) or Gjúkingar (Old Norse). A group of royal brothers led by king Gunther or Gunnar, the Gibichungs are responsible for the death of the hero Siegfried or Sigurd and are later destroyed at the court of Attila the Hun (called Etzel in German and Atli in Old Norse). This is the only use of the term attested in the Old Norse legends. In medieval German, several other uses of the term Nibelung are documented besides the reference to the Gibichungs: it refers to the king and inhabitants of a mythical land inhabited by d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant
In folklore, giants (from Ancient Greek: ''gigas'', cognate giga-) are beings of human-like appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the ''Gigantes'' ( grc-gre, Γίγαντες) of Greek mythology. Fairy tales such as ''Jack the Giant Killer'' have formed the modern perception of giants as dimwitted ogres, sometimes said to eat humans, while other giants tend to eat the livestock. The antagonist in ''Jack and the Beanstalk'' is often described as a giant. In some more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly. Literary and cultural analysis Giants appear in the folklore of cultures worldwide as they represent a relatively simple concept. Representing the human body enlarged to the point of being monstrous, giants evoke terror and remind humans o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhinemaidens
The Rhinemaidens are the three water-nymphs (''Rheintöchter'' or "Rhine daughters") who appear in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Their individual names are Woglinde, Wellgunde and Flosshilde (Floßhilde), although they are generally treated as a single entity and they act together accordingly. Of the 34 characters in the ''Ring'' cycle, they are the only ones who did not originate in the Old Norse '' Eddas''. Wagner created his Rhinemaidens from other legends and myths, most notably the ''Nibelungenlied'' which contains stories involving water-sprites ( nixies) or mermaids of the Danube. The key concepts associated with the Rhinemaidens in the ''Ring'' operas—their flawed guardianship of the Rhine gold, and the condition (the renunciation of love) through which the gold could be stolen from them and then transformed into a means of obtaining world power—are wholly Wagner's own invention, and are the elements that initiate and propel the entire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valkyrie
In Norse mythology, a valkyrie ("chooser of the slain") is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become (Old Norse "single (or once) fighters"Orchard (1997:36) and Lindow (2001:104).). When the are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the '' Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions. The Old English cognate term appears in several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabass Trombone
The contrabass trombone (german: Kontrabassposaune, it, trombone contrabbasso) is the lowest instrument in the trombone family of brass instruments. First appearing built in 18′ B♭ an octave below the tenor trombone, since the late 20th century it has largely been supplanted by a less cumbersome bass-contrabass instrument pitched in 12′ F, a perfect fourth below the tenor and bass trombone. Wagner notably specified the contrabass for his ''Der Ring des Nibelungen'' opera cycle in the 1870s, and it has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. In the 21st century it has enjoyed something of a revival, particularly in film and video game soundtracks. History The contrabass trombone first appeared during the late Renaissance period as the (), a sackbut in 18′ B♭. The bass trombones of the time were pitched in 12′ F (), or 14′ E♭ (). During this period, the contrabass trombone was built w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trumpet
The bass trumpet is a type of low trumpet which was first developed during the 1820s in Germany. It is usually pitched in 8' C or 9' B today, but is sometimes built in E and is treated as a transposing instrument sounding either an octave, a sixth or a ninth lower than written, depending on the pitch of the instrument. Having valves and the same tubing length, the bass trumpet is quite similar to the valve trombone, although the bass trumpet has a harder, more metallic tone. Certain modern manufacturers offering 'valve trombones' and 'bass trumpets' use the same tubing, valves, and bell, in different configurations - in these cases the bass trumpet is virtually identical to the valve trombone. History The earliest mention of the bass trumpet is in the 1821 ''Allgemeine Musikalische Zeitung'', in which Heinrich Stölzel's ''Chromatische Tenor-trompetenbaß'' and Griesling & Schlott's ''Chromatische Trompetenbaß'' are described. Several other variants were produced through the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wagner Tuba
The Wagner tuba is a four-valve brass instrument named after and commissioned by Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle ''Der Ring des Nibelungen'', where its purpose was to bridge the acoustical and textural gap between the French horn and trombone. The sound produced by this instrument has been variously described as "smoky," "metallic," "unearthly" and "majestic." Wagner tubas (or ''Tenortuben'' and ''Basstuben'') are also referred to as Wagnertuben, Waldhorntuben, Bayreuth-tuben, Ring-tuben, or Horn-tuben by German writers, but it is most common to refer to them in English as Wagner tubas. Wagner's published scores usually refer to these instruments in the plural, ''Tuben'', but sometimes in the singular, ''Tuba''.Keays, James Harvey. "An investigation int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hero
A hero (feminine: heroine) is a real person or a main fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. Like other formerly gender-specific terms (like ''actor''), ''hero'' is often used to refer to any gender, though ''heroine'' only refers to women. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of ''hero'' is '' villain''. Other terms associated with the concept of ''hero'' may include ''good guy'' or ''white hat''. In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor code. The definition of a hero has changed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Æsir
The Æsir (Old Norse: ) are the gods of the principal pantheon in Norse religion. They include Odin, Frigg, Höðr, Thor, and Baldr. The second Norse pantheon is the Vanir. In Norse mythology, the two pantheons wage war against each other, resulting in a unified pantheon. Unlike the Old English word ''god'' (and the Old Norse word '), Æsir was never converted over to Christian use. Etymology ''Æsir'' is the plural of '' áss'', ''ǫ́ss'' "god". In genitival compounds, it takes the form ', e.g. in ' ("Thor of the Æsir"), besides ' found in : '' ás-brú'' "gods' bridge" (the rainbow), : ' "gods' enclosure", : ' "gods' kin", : ' "gods' leader", : ' "gods' might" (especially of Thor), : ' "divine wrath" etc. : ' "national god" (') is a title of Thor, as is : ' "almighty god", while it is Odin who is "the" '. There is also Old East Norse dialectal : *''ās-ækia'' (OWN: *''áss-ekja''), i.e. "god ride" (Thor riding in his wagon), resulting in the modern Swedish word : '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short piece of music, the form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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