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Revue Et Gazette Musicale De Paris
The ' was a weekly musical review founded in 1827 by the Belgian musicologist, teacher and composer François-Joseph Fétis, then working as professor of counterpoint and fugue at the Conservatoire de Paris. It was the first French-language journal dedicated entirely to classical music. In November 1835 it merged with Maurice Schlesinger's ''Gazette musicale de Paris'' (first published in January 1834) to form ''Revue et gazette musicale de Paris'', first published on 1 November 1835. It ceased publication in 1880. History By 1830 the ''Revue musicale'', written and published by Fétis, was on sale at Maurice Schlesinger's music seller's premises.Vol 7 (Tome VIII, IVme année) (1830) sold by Fétis, Alexandre Mesnier & Schlesinger. See review of Vol. 7 i''Revue française'', Issues 13-14, p. 281-3 Schlesinger (whose father founded the ''Berliner allgemeine musikalische Zeitung'') was a German music editor who had moved to Paris in 1821. Schlesinger published editions of classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Revue Musicale
''La Revue musicale'' was a music magazine founded by Henry Prunières in 1920. ''La Revue musicale'' of Prunières was undoubtedly the first music publishing magazine giving as much attention to the quality of editing, iconography, and illustration. In each issue (11 per year), there was plenty of information on the musical and choreographic life in many countries. In addition to the magazine, there were over 160 musical pieces by various composers, most of whom were French, irregularly produced as 81 supplements between 1920 and 1939. Many of these were composed specifically for the magazine. Several compositions have been overlooked in listings of the complete works of the composer. The magazine's aim was to support the profound changes taking place in the music of the period while simultaneously showing affection for the music of the past. Avoiding intransigent nationalism that marked French classical music before the World War I, the magazine became a reference point fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Heller
Stephen Heller (15 May 1813 – 14 January 1888) was a Hungarian pianist, teacher, and composer whose career spanned the period from Schumann to Bizet. Heller was an influence for later Romantic composers. He outlived his reputation, and was a near-forgotten figure at his death in 1888. Biography Heller was born in Pest, Hungary in 1815. He had been destined for a legal career, but instead decided to devote his life to music. At the age of nine he performed Jan Ladislav Dussek's Concerto for Two Pianos with his teacher, F. Brauer, at the Budapest Theater. He played so well that he was sent to study in Vienna, Austria, under Carl Czerny. Unable to afford Czerny's expensive fees, he became a student of Anton Halm. After a success in his first public concert in Vienna at the age of 15, his father undertook a concert tour through Hungary, Poland and Germany. Heller returned to Budapest by way of Kassel, Frankfurt, Nuremberg, Hamburg, and Augsburg. After passing the winter of 182 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Elwart
Antoine Aimable Elie Elwart (19 September 1808 – 14 October 1877) was a French composer and musicologist. Biography Childhood Elwart was born in Paris in the family home. At the age of ten, he became a chorister at the mastery of the Saint-Eustache church: Antoine Ponchard (a master of the chapel since 1815) ensured his first musical training. This teaching marked him for all his life, and spiritual music remained one of his great influences. Curious to discover the activity of professional musicians, he escaped from the work of manufacturer of crates where his parents had sent him and managed to become second violin in a street orchestra. In 1823, at the age of fifteen, a mass with four voices and a large orchestra of his composition was given at St-Roch Church. Training In 1825, the singer Cambon interpreted a scene by Elwart on the motif of the "Exiled". This year marked especially his entrance to the École royale de musique (the future Conservatoire de Paris) in counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castil-Blaze
François-Henri-Joseph Blaze, known as Castil-Blaze (1 December 1784 – 11 December 1857), was a French musicologist, music critic, composer, and music editor. Biography Blaze was born and grew up in Cavaillon, Vaucluse. He went to Paris to study law, but also to learn music, at the Conservatoire de Paris. After having passed several more years in Vaucluse (southeastern France), Castil-Blaze moved back to Paris. A large part of his activities consisted of adapting French and foreign opera for different stages in French provinces. In these cases, Castil-Blaze adapted the libretto as well as the music. This arranging work was highly criticized, but Castil-Blaze claimed that this permitted part of the public to become familiar with opera. Castil-Blaze is mostly known as a music critic. Beginning on 7 December 1820, he published ''Musical Chronicles'' in the ''Journal des débats'', signing his articles, which were often very controversial, 'XXX'.Newark 2001. In these irregu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Benoist
François Benoist (10 September 1794 – 6 May 1878) was a French organist, composer, and pedagogue. Benoist was born in Nantes. He took his first music lessons under Georges Scheuermann. Benoist studied music at the Conservatoire de Paris and won the Prix de Rome in 1815 for his cantata ''Œnone''. In 1819, he became organist (''organiste du roi'') and professor of organ at the Conservatoire; he held the latter post for half a century. His students included César Franck, Camille Saint-Saëns, Charles Lecocq, Georges Bizet, Louis Lefébure-Wely, Léo Delibes, and Adolphe Adam. As composer, he was comparatively unimportant, but he wrote two operas, four ballets, one Requiem Mass, and numerous works for organ. He died in Paris. Selected compositions * ''Léonore et Félix'', opéra-comique, 1821 * ''Chœur d'adieu'', 1836 * ''La Gipsy'', ballet, 1839 * '' Le Diable amoureux'', ballet, 1840 * ''Bibliothèque de l'organiste'', 12 volumes, 1841–1861 * ''Messe de Requiem pour t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimilla Doni
''Massimilla Doni'' is a short story by Honoré de Balzac. History Its first chapter was published in 1837 in the ''Études philosophiques'' of ''la Comédie humaine'' alongside '' Gambara'', '' les Proscrits'' and '' Séraphîta''. Its second chapter was published in 1839 in the review ''la France musicale'', under the title ''Une représentation du 'Mosè in Egitto' '' by Rossini in Venice, with a preamble underlining the role Stendhal had played in making Rossini known in France. George Sand, with whom Balzac had shared his enthusiasm for ''Mosè in Egitto'', advised the writer to put his story on paper. Balzac also wrote to Maurice Schlesinger, who had commissioned a novel from him for the ''Revue et gazette musicale de Paris'', to ask him for a little extra time to pursue two ideas - one on ''Robert le Diable'' by Giacomo Meyerbeer, and the other on ''Mosè in Egitto'' and ''The Barber of Seville'' by Rossini. The first of these ideas gave rise to ''Gambara'' and the second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarrasine
''Sarrasine'' is a novella written by Honoré de Balzac. It was published in 1830, and is part of his '' Comédie Humaine''. Introduction Balzac, who began writing in 1819 while living alone in the rue Lesdiguières, undertook the composition of ''Sarrasine'' in 1830. Although he had steadily produced work for over a decade (without commercial success), ''Sarrasine'' was among his earliest publications to appear without a pseudonym. During the period in which the novella was written, Balzac was involved in many salons, including that of Madame Recamier. Around the time in which ''Sarrasine'' was published, Balzac experienced great success with another work, '' La Peau de Chagrin'' (1831). As his career began to take off and his publications began to accumulate, Balzac developed increasingly lavish living habits and frequently made impulsive purchases (such as new furniture for his apartment and a hooded white cashmere gown designed to be worn by a monk, which he wore at night ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gambara (short Story)
''Gambara'' is a short story by Honoré de Balzac, first published in 1837 in the ''Revue et gazette musicale de Paris'' at the request of its editor Maurice Schlesinger. It is one of the ''Études philosophiques'' of ''La Comédie humaine''. History Schlesinger commissioned the novella to promote Giacomo Meyerbeer's opera, ''Les Huguenots'', which he was also publishing. At the time of its publication, Balzac was going every week to the Théâtre des Italiens, watching the shows from the box of the Guidoboni-Visconti, Italian friends of his who had first met him in the Scala in Milan and at the shows in Venice. The text was edited into a single volume with '' le Cabinet des Antiques'', published by éditions Souverain in 1839, before being published by édition Furne in 1846 in the ''Études philosophiques'', following ''Massimilla Doni'', a short story also written by Balzac shortly after returning from Italy, highly impressed by what he called the "mother of the arts". This w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novella
A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts. Definition The Italian term is a feminine of ''novello'', which means ''new'', similarly to the English word ''news''. Merriam-Webster defines a novella as "a work of fiction intermediate in length and complexity between a short story and a novel". No official definition exists regarding the number of pages or words necessary for a story to be considered a novella, a short story or a novel. The Science Fiction and Fantasy Writers Association defines a novella's word count to be between 17,500 and 40,000 words. History The novella as a literary genre began developing in the Italian literature of the early Renaissance, principally Giovanni Boccaccio, author of ''The Decameron'' (1353). ''The Decameron'' featured 100 tales (named nove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honoré De Balzac
Honoré de Balzac ( , more commonly , ; born Honoré Balzac;Jean-Louis Dega, La vie prodigieuse de Bernard-François Balssa, père d'Honoré de Balzac : Aux sources historiques de La Comédie humaine, Rodez, Subervie, 1998, 665 p. 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence '' La Comédie humaine'', which presents a panorama of post-Napoleonic French life, is generally viewed as his ''magnum opus''. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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