Reliquary Crown Of Henry II
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Reliquary Crown Of Henry II
The so-called Crown of Henry II is a medieval crown which came from the reliquary of the saint Henry II, Holy Roman Emperor (972–1024) at Bamberg Cathedral, though it is not thought to date from close to his lifetime. After the process of German Mediatisation, Bamberg became part of the Kingdom of Bavaria and the crown was transferred to the treasury of the Munich Residenz, where it still can be seen today. This lily crown consists of six plates which are joined by hinges fixed with pins. Each of the plates carries a large fleur-de-lis. The pins are surmounted by praying angels standing on acanthus leaves. Four of the segments and all fleur-de-lis are adorned with precious stones while two carry antique cameos. The decoration of the frame with foliage work seems to be of later date than the frame. Due to fitting slots at the front and back segment it is possible to add an imperial arch and cross A cross is a geometrical figure consisting of two intersecting lines or ba ...
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Schatzkammer Residenz Muenchen Krone Heinrich II 1270
''Schatzkammer'', a German word which means "treasury" or "treasure chamber", is a term sometimes used in English for the collection of treasures, especially ''Objet d'art, objets d’art'' in precious metals and jewels, of a ruler or other collector which are kept in a secure room and often found in the basement of a palace or castle. It also often included the wider types of object typical of the Renaissance cabinet of curiosities. A very small but evocative Renaissance room in a tower at Lacock Abbey was designed for keeping and viewing the treasures of the newly rich owner. Well-known examples are: * The Imperial Treasury, Vienna, Imperial Treasury at the Hofburg Palace in Vienna, Austria. * The collection of the royal regalia and treasures of the Bavarian Wittelsbach dynasty, housed in the ''Residenz, Munich, Residenz'' Palace in Munich, Germany. * The vast collection of the House of Wettin, Wettin Monarchs of Saxony, kept in the Green Vault at Dresden Castle in Dresden, ...
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Cameo (carving)
Cameo () is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a contrasting colour to the background; this was achieved by carefully carving a piece of material with a flat plane where two contrasting colours met, removing all the first colour except for the image to leave a contrasting background. A variation of a carved cameo is a cameo incrustation (or sulphide). An artist, usually an engraver, carves a small portrait, then makes a cast from the carving, from which a ceramic type cameo is produced. This is then encased in a glass object, often a paperweight. These are very difficult to make but were popular from the late 18th century through the end of the 19th century. Originating in Bohemia, the finest examples were mad ...
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Medieval European Metalwork Objects
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ...
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Individual Crowns
An individual is that which exists as a distinct entity. Individuality (or self-hood) is the state or quality of being an individual; particularly (in the case of humans) of being a person unique from other people and possessing one's own Maslow's hierarchy of needs, needs or goals, rights and moral responsibility, responsibilities. The concept of an individual features in diverse fields, including biology, law, and philosophy. Etymology From the 15th century and earlier (and also today within the fields of statistics and metaphysics) ''individual'' meant "divisible, indivisible", typically describing any numerically singular thing, but sometimes meaning "a person". From the 17th century on, ''individual'' has indicated separateness, as in individualism. Law Although individuality and individualism are commonly considered to mature with age/time and experience/wealth, a sanity, sane adult human, human being is usually considered by the State (polity), state as an "individu ...
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Louis The Bavarian
Louis IV (german: Ludwig; 1 April 1282 – 11 October 1347), called the Bavarian, of the house of Wittelsbach, was King of the Romans from 1314, King of Italy from 1327, and Holy Roman Emperor from 1328. Louis' election as king of Germany in 1314 was controversial, as his Habsburg cousin Frederick the Fair was simultaneously elected king by a separate set of electors. Louis defeated Frederick in the Battle of Mühldorf in 1322, and the two eventually reconciled. Louis was opposed and excommunicated by the French Pope John XXII; Louis in turn attempted to depose the pope and install an anti-pope. Louis IV was Duke of Upper Bavaria from 1294 to 1301 together with his elder brother Rudolf I, was Margrave of Brandenburg until 1323, and Count Palatine of the Rhine until 1329, and became Duke of Lower Bavaria in 1340. He was the last Bavarian to be a king of Germany until 1742. He became Count of Hainaut, Holland, County of Zeeland, Zeeland, and Friesland in 1345 when Margaret II ...
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Henry VII, Holy Roman Emperor
Henry VII (German: ''Heinrich''; c. 1273 – 24 August 1313),Kleinhenz, pg. 494 also known as Henry of Luxembourg, was Count of Luxembourg, King of Germany (or '' Rex Romanorum'') from 1308 and Holy Roman Emperor from 1312. He was the first emperor of the House of Luxembourg. During his brief career he reinvigorated the imperial cause in Italy, which was racked with the partisan struggles between the divided Guelf and Ghibelline factions, and inspired the praise of Dino Compagni and Dante Alighieri. He was the first emperor since the death of Frederick II in 1250, ending the Great Interregnum of the Holy Roman Empire; however, his premature death threatened to undo his life's work. His son, John of Bohemia, failed to be elected as his successor, and there was briefly another anti-king, Frederick the Fair, contesting the rule of Louis IV. Life Election as King of the Romans Born around 1273 in Valenciennes, he was a son of Count Henry VI of Luxembourg and Béatrice from the ...
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Frederick II, Holy Roman Emperor
Frederick II (German language, German: ''Friedrich''; Italian language, Italian: ''Federico''; Latin: ''Federicus''; 26 December 1194 – 13 December 1250) was King of Sicily from 1198, King of Germany from 1212, King of Italy and Holy Roman Emperor from 1220 and King of Jerusalem from 1225. He was the son of emperor Henry VI, Holy Roman Emperor, Henry VI of the House of Hohenstaufen, Hohenstaufen dynasty and Queen Constance, Queen of Sicily, Constance of Sicily of the Hauteville family, Hauteville dynasty. His political and cultural ambitions were enormous as he ruled a vast area, beginning with Sicily and stretching through Italy all the way north to Germany. As the Crusades progressed, he acquired control of Jerusalem and styled himself its king. However, the Papacy became his enemy, and it eventually prevailed. Viewing himself as a direct successor to the Roman emperors of antiquity, he was Holy Roman Emperor, Emperor of the Romans from his papal coronation in 1220 until hi ...
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Cross
A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is termed a saltire in heraldic terminology. The cross has been widely recognized as a symbol of Christianity from an early period.''Christianity: an introduction''
by Alister E. McGrath 2006 pages 321-323
However, the use of the cross as a religious symbol predates Christianity; in the ancient times it was a pagan religious symbol throughout Europe and western Asia. The effigy of a man hanging on a cross was set up in the fields to protect the crops. It often appeared in conjunction with the female-genital circle or oval, to signify the sacred marriage, as in Egyptian amule ...
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Imperial Arch
Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas * Imperial, West Virginia * Imperial, Virginia * Imperial County, California * Imperial Valley, California * Imperial Beach, California Elsewhere * Imperial (Madrid), an administrative neighborhood in Spain * Imperial, Saskatchewan, a town in Canada Buildings * Imperial Apartments, a building in Brooklyn, New York * Imperial City, Huế, a palace in Huế, Vietnam * Imperial Palace (other) * Imperial Towers, a group of lighthouses on Lake Huron, Canada * The Imperial (Mumbai), a skyscraper apartment complex in India Animals and plants * ''Cheritra'' or imperial, a genus of butterfly Architecture, design, and fashion * Imperial, a luggage case for the top of a coach * Imperial, the top, roof or second-storey compartment of a coa ...
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Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both ''Acanthus mollis'' and the still more deeply cut ''Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his ''Stilfragen ...
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Reliquary
A reliquary (also referred to as a ''shrine'', by the French term ''châsse'', and historically including ''wikt:phylactery, phylacteries'') is a container for relics. A portable reliquary may be called a ''fereter'', and a chapel in which it is housed a ''feretory''. Relics may be the purported or actual physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures. The authenticity of any given relic is often a matter of debate; it is for that reason, some churches require documentation of the relic's provenance. Relics have long been important to Buddhism, Buddhists, Christianity, Christians, Hinduism, Hindus and to followers of many other religions. In these cultures, reliquaries are often presented in shrines, churches, or temples to which the faithful make pilgrimages in order to gain blessings. The term is sometimes used loosely of containers for the body parts of non-religious figures; in particular the ...
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Angels
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally "messenge ...
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