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ReacTable
The Reactable is an electronic musical instrument with a tabletop tangible user interface that was developed within the Music Technology Group at the Universitat Pompeu Fabra in Barcelona, Spain by Sergi Jordà, Marcos Alonso, Martin Kaltenbrunner and Günter Geiger. In late 2010, a mobile version of the Reactable was released for iOS. Basic operation The Reactable is a round translucent table, used in a darkened room, and appears as a backlit display. By placing blocks called ''tangibles'' on the table, and interfacing with the visual display via the tangibles or fingertips, a virtual modular synthesizer is operated, creating music or sound effects. Tangibles There are various types of tangibles representing different modules of an analog synthesizer. Audio frequency VCOs, LFOs, VCFs, and sequencers are some of the commonly used tangibles. There are also tangibles that affect other modules: one called ''radar'' is a periodic trigger, and another called ''tonalizer'' li ...
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Reactable Multitouch
The Reactable is an electronic musical instrument with a tabletop tangible user interface that was developed within the Music Technology Group at the Universitat Pompeu Fabra in Barcelona, Spain by Sergi Jordà, Marcos Alonso, Martin Kaltenbrunner and Günter Geiger. In late 2010, a mobile version of the Reactable was released for iOS. Basic operation The Reactable is a round translucent table, used in a darkened room, and appears as a backlit display. By placing blocks called ''tangibles'' on the table, and interfacing with the visual display via the tangibles or fingertips, a virtual modular synthesizer is operated, creating music or sound effects. Tangibles There are various types of tangibles representing different modules of an analog synthesizer. Audio frequency VCOs, LFOs, VCFs, and sequencers are some of the commonly used tangibles. There are also tangibles that affect other modules: one called ''radar'' is a periodic trigger, and another called ''tonalizer'' li ...
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Reactable002
The Reactable is an electronic musical instrument with a tabletop tangible user interface that was developed within the Music Technology Group at the Universitat Pompeu Fabra in Barcelona, Spain by Sergi Jordà, Marcos Alonso, Martin Kaltenbrunner and Günter Geiger. In late 2010, a mobile version of the Reactable was released for iOS. Basic operation The Reactable is a round translucent table, used in a darkened room, and appears as a backlit display. By placing blocks called ''tangibles'' on the table, and interfacing with the visual display via the tangibles or fingertips, a virtual modular synthesizer is operated, creating music or sound effects. Tangibles There are various types of tangibles representing different modules of an analog synthesizer. Audio frequency VCOs, LFOs, VCFs, and sequencers are some of the commonly used tangibles. There are also tangibles that affect other modules: one called ''radar'' is a periodic trigger, and another called ''tonalizer'' li ...
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Reactable001
The Reactable is an electronic musical instrument with a tabletop tangible user interface that was developed within the Music Technology Group at the Universitat Pompeu Fabra in Barcelona, Spain by Sergi Jordà, Marcos Alonso, Martin Kaltenbrunner and Günter Geiger. In late 2010, a mobile version of the Reactable was released for iOS. Basic operation The Reactable is a round translucent table, used in a darkened room, and appears as a backlit display. By placing blocks called ''tangibles'' on the table, and interfacing with the visual display via the tangibles or fingertips, a virtual modular synthesizer is operated, creating music or sound effects. Tangibles There are various types of tangibles representing different modules of an analog synthesizer. Audio frequency VCOs, LFOs, VCFs, and sequencers are some of the commonly used tangibles. There are also tangibles that affect other modules: one called ''radar'' is a periodic trigger, and another called ''tonalizer'' li ...
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Reactable003
The Reactable is an electronic musical instrument with a tabletop tangible user interface that was developed within the Music Technology Group at the Universitat Pompeu Fabra in Barcelona, Spain by Sergi Jordà, Marcos Alonso, Martin Kaltenbrunner and Günter Geiger. In late 2010, a mobile version of the Reactable was released for iOS. Basic operation The Reactable is a round translucent table, used in a darkened room, and appears as a backlit display. By placing blocks called ''tangibles'' on the table, and interfacing with the visual display via the tangibles or fingertips, a virtual modular synthesizer is operated, creating music or sound effects. Tangibles There are various types of tangibles representing different modules of an analog synthesizer. Audio frequency VCOs, LFOs, VCFs, and sequencers are some of the commonly used tangibles. There are also tangibles that affect other modules: one called ''radar'' is a periodic trigger, and another called ''tonalizer'' li ...
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Sergi Jordà
Sergi Jordà (born November 15, 1961) is a Catalan innovator, installation artist, digital musician and Associate Professor at the Music Technology Group, Universitat Pompeu Fabra in Barcelona. He is best known for directing the team that invented the Reactable. He is also a trained Physicist. Life and career Sergi Jordà was born in Madrid, where his father was directing the film ''El Día de los Muertos'' (1961). His father was the award-winning Catalan film director and writer :es:Joaquim Jordà, Joaquín Jordà. Sergi Jordà graduated with a BSc in Fundamental Physics from the Universitat de Barcelona in 1987 while also completing music studies. He was an early adopter of computer programming devoted to live computer music, and one of the pioneers of this field in Spain. During the 1990s he conducted doctorate studies in Artificial Intelligence with the UNED and collaborated with renowned Catalan artists :es:Marcel·lí Antúnez Roca, Marcel.lí Antúnez Roca or :es:La Fura del ...
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Tangible User Interface
A tangible user interface (TUI) is a user interface in which a person interacts with digital information through the physical environment. The initial name was Graspable User Interface, which is no longer used. The purpose of TUI development is to empower collaboration, learning, and design by giving physical forms to digital information, thus taking advantage of the human ability to grasp and manipulate physical objects and materials. One of the pioneers in tangible user interfaces is Hiroshi Ishii, a professor at the MIT who heads the Tangible Media Group at the MIT Media Lab. His particular vision for tangible UIs, called ''Tangible Bits'', is to give physical form to digital information, making bits directly manipulable and perceptible. Tangible bits pursues the seamless coupling between physical objects and virtual data. Characteristics # Physical representations are computationally coupled to underlying digital information. # Physical representations embody mechan ...
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TUIO
A tangible user interface (TUI) is a user interface in which a person interacts with digital information through the physical environment. The initial name was Graspable User Interface, which is no longer used. The purpose of TUI development is to empower collaboration, learning, and design by giving physical forms to digital information, thus taking advantage of the human ability to grasp and manipulate physical objects and materials. One of the pioneers in tangible user interfaces is Hiroshi Ishii, a professor at the MIT who heads the Tangible Media Group at the MIT Media Lab. His particular vision for tangible UIs, called ''Tangible Bits'', is to give physical form to digital information, making bits directly manipulable and perceptible. Tangible bits pursues the seamless coupling between physical objects and virtual data. Characteristics # Physical representations are computationally coupled to underlying digital information. # Physical representations embody mechanism ...
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Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, or duration of each note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano, except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic keyboard sends a signal to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions into a music controller (input device) and a music synthes ...
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Pure Data
Pure Data (Pd) is a visual programming language developed by Miller Puckette in the 1990s for creating interactive computer music and multimedia works. While Puckette is the main author of the program, Pd is an open-source project with a large developer base working on new extensions. It is released under BSD-3-Clause. It runs on Linux, MacOS, iOS, Android and Windows. Ports exist for FreeBSD and IRIX. Pd is very similar in scope and design to Puckette's original Max program, developed while he was at IRCAM, and is to some degree interoperable with Max/MSP, the commercial predecessor to the Max language. They may be collectively discussed as members of the Patcher family of languages. With the addition of the Graphics Environment for Multimedia (GEM) external, and externals designed to work with it (like Pure Data Packet / PiDiP for Linux, ), framestein for Windows, GridFlow (as n-dimensional matrix processing, for Linux, , Windows), it is possible to create and manipula ...
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Ars Electronica
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards. History Ars Electronica began with its first festival in September 1979. Its founders were Hannes Leopoldseder, Hubert Bognermayr, Herbert W. Franke, and Ulrich Rützel. The festival was held biennially at first, and annually since 1986. The Prix Ars Electronica was inaugurated in 1987 and has been awarded every year since then. Ars Electronica Linz GmbH was incorporated as a limited company in 1995. The Ars Electronica Center, together with the Futurelab, opened in 1996, a ...
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Virtuality
Virtual reality (VR) is a simulated experience that employs pose tracking and 3D near-eye displays to give the user an immersive feel of a virtual world. Applications of virtual reality include entertainment (particularly video games), education (such as medical or military training) and business (such as virtual meetings). Other distinct types of VR-style technology include augmented reality and mixed reality, sometimes referred to as extended reality or XR, although definitions are currently changing due to the nascence of the industry. Currently, standard virtual reality systems use either virtual reality headsets or multi-projected environments to generate realistic images, sounds and other sensations that simulate a user's physical presence in a virtual environment. A person using virtual reality equipment is able to look around the artificial world, move around in it, and interact with virtual features or items. The effect is commonly created by VR headsets consist ...
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Fiduciary Marker
A fiducial marker or fiducial is an object placed in the field of view of an imaging system that appears in the image produced, for use as a point of reference or a measure. It may be either something placed into or on the imaging subject, or a mark or set of marks in the reticle of an optical instrument. Applications Microscopy In high-resolution optical microscopy, fiducials can be used to actively stabilize the field of view. Stabilization to better than 0.1 nm is achievable. Physics In physics, 3D computer graphics, and photography, fiducials are reference points: fixed points or lines within a scene to which other objects can be related or against which objects can be measured. Cameras outfitted with Réseau plates produce these reference marks (also called Réseau crosses) and are commonly used by NASA. Such marks are closely related to the timing marks used in optical mark recognition. Geographical survey Airborne geophysical surveys also use the term "fiducial" ...
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