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Romantic Art
Romanticism in the visual arts, originating in the 1760s, marked a shift towards depicting wild landscapes and dramatic scenes, reflecting a departure from classical artistic norms. This movement emphasized the sublime beauty of nature, the intensity of human emotions, and the glorification of the past, often through the lens of national identity and historical events. Romantic art spread across Europe, gradually influencing various forms of artistic expression, and later resonated in America where artists incorporated these themes into portrayals of the unique American landscape. Its influence eventually spread globally, shaping various art forms and inspiring artists to express a more profound, emotional response to the natural world and societal changes. Romantic art highlighted the power of the individual perspective and the universal human experience, resonating across different cultures and leading to lasting impacts on artistic expression worldwide. Themes ;Apocalyptic ar ...
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Caspar David Friedrich 032
Caspar is a masculine given name. It may refer to: People * Caspar (magus), a name traditionally given to one of the Three Magi in the Bible who brought the baby Jesus gifts * Caspar Austa (born 1982), Estonian cyclist *Caspar Badrutt (1848–1904), Swiss businessman and pioneer of alpine resorts * Caspar Barlaeus (1584–1648), Dutch polymath, Renaissance humanist, theologian, poet and historian * Caspar Bartholin the Elder (1585–1629), Danish theologian and medical professor *Caspar Bartholin the Younger (1655–1738), Danish anatomist *Caspar Buberl (1834–1899), American sculptor * Caspar del Bufalo (1786–1837), Italian priest and saint * Caspar Commelijn (1668–1731), Dutch botanist * Caspar de Crayer (1582–1669), Flemish painter * Caspar Cruciger the Younger (1525–1597), German theologian, son of Caspar Creuziger * Caspar Creuziger or Caspar Cruciger the Elder (1504–1548), German humanist, professor of theology and preacher * Caspar Detlef Gustav Müller (1927–20 ...
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Rococo
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ...
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Friedrich Wilhelm Schadow
Friedrich Wilhelm von Schadow (7 September 1789 – 19 March 1862) was a German Romantic painter. Biography He was born in Berlin, the second son of the sculptor Johann Gottfried Schadow, who gave him his first lessons in drawing. He then turned to painting, and was instructed by Weitsch. In 1806-7 Schadow served as a soldier. In 1810 he traveled with his elder brother Rudolph to Rome where he became one of the leading painters of the Nazarene movement. Following the example of Johann Friedrich Overbeck and others, Schadow, originally a Lutheran, joined the Roman Catholic Church, and held that an artist must believe and live out the truths he essays to paint. The sequel showed that Schadow was qualified to shine more as a teacher and mentor than as a painter. As an author, he is best known for his lecture, ''Ueber den Einfluss des Christentums auf die bildende Kunst'' (About The Influence of Christianity On The Visual Arts) (Düsseldorf, 1843), and the biographical sketc ...
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Greifswald
Greifswald (), officially the University and Hanseatic City of Greifswald (, Low German: ''Griepswoold'') is the fourth-largest city in the German state of Mecklenburg-Western Pomerania after Rostock, Schwerin and Neubrandenburg. In 2021 it surpassed Stralsund for the first time, and became the largest city in the Pomeranian part of the state. It sits on the River Ryck, at its mouth into the Danish Wiek, a sub-bay of the Bay of Greifswald, which is itself a sub-bay of the Bay of Pomerania of the Baltic Sea. It is the seat of the district of Vorpommern-Greifswald, Western Pomerania-Greifswald, and is located roughly in the middle between the two largest Pomeranian islands of Rügen and Usedom. The closest larger cities are Stralsund, Rostock, Szczecin and Schwerin. It lies west of the River Zarow, the historical cultural and linguistic boundary between West (west of the river) and Central Pomerania (east of the river). The city derives its name from the dukes of Pomerania, the Hous ...
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Neubrandenburg
Neubrandenburg (, Low German ''Niegenbramborg'', both lit. ''New Brandenburg an der Havel, Brandenburg'') is a city in the southeast of Mecklenburg-Vorpommern, Germany. It is located on the shore of a lake called Tollensesee and forms the urban centre of the Mecklenburg Lake District, Mecklenburg Lakeland. The city is famous for its rich medieval heritage of Brick Gothic architecture, including the world's best preserved defensive wall of this style as well as a Marienkirche, Neubrandenburg, Concert Church (Saint Mary), the home venue of the Neubrandenburg Philharmonic. It is part of the European Route of Brick Gothic, a route which leads through seven countries along the Baltic Sea coast. Neubrandenburg is nicknamed for its four medieval city gates - ''Stadt der Vier Tore'' ("City of Four Gates"). Since 2011, Neubrandenburg has been the capital of the Mecklenburgische Seenplatte (district), Mecklenburgische Seenplatte district. It is the List of cities in Mecklenburg-Vorpommern, ...
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Chalk Cliffs On Rügen
''Chalk Cliffs on Rügen'' () is an oil painting of circa 1818 by German Romantic artist Caspar David Friedrich. Development In January 1818, Caspar David Friedrich married Christiane Caroline Bommer, who was about 20 years his junior. On their honeymoon in July and August 1818, they visited relatives in Neubrandenburg and Greifswald. From there, the couple undertook an excursion to the island of Rügen with Friedrich's brother Christian. The painting appears as a celebration of the couple's union. Description The painting depicts the view from the chalk cliffs of the Stubbenkammer, at that time one of the most famous lookout points on the island. It is frequently but incorrectly believed that the '' Wissower Klinken'' outcrops in particular were a model for the painting; however, these did not exist at the time of the painting's creation, but appeared later because of erosion. Friedrich often composed his landscapes from carefully chosen elements of different sketches, so that ...
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Crucifixion In The Arts
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire. The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as responsible for Christ's death. Modern art and culture have also seen the rise of images of crucifixion being used to make statements unconnected with Christian iconography, or even just used for shock value. Art Late antiquity The earliest known artistic representations of crucifixion predate the Christian era, including Greek representations of mythical crucifixions inspired by the use of the punishment by the Persians. The Alexamenos graffito, currently in the museum in the Palatine Hill, Rome, is a Roman graffito from the 2nd century CE which depicts a man worshiping a crucified donkey. ...
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Cross In The Mountains (Tetschen Altar)
A cross is a religious symbol consisting of two intersecting lines, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is termed a saltire in heraldic terminology. The cross shape has been widely officially recognized as an absolute and exclusive religious symbol of Christianity from an early period in that religion's history.''Christianity: an introduction''
by Alister E. McGrath 2006 pages 321-323
Before then, it was used as a religious or cultural symbol throughout , in west and

Philipp Otto Runge 001
Philipp is both a surname and a given name. Notable people with the name include: "Philipp" has also been a shortened version of Philippson, a German surname especially prevalent amongst German Jews and Dutch Jews. Surname * Adolf Philipp (1864–1936), German/American actor, composer and playwright * David Philipp (biologist), biologist * David Philipp (footballer) (born 2000), German footballer * Elke Philipp Elke Philipp (born 4 February 1964) is a German Paralympic equestrian. Philipp has had cerebellar ataxia since 1984 when she suffered from a swelling of the brain due to Viral meningitis.  This resulted in her staying in hospital for 18 months ... (born 1964), German Paralympic equestrian * Elliot Philipp (1915–2010), British gynaecologist and obstetrician * Franz Philipp (1890–1972), German church musician and composer * Hans Philipp (1917–1943), German fighter ace during WW II * Julius Philipp (1878–1944), German metal trader * Lutz Philipp (1940 ...
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Nazarene Movement
The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style. History In 1809, six students at the Vienna Academy formed an artistic cooperative in Vienna called the Brotherhood of St. Luke or ''Lukasbund'', following a common name for medieval guilds of painters. In 1810 four of them, Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger (1788–1827) moved to Rome, where they occupied the abandoned monastery of San Isidoro. They were joined by Philipp Veit, Peter von Cornelius, Julius Schnorr von Carolsfeld, Friedrich Wilhelm Schadow and a loose grouping of other German-speaking artists. They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827, they were jo ...
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Johan Christian Dahl
Johan Christian Claussen Dahl (24 February 178814 October 1857), often known as or , was a Danish- Norwegian artist who is considered the first great romantic painter in Norway, the founder of the "golden age" of Norwegian painting. He is often described as "the father of Norwegian landscape painting" and is regarded as the first Norwegian painter to reach a level of artistic accomplishment comparable to that attained by the greatest European artists of his day. He was also the first to acquire genuine fame and cultural renown abroad. As one critic has put it, "J.C. Dahl occupies a central position in Norwegian artistic life of the first half of the 19th century. Although Dahl spent much of his life outside of Norway, his love for his country is clear in the motifs he chose for his paintings and in his extraordinary efforts on behalf of Norwegian culture generally. He was, for example, a key figure in the founding of the Norwegian National Gallery and of several other major art ...
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Philipp Otto Runge
Philipp Otto Runge (; 1777–1810) was a German artist, draftsman, painter, and color theorist. Runge and Caspar David Friedrich are often regarded as the leading painters of the German Romantic movement.Koerner, Joseph Leo. 1990. ''Caspar David Friedrich and the Subject of Landscape.'' Yale University Press. New Haven, Connecticut. 256 pp. Rauch, Alexander. 2000. ''Neoclassicism and the Romantic Movement: Painting in Europe between Two Revolutions 1789 – 1848.'' pages 318–479. in Tomam, Rolf, editor. ''Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawings, 1750-1848.'' Könemann, Verlagsgesellschaft. Cologne. 520 pp. He is frequently compared with William Blake by art historians, although Runge's short ten-year career is not easy to equate to Blake's career.Connelly, Frances S. 1993. ''Poetic Monsters and Nature Hieroglyphics: The Precocious Primitivism of Philipp Otto Runge.'' Art Journal. 52(2): 31-39. By all accounts he had a brilliant mind and was ...
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