|
Rogério Skylab
Rogério Tolomei Teixeira (born September 2, 1956), known professionally as Rogério Skylab, is a Brazilian singer-songwriter, lyricist, classical guitarist, author, blogger, record producer, actor and short-lived television presenter. Describing himself as a "corpse within MPB", his unique musical style which granted him a passionate cult following is characterized by minimalism, repetition and eclecticism, and his writings are permeated by grotesque, shocking and offensive imagery; acerbic allusions to popular culture; metafictional devices; absurdist and surreal scenarios; pessimism; foul language; nihilism; and scatological and black comedy – although he denies that his work is purposefully humorous. Some of his most recognizable compositions are " Matador de Passarinho" (which brought him into nationwide fame in the underground scene), "Motosserra", "Funérea", "Naquela Noite", "Carrocinha de Cachorro-Quente", "Dedo, LÃngua, Cu e Boceta", "Eu Chupo o Meu Pau", " Fà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rio De Janeiro
Rio de Janeiro, or simply Rio, is the capital of the Rio de Janeiro (state), state of Rio de Janeiro. It is the List of cities in Brazil by population, second-most-populous city in Brazil (after São Paulo) and the Largest cities in the Americas, sixth-most-populous city in the Americas. Founded in 1565 by the Portuguese people, Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a List of states of the Portuguese Empire, state of the Portuguese Empire. In 1808, when the Transfer of the Portuguese Court to Brazil, Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent John VI of Portugal, raised Brazil to the dignity of a kingdom, within the United Kingdom of Portugal, Brazil and the Algarves, United Kingdom of Portugal, Brazil, and Algar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophical Pessimism
Philosophical pessimism is a philosophical tradition that argues that life is not worth living and that non-existence is preferable to existence. Thinkers in this tradition emphasize that suffering outweighs pleasure, happiness is fleeting or unattainable, and existence itself does not hold inherent value or an intrinsic purpose. Philosophers such as Arthur Schopenhauer suggest responses to life's suffering ranging from artistic contemplation to Asceticism, ascetic withdrawal, while Buddhism advocates for spiritual practices. Pessimism often addresses the ethics of both creating and continuing life. Antinatalism, Antinatalists assert that bringing new life into a world of suffering is morally wrong, and some pessimists view suicide as a rational response in extreme circumstances. The roots of pessimism trace back to ancient philosophies and religions. History of Buddhism in India, Buddhism in ancient India identified life as fundamentally marked by suffering (''duḥkha''). At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absurdist Fiction
Absurdist fiction is a genre of novels, Play (theatre), plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent Meaning of life, purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. In some cases, it may overlap with literary nonsense. The absurdist genre of literature arose in the 1950s and 1960s, first predominantly in France and Germany, prompted by post-war disillusionment. Absurdist fiction is a reaction against the surge in Romanticism in Paris in the 1830s, the collapse of religious tradition in Germany, and the societal and philosophical revolution led by the expressions of Søren Kierkegaard and Friedrich Nietzsche. Common elements in absurdist fiction include satire, dark humor, incongruity, the abasement of reason, and controversy regarding the philosophical condition of being " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metafiction
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and storytelling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art. Although metafiction is most commonly associated with postmodern literature that developed in the mid-20th century, its use can be traced back to much earlier works of fiction, such as '' The Canterbury Tales'' (Geoffrey Chaucer, 1387), ''Don Quixote'' Part Two (Miguel de Cervantes, 1615), '' Chymical Wedding of Christian Rosenkreutz'' ( Johann Valentin Andreae, 1617), '' The Cloud Dream of the Nine'' ( Kim Man-jung, 1687), '' The Life and Opinions of Tristram Shandy, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caustic Humour
Caustic humour is a type of humour which relies on witty insults. As is implied by the name (which literally means humour which is designed to burn or to corrode), it involves the clever use of language to convey biting, insulting, or sometimes even cruel remarks. This kind of humour is often attributed to such comedians and comedic writers as Lenny Bruce, David Foster Wallace, Richard Pryor, Don Rickles, George Carlin, Bill Hicks, Fran Lebowitz, Bea Arthur, Andrew Dice Clay, Ben "Yahtzee" Croshaw, Ricky Gervais and Bill Murray; philosophers Voltaire, Benjamin Franklin and Ludwig Wittgenstein; and politicians Sir Michael Cullen, Paul Keating, Derryn Hinch and Dennis Skinner. It is a feature of the work of children's author Roald Dahl Roald Dahl (13 September 1916 – 23 November 1990) was a British author of popular children's literature and short stories, a poet, screenwriter and a wartime Flying ace, fighter ace. His books have sold more than 300 million copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shock Value
Shock value (or shock factor) is the potential of an image, text, action, or other form of communication, such as a public execution, to provoke a reaction of sharp disgust, shock, anger, fear, or similar negative emotions. In advertising Shock advertising or shockvertising is a type of advertising generally regarded as one that "deliberately, rather than inadvertently, startles and offends its audience by violating norms for social values and personal ideals". It is the employment in advertising or public relations of "graphic imagery and blunt slogans to highlight" a public policy issue, goods, or services. Shock advertising is designed principally to break through the advertising "clutter" to capture attention and create buzz, and also to attract an audience to a certain brand or bring awareness to a certain public service issue, health issue, or cause (e.g., urging drivers to use their seatbelts, promoting STD prevention, bringing awareness of racism and other injustices ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes an audience feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, itself originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grotte'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclecticism In Music
In music theory and music criticism, the term eclecticism refers to the use of diverse music genres. A musician might be described as eclectic if different parts of their output can be ascribed to different genres such as folk, rock, electronic, classical, or jazz. Eclectic musicians may also use historical references in their work. A song can reference historical forms and methods through its composition, arrangement, or production. Classical theory The term can be used to describe the music of composers who combine multiple styles of composition; an example would be a composer using a whole tone scale variant of a folk song in a pentatonic scale over a chromatic counterpoint, or a tertian arpeggiating melody over quartal or secundal harmonies. Eclecticism can also occur through quotations, whether of a style, direct quotations of folk songs/variations of them—for example, in Mahler's '' Symphony No. 1''—or direct quotations of other composers, for exampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme (music), theme. While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to frequency, periodic sounds, it is especially prominent in specific styles. Usage A literal repetition of a musical passage is often indicated by the use of a repeat sign, or the instructions da capo or dal segno. Theodor W. Adorno damned repetition and popular music as psychotic and infantile. In contrast, Richard Middleton (musicologist), Richard Middleton (1990) argues that "while repetition is a feature of ''all'' music, of any sort, a high level of repetition may be a specific mark of 'the popular'" and that this allows an "enabling" of "an inclusive rather than exclusive audience". "There is no universal norm or convention" for the amount or type of repetition; "all music contains repetition – but in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non- teleological, and non- representational approach, and calls attention to the activity of listening ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
