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Robert De Févin
Robert de Févin (late 15th and early 16th centuries) was a French composer of the Renaissance. He was the brother of Antoine de Févin, a considerably more famous composer at the court of Louis XII of France. Whether he was older or younger than Antoine is not known. Little is known about his life, except that either he was born in Cambrai or Arras, the birthplace of his brother, and his father was an alderman in Arras in 1474. He held the post of ''maître de chapelle'' (chorus master) in Cambrai, to the dukes of Savoy, sometime around 1500; he may even have been born there. References to the "brothers Févin" as composers can be found from the time. Robert may have died before about 1518, as evidenced by a memorial note written on a copy of his ''Missa la sol mi fa re'', which was probably copied around that year. He wrote masses, motets and lamentations, though little of his work has survived. Three masses, a four-voice credo from a mass (the rest of which has been lost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentations Of Jeremiah
The Book of Lamentations (, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible, it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes, and the Book of Esther. In the Christian Old Testament, it follows the Book of Jeremiah, for the prophet Jeremiah is traditionally understood to have been its author. By the mid-19th century, German scholars doubted Jeremiah's authorship, a view that has since become the prevailing scholarly consensus. Most scholars also agree that the Book of Lamentations was composed shortly after Jerusalem's fall in 586 BCE. Some motifs of a traditional Mesopotamian "city lament" are evident in the book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the deity; others "parallel the funeral dirge in which the bereaved bewails... and... addresses th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Male Classical Composers
French may refer to: * Something of, from, or related to France ** French language, which originated in France ** French people, a nation and ethnic group ** French cuisine, cooking traditions and practices Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), a 2008 film * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a type of military jacket or tunic * French's, an American brand of mustard condiment * French (catheter scale), a unit of measurement * French Defence, a chess opening * French kiss, a type of kiss See also * France (other) * Franch, a surname * French Revolution (other) * French River (other), several rivers and other places * Frenching (other) Frenching may refer to: * Frenching (automobile), recessing or moul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on November 29, 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medici Codex
The Medici Codex of 1518 is a music book prepared for the Pope Leo X, the second son of Lorenzo the Magnificent of the Medici family, who was pope from 1513 to 1521. The codex contains 53 motets by 21 composers, and was presented to Leo's nephew Lorenzo di Piero de' Medici, Duke of Urbino, at his wedding to the French princess Madeleine de La Tour d'Auvergne in 1518. The wedding was held on 2 May 1518 in Amboise, France. The book was given to the nuptial couple at their triumphant return to Florence on 8 September 1518. Edward Lowinsky, in the three-volume facsimile edition (1968), proposed that Jean Mouton, a leading court composer for the French king, Francis I, was the editor.Historical Introduction Edward E. Lowinsky 1968 "strengthening our thesis that Mouton was its editor" Ten motets by Jean Mouton were included in the Medici Codex. The book also contains a tribute motet to Leo ''Gaude felix Florentia'' by Andreas de Silva, and motets by composers of the Franco-Flemish S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often Imitation (music), imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated Motif (music), motifs between voices. Josquin was a singer, and List of compositions by Josquin des Prez, his compositions are mainly vocal. They include mass (music), masses, motets and secular chansons. Josqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marian Antiphon
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. Some have been adopted as Christmas hymns. Marian hymns are not popular among Protestants who see Marian veneration as idolatry. The Eastern Orthodox yearly cycle of liturgy has more hymns to Mary than does the liturgy of Roman Catholicism, which often uses them in month-of-May devotions. These liturgies include the Magnificat hymn, which is one of the eight most ancient Christian hymns—perhaps the earliest, according to historian Marjorie Reeves. It is named after its first word in the 4th-century Vulgate Bible, based on , and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox. Some Marian hymns are shared by different groups of Christians, or are influenced by other hymns. For instance, the second stanza of the Anglican hymn Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentations (music)
''The Lamentations of Jeremiah the Prophet'' have been set by various composers. Renaissance England Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)". The lessons are drawn from '' Lamentations'' (Lam. 1, vv.1-2, and Lam. 1, vv.3-5). These famous and notably expressive settings are both ''a'' 5 for ATTBB and employ a sophisticatedly imitative texture. Tallis like many other composers included the following text: * the announcements ''Incipit Lamentatio Ieremiae Prophetae'' ("Here begins the Lamentation of Jeremiah the Prophet"), and ''De Lamentatione Ieremiae Prophetae'' ("From the Lamentation of Jeremiah the Prophet"); * the Hebrew letters ALEPH, BETH, GIMEL, DALETH, and HE, that headed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine De Févin
Antoine de Févin (ca. 1470 – late 1511 or early 1512) was a Franco-Flemish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary. Life Févin was most likely born in Arras in Northern France, the son of an alderman. His brother Robert de Févin was also a composer. Most likely Antoine left Arras in the late 1480s, though there is no evidence that he went to Italy, the commonest destination for Franco-Flemish composers of the time. In the 1490s it is likely he became a priest (although there is no known documentation of that today), and he also may have obtained a master's degree at a university, since he is commonly known as ''maistre'' later in his life. By 1507, he was working as a singer and composer in the chapelle royale for Louis XII of France, who praised him highly. He died at Blois. The Swiss music theorist and biographer Heinrich Glarean, writing in 1547, noted that Févin was a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
