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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact. It began in Florence in the early 15th century and reflected a revival of classical Greek and Roman principles such as symmetry, proportion, and geometry. This movement was supported by wealthy patrons, including the Medici family and the Catholic Church, who commissioned works to display both religious devot ...
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Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented/structural item. In the case of windows, the bottom span is referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern-day lintels may be made using prestressed concrete and are also referred to as beams in beam-and-block slabs or as ribs in rib-and-block slabs. These prestressed concrete lintels and blocks can serve as components that are packed together and propped to form a suspended-floor concrete slab. An arch functions as a curved lintel. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods ...
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Banister Fletcher
Sir Banister Flight Fletcher (15 February 1866 – 17 August 1953) was an English architect and architectural historian, as was his father, also named Banister Fletcher. They wrote the standard textbook ''A History of Architecture'', which is also often referred to just as Banister Fletcher. Life Fletcher was born and died in London, where he trained at King's College and University College. He joined his father's practice in 1884, also studying at the Royal Academy Schools, the Architectural Association, and the École des Beaux-Arts, Paris. He became a partner in 1889, and on his father's death in 1899 took over the practice, which continued to be called Banister Fletcher & Sons. Fletcher worked closely with his younger brother Herbert Phillips Fletcher (1872–1916) as well as his father. Herbert was also a partner in the family firm and they wrote some books together. He was "regarded as a minor figure in the modernist movement" in his early career, and gen ...
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Tempietto - Houtsnede Door Palladio 2
Tempietto (Italian: "small temple") generally means a small temple-like or pavilion-like structure and is a name of many places in Italy: * Tempietto del Bramante in Rome, a tomb by Donato Bramante * Villa Barbaro#Church (Tempietto Barbaro) at Maser, a church planned by Palladio * Tempietto of Sant'Antonio, Rimini, a baroque church in Rimini * Temple of Aesculapius (Villa Borghese) (called also Tempietto of Aesculapius) in Rome, built by Antonio Asprucci and his son Mario Asprucci * Temple of Clitumnus or Tempietto del Clitunno, an early medieval church in Pissignano * Tempietto del Petrarca, Canossa, a commemorative structure in Selvapiana * Sant'Emidio alle Grotte or Tempietto, a Baroque church in Ascoli Piceno * Sant'Emidio Rosso or Tempietto Sant'Emidio Rosso, a church of Ascoli Piceno * Sanctuary of Santa Maria infra Saxa, Genga and Tempietto Valadier by Giuseppe Valadier * Oratorio di Santa Maria in Valle, previously called the Tempietto longobardo, Valle * , a cave i ...
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Erwin Panofsky
Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German-Jewish art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential ''Renaissance and Renascences in Western Art'' and his seminal '' Early Netherlandish Painting''.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. Panofsky's ideas were highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the History of ''Mentalités''"). Ithaca: Cornell University Press, 1988 particularly in his use of historical ideas to interpret artworks and vice versa. Many of his books are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. His academic career was pursue ...
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Italian Renaissance
The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance, beginning around 1250, is typically accepted. The French word (corresponding to in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanism, Renaissance humanists labelled as the Dark Ages (historiography), "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term ('rebirth') in his ''Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, bu ...
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The Civilization Of The Renaissance In Italy
''The Civilization of the Renaissance in Italy'' () is an 1860 work on the Italian Renaissance by Swiss historian Jacob Burckhardt. Together with his ''History of the Renaissance in Italy'' (''Die Geschichte der Renaissance in Italien''; 1867) it is counted among the classics of Renaissance historiography. An English translation was produced by S.G.C. Middlemore in two volumes, London 1878. Content According to Denys Hay: :Burckhardt sought to capture and define the spirit of the age in all its main manifestations. For him ‘’Kultur’’ was the whole picture: politics, manners, religion...the character that animated the particular activities of a people in a given epoch, and of which pictures, buildings, social and political habits, literature, are the concrete expressions. Its scholarly judgements are considered to have been largely justified by subsequent research according to historians including Desmond Seward and art historians such as Kenneth Clark. ''The Civiliza ...
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Jacob Burckhardt
Carl Jacob Christoph Burckhardt (; ; 25 May 1818 – 8 August 1897) was a Swiss historian of art and culture and an influential figure in the historiography of both fields. His best known work is '' The Civilization of the Renaissance in Italy'' (1860). He is known as one of the major progenitors of cultural history. Sigfried Giedion described Burckhardt's achievement in the following terms: "The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well." Life The son of a Protestant clergyman, Burckhardt was born in Basel, where he studied theology in the hope of taking holy orders; however, under the influence of Wilhelm Martin Leberecht de Wette, he chose not to become a clergyman. He was a member of the patrician Burckhardt family. Burckhardt finished his degree in 1839 and went to the ...
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Jules Michelet
Jules Michelet (; 21 August 1798 – 9 February 1874) was a French historian and writer. He is best known for his multivolume work ''Histoire de France'' (History of France). Michelet was influenced by Giambattista Vico; he admired Vico's emphasis on the role of people and their customs in shaping history, which was a major departure from the then-prominent emphasis on political and military leaders. Michelet also drew inspiration from Vico's concept of the "", the cyclical nature of history, in which societies rise and fall in a recurring pattern. In , Michelet coined the term Renaissance (meaning "rebirth" in French) as a period in Europe's cultural history that reflected a clear break away from the Middle Ages. This subsequently created a modern understanding of humanity and its place in the newly 'reborn' world. The term "rebirth" and its association with the Renaissance can be traced to a work published in 1550 by the Italian art historian Giorgio Vasari. Vasari used this te ...
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Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' () is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on art", and "the first important book on

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Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ...
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