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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brimful Of Asha
"Brimful of Asha" is a song by English alternative rock band Cornershop from their third album, '' When I Was Born for the 7th Time'' (1997). The recording, released by Wiiija, originally reached number 60 on the UK Singles Chart in 1997. After a remixed version by Norman Cook became a radio and critical success, the song was re-released and reached number one on the UK chart and number 16 on the US ''Billboard'' Modern Rock Tracks chart. The lyric is a tribute to the Indian singer Asha Bhosle. Its music video was directed by Phil Harder. Background This song is based on the history of film culture in India. Since their beginnings, Indian films have relied heavily on song-and-dance numbers. The singing is almost always performed by background singers while the actors and actresses lip sync. Asha Bhosle is a playback singer who has sung over 12,000 songs and is referred to as "Sadi rani" ( Punjabi for "our queen") at one point in the lyrics. In the slower, original album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fatboy Slim
Norman Quentin Cook (born Quentin Leo Cook, 31 July 1963), also known as Fatboy Slim, is an English musician and DJ who helped popularise the big beat genre in the 1990s. His music makes extensive use of Sampling (music), samples from eclectic genres, combined with pop structures, processed rhythms and "sloganistic" vocals. In the 1980s, Cook was the bassist for the indie rock band the Housemartins, who achieved a UK number-one single with their cover of "Caravan of Love". After the Housemartins split, Cook moved to Brighton to pursue dance music. He formed the electronic group Beats International, who produced the number-one single "Dub Be Good to Me" in 1990, and played in the band Freak Power. He also released House music, house records under names including Pizzaman (duo), Pizzaman and the Mighty Dub Katz. In 1996, Cook released his first album as Fatboy Slim, ''Better Living Through Chemistry (album), Better Living Through Chemistry'', followed by successful Remix, remixes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p. 2. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26–44, "Electronic Music in Jamaica" Wesleyan University Press. Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Osbourne "King Tubby" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Tubby
Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who influenced the development of dub music in the 1960s and 1970s. Tubby's studio work, in which as a mixing engineer he achieved creative fame previously only reserved for composers and musicians, was influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, "King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". Career In the late 1950s, Jamaican sound systems were becoming popular in Kingston and were developing into enterprising businesses. A radio repairman, Tubby found frequent work for the sound systems, as the tropical weather of the Caribbean island (often combined with sabotage by rival sound system owners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereophonic Sound
Stereophonic sound, commonly shortened to stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and the Internet. Etymology The word ''stereophonic'' derives from the Greek language, Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee "Scratch" Perry
Lee "Scratch" Perry (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer, songwriter and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and Bob Marley and the Wailers, the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, the Clash, the Orb, and many others. Early life Rainford Hugh Perry was born on 20 March 1936 in Kendal, Jamaica, in the parish of Hanover Parish, Hanover, the third child of Ina Davis and Henry Perry. His mother had strong African traditions originating from her Yoruba people, Yoruba ancestry that she passed on to her son. His parents were both laborers, but his father later became a professional danc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental
An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through Semantic change, semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duet, duo or trio (music), trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete ''tracks'' on the same reel-to-reel tape was developed. A ''track'' was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or Synchronization, synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornershop
Cornershop are an English indie rock band formed in Leicester, in 1991. The group are best known for their single " Brimful of Asha" from their third album '' When I Was Born for the 7th Time''. A remixed version of the track reached number one on the UK singles chart in 1998. They were formed by Tjinder Singh (singer, songwriter, and guitar), his brother Avtar Singh (bass guitar, vocals), David Chambers (drums), and Ben Ayres (guitar, keyboards, and tamboura), the first three having previously been members of General Havoc, who released one single (the ''Fast Jaspal'' EP) in 1991.Buckley, Peter (2003) ''The Rough Guide to Rock'', Rough Guides, , p.229-230 The band name originated from a stereotype referring to British Asians often owning corner shops. Their music is a fusion of Indian music, indie rock, alternative and electronic dance music. History Formation and early years: 1991–1996 Tjinder Singh formed General Havoc whilst a student at Lancashire Polytechnic in Prest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! 2
''Neu! 2'' is the second studio album by the krautrock band Neu!. It was recorded in January 1973 and mixed in February 1973, both at Windrose-Dumont-Time Studios in Hamburg, West Germany, and released in 1973 by Brain Records. It was reissued by Astralwerks in the US and by Grönland in the UK and Europe on 29 May 2001. Critic Paul Morley included it in his list of the "5 x 100 Greatest Albums of All Time" in 2003. Overview This album further focused the classic Neu! krautrock sound, with the 11-minute "Für Immer" in particular being the archetypal example of their style -- a forward-driving vamping, propelled by Klaus Dinger's drumming and Michael Rother's layered guitar with its fluid lines and droning harmonic structure. '' Pitchfork'' described the album as featuring a proto-punk sound, while ''Fact'' labeled it " spartan psych-rock set to power-driven drum tracks." Side 2 of the record caused consternation at the time. Neu! had quite simply run out of money ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu!
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—'' Neu!'' (1972), '' Neu! 2'' (1973), and '' Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Although Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the " motorik" beat, a minimalist rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
