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Rembrandt's Prints
The Dutch Golden Age painter Rembrandt was a prolific printmaker throughout his career, and is universally regarded as one of the greatest creators of old master prints. Though, like other prints, his are often loosely described as "engravings", the main technique he used was etching, with some prints entirely in true engraving or in drypoint. Many prints used a mixture of techniques, as was common at the time. In all he produced about 300 prints. He is famous for revising prints, sometimes over a period of several years, producing an unusually large number of state (printmaking), states, which have provided specialist scholars with a good deal of work. For some of his career Rembrandt had an etching press in his house; this is now recreated in the original room in the Rembrandt House Museum in Amsterdam. He produced prints on a wide range of subjects: self-portraits and portraits, biblical and mythological subjects, genre scenes, landscapes, and other subjects. In particular, o ...
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Rembrandt The Hundred Guilder Print
Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in the history of Art of Europe, Western art.Gombrich, p. 420. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings and several hundred drawings. Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portrait painting, portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age. Rembrandt never went abroad but was considerably influenced by the work of the Italian Old Masters and Bentvueghels, Dutch and Flemish artists who had studied in Italy. A ...
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B320 Rembrandt
B3, B03, B.III or B-3 may refer to: Military American bombers * Keystone B-3, a biplane bomber of the United States Army Air Corps * Next-Generation Bomber (2018 Bomber), next bomber follow-on to the B-2 stealth bomber program * Long Range Strike Bomber program, successor program to the 2018 Bomber program ** Northrop Grumman B-21, a successor aircraft to the B-1 and B-52 bombers German and Austro-Hungarian aircraft * AEG B.III, a German reconnaissance aircraft * Albatros B.III, a German Idflieg B-class designation aircraft * Aviatik B.III, a 1916 Austro-Hungarian reconnaissance aircraft * Euler B.III, a German Idflieg B-class designation aircraft * Fokker B.III (other), two aircraft models * Halberstadt B.III, a German Idflieg B-class designation aircraft * Kampfgeschwader 54, from its historic ''Geschwaderkennung'' code with the Luftwaffe in World War II * Lohner B.III * LVG B.III, a 1910s German two-seat trainer biplane Submarines * USS ''B-3'' (SS-12), a U ...
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B088 Rembrandt
B, or b, is the second letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''bee'' (pronounced ), plural ''bees''. It represents the voiced bilabial stop in many languages, including English. In some other languages, it is used to represent other bilabial consonants. History The Roman derived from the Greek capital beta via its Etruscan and Cumaean variants. The Greek letter was an adaptation of the Phoenician letter bēt . The Egyptian hieroglyph for the consonant /b/ had been an image of a foot and calf , but bēt (Phoenician for "house") was a modified form of a Proto-Sinaitic glyph adapted from the separate hieroglyph Pr meaning "house". The Hebrew letter bet is a separate development of the Phoenician letter. By Byzantine times, the Greek letter came to be pronounced /v/, so that it is known in modern Greek as ''víta'' (still written ). The C ...
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Jacques Des Rousseaux
Jacques des Rousseaux (1600 – 1638), was a Baroque painter active in Leiden. He was born in Torcoing, which at the time was part of the Spanish Netherlands. Biography According to the RKD he was a pupil of Rembrandt in Leiden from 1630 onwards.Jacques des Rousseaux
in the
He is known for genre works in the manner of Rembrandt.


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Jacques des Rousseaux
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Hendrick Cornelisz
Hendrick may refer to: People * Hendrick (given name), alternative spelling of the Dutch given name Hendrik * Hendrick (surname) * King Hendrick (other), one of two Mohawk leaders who have often been conflated: ** Hendrick Tejonihokarawa (1660–c.1735), one of the "Four Mohawk Kings" ** Hendrick Theyanoguin (1692–1755), Mohawk leader associated with Sir William Johnson Other uses * Hendrick Cottage, a building in Simsbury, Connecticut, United States * Hendrick's Gin, Scottish gin brand * Hendrick Health System, American healthcare provider * Hendrick Island, large erosional feature in Bucks County, Pennsylvania, United States * Hendrick Manufacturing Company, American perforated metal manufacturer * Hendrick Motorsports, American stock car racing team See also * Hendricks (other) Hendricks may refer to: Places * Hendricks, Kentucky * Hendricks, Minnesota, largest city in the U.S. with that name. * Hendricks, West Virginia * Hendricks County, Indiana * He ...
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Gerrit Dou
Gerrit Dou (; 7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his '' trompe-l'œil'' "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt. Life Dou was born in Leiden, where his father was a manufacturer of stained-glass.Baer, p.28 He studied drawing under Bartholomeus Dolendo, and then trained in the stained-glass workshop of Pieter Couwenhorn. In February 1628, at the age of fourteen, his father sent him to study painting in the studio of Rembrandt (then aged about 21) who lived nearby. From Rembrandt, with whom he remained for about three years, he acquired his skill in colouring and in the more subtle effects of chiaroscuro, and his master's style is reflected in several of his earlier pictures, notably a self-portrait at the age of 22, around 1635 ...
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Hercules Seghers
Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two): Neil MacLaren, ''The Dutch School, 1600–1800, Volume I'', National Gallery Catalogues, p. 418-20, 1991, National Gallery, London, He has been called "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker. Life Hercules was born in Haarlem, the son of Cathalina Hercules and Pieter Seghers, a Mennonite cloth merchant, originally from Flanders, who moved to Amsterdam in 1596. There Hercules was apprenticed to the leading Flemish landscapist of the day, Gillis van Coninxloo, but his apprenticeship was presumably cut short by Coninxloo's death in 1606. Seghers and his father bought a number of his works at the auction of the studio contents, as Pieter Las ...
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Caravaggio
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferrin ...
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Adam Elsheimer
Adam Elsheimer (18 March 1578 – 11 December 1610) was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintings were small-scale, nearly all painted on copper plates, of the type often known as cabinet paintings. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including Rembrandt and Peter Paul Rubens. Life and work Elsheimer was born in Frankfurt am Main, one of ten children and the son of a master tailor. His father's house (which survived until destroyed by Allied bombs in 1944) was a few metres from the church where Albrecht Dürer's ''Heller Altarpiece'' was then displayed. He was apprenticed to the artist Philipp Uffenbach. He probably visited Strasbourg in 1596. At the age of twenty, he travelled to Italy via Munich, where he was documented in 1598. His stay in Ven ...
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