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Reflets Dans L'eau
Claude Debussy's ''Reflets dans l'eau'' ("Reflections in the Water") is the first of three piano pieces from his first volume of '' Images'', which are frequently performed separately. It was written in 1905. As with much of Debussy's work, it is referred to as Impressionistic, meaning that it expresses emotions and senses by making use of non-functional harmony and ambiguous key signatures, its tonality being mainly non-diatonic and usually having a sense of modality. It has similarities to Ravel's earlier piece ''Jeux d'eau''. While in some ways Debussy influenced his younger contemporary, Ravel was arguably the first to adopt impressionism. Musical analysis ''Reflets dans l'eau'' opens in a slow tempo (''andantino molto'') (which is repeated through much of the piece) while the right hand is playing a set of chords to accompany the melody. The piece has several brief melody statements and climaxes that are more glimpses of music than full ideas, which is typical of De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Images (Debussy Compositions For Solo Piano)
''Images'' (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's ''Images pour orchestre''. The first book was composed between 1901 and 1905, and the second book was composed in 1907. The total duration is approximately 30 minutes. With respect to the first series of ''Images'', Debussy wrote to his publisher, Jacques Durand: "Without false pride, I feel that these three pieces hold together well, and that they will find their place in the literature of the piano ... to the left of Schumann, or to the right of Chopin... " Debussy wrote another collection, ''Images oubliées'' (L. 87), in the Winter of 1894 and dedicated it to Yvonne Lerolle, daughter of the painter Henry Lerolle. Structure *Book 1 (or "1st series") ( L. 110) # "Reflets dans l'eau" (Reflections in the water) in D major # "Hommage à Rameau" (Tribute to R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionistic
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonfunctional Harmony
In music, function (also referred to as harmonic function) is a term used to denote the relationship of a chord"Function", unsigned article, ''Grove Music Online'', . or a scale degree to a tonal centre. Two main theories of tonal functions exist today: * The German theory created by Hugo Riemann in his ''Vereinfachte Harmonielehre'' of 1893, which soon became an international success (English and Russian translations in 1896, French translation in 1899), and which is the theory of functions properly speaking."It was Riemann who coined the term 'function' in ''Vereinfachte Harmonielehre'' (1893) to describe relations between the dominant and subdominant harmonies and the referential tonic: he borrowed the word from mathematics, where it was used to designate the correlation of two variables, an 'argument' and a 'value'". Brian Hyer, "Tonality", ''Grove Music Online'', . Riemann described three abstract tonal "functions", tonic, dominant and subdominant, denoted by the letters T, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Signature
In Western musical notation, a key signature is a set of sharp (), flat (), or rarely, natural () symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line. If the piece contains a section in a different key, the new key signature is placed at the beginning of that section. In a key signature, a sharp or flat symbol on a line or space of the staff indicates that the note represented by that line or space is to be played a semitone higher (sharp) or lower (flat) than it would otherwise be played. This applies through the rest of the piece or until another key signature appears. Each symbol applies to comparable notes in all octaves—for example, a flat on the fourth space of the treble staff (as in the diagram) indicates that all notes notated as Es are played as E-flats, including those on the bottom line of the staff. Most of this article addres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modality (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeux D'eau (Ravel)
''Jeux d'eau'' () is a piece for solo piano by Maurice Ravel, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing ''Jeux d'eau'', Ravel was a student of Gabriel Fauré, to whom this piece is dedicated. The work is in a single movement, typically lasting between four and a half and six minutes in performance. ''Jeux d'eau'' has a claim to being the first example of impressionism in piano music. The piece is known for its virtuosic, fluid, and highly evocative nature, and is considered one of Ravel's most important works for piano. The piece is characterized by its fast, shimmering, and cascading piano figurations, which are meant to evoke the sound of flowing water. The overall atmosphere of "Jeux d'eau" is one of lightness, playfulness, and sensuousness, and the piece is often described as a musical depiction of the joy and beauty of nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgi Latso
Giorgi Latso (born Giorgi Latsabidze, ka, გიორგი ლაცაბიძე, ; 15 April 1978) is a Georgian- American concert pianist, film composer, arranger, adjudicator, improviser and Doctor of Musical Arts. Latso has won several international piano competitions and awards. He is best known for his interpretations of Chopin and Debussy. He is a founder & CEO of Amadeus International Foundation. His concerts have been broadcast on radio and television in Europe, Asia, and the Americas. Early life and studies Latso was born in Tbilisi (Georgia) where he started studying the piano at the age of six. He made his public debut at age eight. He was admitted at the Tbilisi State Conservatoire, where he eventually became a pupil of Rusudan Chojava. In 2004, he obtained a master's degree at the Hochschule für Musik, Theater und Medien Hannover, Germany and the Mozarteum University Salzburg in Salzburg, Austria. Latso pursued doctoral studies at the University of Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accompaniment
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar. While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and basslines simultaneously (chords and a bassline are easier to play sim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Claude Debussy By Genre
This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.Lesure, François: ''Catalogue de l'œuvre de Claude Debussy'', Genève: Minkoff (1977) . (The "L¹" and "L²" headers are clickable and doing so will sort the entire list by L¹ or L² number. Clicking that header again will reverse the order; to return to the genre category order, reload the webpage.) List of compositions Notes References External links Catalogue François Lesure des œuvres de Claude Debussyon Musicbrainz (has both versions of Lesure's catalogue, with newer updates to the 2001 version). ''Piano Library: Claude Debussy''Complete list of Debussy piano works with musical extracts, difficulty ratings and recommended editions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
