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Rain Forest (Jeremy Steig And Eddie Gómez Album)
''Rain Forest'' is an album by the flautist Jeremy Steig and the double bass player Eddie Gómez recorded in New York in 1980 and released on the German CMP label. Retrieved April 23, 2018. Retrieved April 23, 2018. Retrieved April 23, 2018. Reception The '''' review by Michael G. Nastos says, "Virtuoso flute player. An improvisational tradition of various groupings."Track listing All com ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremy Steig
Jeremy Steig (September 23, 1942 – April 13, 2016)Peter Keepnews, "Jeremy Steig, Flutist Who Bridged Jazz and Rock, Dies at 73" '''', June 2, 2016. Retrieved 1 September 2016 was an American flutist. Biography Steig was born in Manhattan, the son of Jewish '' New Yorker'' cartoonist |
Electric Guitar
An electric guitar is a guitar that requires external electric Guitar amplifier, sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickup (music technology), pickups to convert the vibration of its strings into Electrical signal, electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities via amplifier settings or knobs on the guitar. Often, this is done through the use of Effects unit, effects such as reverb, Distortion (music), distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock music, rock and Heavy metal music, heavy metal guitar playing. Designs also exist combining attributes of electric and acoustic guitars: the Semi-acoustic guitar, semi-acoustic and Acoustic-electric guitar, acoustic-electric guitars. Inven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as Conga (music), conga (hence their name) and Cuban rumba, rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Music of Latin America, Latin music such as son cubano, son (when played by Conjunto#Cuban conjunto, conjuntos), descarga, Afro-Cuban jazz, salsa music, salsa, songo music, songo, merengue music, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Barretto
Raymundo "Ray" Barretto Pagán (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his charanga (Cuba), Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa (music), salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, ''Soy dichoso'', was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping, hitting, or shaking the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Albanian folk music, Arabic folk music, Israeli folk music, Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Galician traditional music, Asturian traditional music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle, or musical triangle, is a musical instrument in the percussion family, classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is bent into a triangular shape with one open end. The instrument is usually held by a loop of some form of thread or wire at the top curve to enable the triangle to vibrate, and it is struck with a metal rod called a "beater". The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaker (musical Instrument)
Shaker or Shakers may refer to: Religious groups * Shakers, a historically significant Christian sect * Indian Shakers, a smaller Christian denomination Objects and instruments * Shaker (musical instrument), an indirect struck idiophone * Cocktail shaker, a device used to mix beverages (usually alcoholic) by shaking * Shaker (salt and pepper), condiment dispensers designed to allow diners to distribute grains of edible salt and ground peppercorns * Shaker (laboratory), a device used to stir liquids in chemistry and biology * Shaker (testing device), a vibration device used in endurance testing or modal testing * Shaker scoop, an auto component * Shale shakers, a type of solids control equipment Music * Shaker (musical instrument), an indirect struck idiophone * Shaker (Lil Shaker), a Ghanaian recording artist, songwriter, producer and performer * The Shakers (band) a pseudonym for the band Kingsize Taylor and the Dominoes * Los Shakers, a Uruguayan band * Shaker (David Johansen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau
The berimbau (, borrowed from Kimbundu ''mbirimbau'') is a traditional Angolan musical bow that is commonly used in Brazil. It is also known as ''sekitulege'' among the Baganda and Busoga. It consists of a single-stringed bow attached to a gourd resonator and is played with a stick and a coin or stone to create different tones and rhythms. The berimbau was used in many parts of Africa and Brazil during the 19th century to accompany chants and storytelling. It is part of the candomblé tradition, later incorporated into the Afro-Brazilians, Afro-Brazilian art capoeira. Until the mid-20th century, it was used almost exclusively within the black community, but after the popularization of capoeira, it gain wider popularity. Today, berimbau is used in various genres of popular music. History Berimbau is an adaptation of African gourde musical bows, as no Indigenous peoples in Brazil, Indigenous Brazilian or European people use musical bows. According to the musicologist Gerard K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuíca
The cuíca () is a Brazil, Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. ''Cuíca'' is Portuguese for the gray four-eyed opossum (''Philander opossum'') which is known for its high-pitched cry. The cuíca is frequently used in carnivals, as well as often in Samba (music), samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. In drum kit list, the mute and open cuíca sound is a F5 and G5. History There are a number of styles of found around the globe. Its origins are disputed: Different sources trace it to enslaved Bantu peoples, Bantu people, to Spain, and to Muslim traders – structurally it is identical, among other instruments in the same category, to the Portuguese , Spanish , Catalan and Balearic . The cuíca was used in Africa as a call for the male lion since the sound mimics the roar of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento. Life and career Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including '' Possible Musics'' by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album ''Singing Drums'' along with Paul Motian. He also appears on Arild Andersen's album ''If You Look Far Enough'' with Ralph Towner. He formed a group named Codona with Don Cherry and Collin Walcott, which released three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
