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Queen's Men
Queen Elizabeth's Men was a playing company or troupe of actors in English Renaissance theatre. Formed in 1583 at the express command of Queen Elizabeth, it was the dominant acting company for the rest of the 1580s, as the Admiral's Men and the Lord Chamberlain's Men would be in the decade that followed. Foundation Since the Queen instigated the formation of the company, its inauguration is well documented by Elizabethan standards. The order came down on 10 March 1583 (new style) to Edmund Tilney, then the Master of the Revels; though Sir Francis Walsingham, head of intelligence operations for the Elizabethan court, was the official assigned to assemble the personnel. At that time the Earl of Sussex, who had been the court official in charge of the Lord Chamberlain's Men in its first Elizabethan incorporation, was nearing death. The Queen's Men assumed the same functional role in the Elizabethan theatrical landscape as the Lord Chamberlain's Men before and after them did: it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playing Company
In Renaissance-era London, playing company was the usual term for a company of actors. These companies were organised around a group of ten or so shareholders (or "sharers"), who performed in the plays but were also responsible for management. The sharers employed "hired men" that is, the minor actors and the workers behind the scenes. The major companies were based at specific theatres in London; the most successful of them, William Shakespeare's company the King's Men, had the open-air Globe Theatre for summer seasons and the enclosed Blackfriars Theatre in the winters. The Admiral's Men occupied the Rose Theatre in the 1590s, and the Fortune Theatre in the early 17th century. Less fortunate companies spent most of their existences touring the provinces; when Worcester's Men gained official permission to perform in London in 1602, they were, in a manner of speaking, "coming in from the cold" of a life of constant touring. Origins The development of theatre in England in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward De Vere, 17th Earl Of Oxford
Edward de Vere, 17th Earl of Oxford (; 12 April 155024 June 1604), was an English peerage, peer and courtier of the Elizabethan era. Oxford was heir to the second oldest earldom in the kingdom, a court favourite for a time, a sought-after patron of the arts, and noted by his contemporaries as a lyric poet and court playwright, but his volatile temperament precluded him from attaining any courtly or governmental responsibility and contributed to the dissipation of his estate. Edward de Vere was the only son of John de Vere, 16th Earl of Oxford, and Margery Golding. After the death of his father in 1562, he became a Ward (law), ward of Queen Elizabeth I and was sent to live in the household of her principal advisor, Sir William Cecil, 1st Baron Burghley, William Cecil. He married Cecil's daughter, Anne Cecil, Anne, with whom he had five children.. Oxford was estranged from her for five years and refused to acknowledge he was the father of their first child. A champion jousti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stow
John Stow (''also'' Stowe; 1524/25 – 5 April 1605) was an English historian and antiquarian. He wrote a series of chronicles of History of England, English history, published from 1565 onwards under such titles as ''The Summarie of Englyshe Chronicles'', ''The Chronicles of England'', and ''The Annales of England''; and also ''A Survey of London'' (1598; second edition 1603). A. L. Rowse has described him as "one of the best historians of that age; indefatigable in the trouble he took, thorough and conscientious, accurate – above all things devoted to truth". Life John Stow was born in about 1525 in the City of London parish of St Michael, Cornhill, then at the heart of London's metropolis. His father, Thomas Stow, was a Worshipful Company of Tallow Chandlers, tallow chandler. Thomas Stow is recorded as paying rent of 6s 8d per year for the family dwelling, and as a youth Stow would fetch milk every morning from a farm on the land nearby to the east owned by the Poor Clares, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
A boy player was a male child or teenager who performed in Medieval theatre, Medieval and English Renaissance theatre, English Renaissance playing companies. Some boy players worked for adult companies and performed the female roles, since women were not allowed to perform on the English stage during this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan era, Elizabethan and Jacobean era, Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in William Shakespeare, Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackfriars Theatre
Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child actors associated with the Queen's chapel choirs, and who from 1576 to 1584 staged plays in the vast hall of the former monastery. The second theatre dates from the purchase of the upper part of the priory and another building by James Burbage in 1596, which included the Parliament Chamber on the upper floor that was converted into the playhouse. The Children of the Chapel played in the theatre beginning in the autumn of 1600 until the King's Men took over in 1608. They successfully used it as their winter playhouse until all the theatres were closed in 1642 when the English Civil War began. In 1666, the entire area was destroyed in the Great Fire of London. First theatre Blackfriars Theatre was built on the grounds of the former Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globe Theatre
The Globe Theatre was a Theater (structure), theatre in London associated with William Shakespeare. It was built in 1599 at Southwark, close to the south bank of the Thames, by Shakespeare's playing company, the Lord Chamberlain's Men. It was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closure 1642, London theatre closures of 1642. As well as plays by Shakespeare, early works by Ben Jonson, Thomas Dekker (writer), Thomas Dekker and John Fletcher (playwright), John Fletcher were first performed here. A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately from the site of the original theatre.Measured using Google Earth Location Examination of old leases and parish records has identified the plot of land acquired for building The Globe as extending from the west side of modern-day Southwark Bridge Road eastwards as far as Porter Street and fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men was an acting company in England to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishopsgate
Bishopsgate was one of the eastern gates in London's former defensive wall. The gate's name is traditionally attributed to Earconwald, who was Bishop of London in the 7th century. It was first built in Roman times and marked the beginning of Ermine Street, the ancient road running from London to York (Eboracum). The gate was rebuilt twice in the 15th and 18th centuries, but was permanently demolished in 1760. Bishopsgate gave its name to the Bishopsgate Ward of the City of London. The ward is traditionally divided into Bishopsgate Within, inside the line of the former wall, and Bishopsgate Without beyond it. Bishopsgate Without is described as part of London's East End. The ancient boundaries of the City wards were reviewed in 1994 and 2013, so that the wards no longer correspond very closely to their historic extents. Bishopsgate Without gained a significant part of Shoreditch from the London Borough of Hackney, while nearly all of Bishopsgate Within was transferred to ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gracechurch Street
Gracechurch Street is a main road in the City of London, the historic and financial centre of London, England, which is designated the A1213. It is home to a number of shops, restaurants, and offices and has an entrance to Leadenhall Market, a covered market dating from the 14th century. Overview At its southern end, the street begins near Christopher Wren's Monument to the Great Fire of London, at a junction with King William Street, Eastcheap and Cannon Street. Heading north, it crosses Lombard Street and Fenchurch Street, and continues forward into Bishopsgate, which marks the start of the A10 route to King's Lynn. Leadenhall Market, a covered market dating from the 14th century and a Grade II* listed structure since 1972, is the street's most famous attraction. The closest mainline railway station is Fenchurch Street and the nearest London Underground station is Monument. The postcode for the street is EC3V. History The word 'Gracechurch' derives from ''Garsch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludgate Hill
Ludgate Hill is a street and surrounding area, on a small hill in the City of London, England. The street passes through the former site of Ludgate, a city gate that was demolished – along with a gaol attached to it – in 1760. The area includes St Paul's Cathedral. The modern cathedral, it has been claimed, was built on a site that – during the Roman British era of the early first millennium – was occupied by a major Roman temple, dedicated to the goddess Diana. Ludgate Hill itself is traditionally regarded as one of a trio of hills in Central London, the others being Tower Hill and Cornhill. The highest point is just north of St Paul's, at above sea level. The modern street named Ludgate Hill, which was previously a much narrower thoroughfare named Ludgate Street, runs between St Paul's Churchyard and Ludgate Circus (built in 1864), at which point it becomes Fleet Street. Etymology Ludgate is generally accepted to derive from the Old English ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inn-yard Theatre
In the historical era of English Renaissance drama, an Inn-yard theatre or Inn-theatre was a common inn with an inner courtyard with balconies that provided a venue for the presentation of stage plays. Beginnings The Elizabethan era is appropriately famous for the construction of the earliest permanent professional playhouses in Britain, starting with James Burbage's The Theatre in 1576 and continuing through the Curtain (1577), the Rose, Swan, Globe and others —; a development that allowed the evolution of the drama of Christopher Marlowe, William Shakespeare, Ben Jonson and their contemporaries and successors. Prior to the building of The Theatre, plays were sometimes staged in public halls, the private houses of aristocrats, or royal palaces —; but most often, and most publicly, they were acted in the courtyards of inns. (It is an often-stated truism of the critical literature that the open-air public theatres or amphitheatres of Burbage and his successors were modeled on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
