Peter Scheemakers
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Peter Scheemakers
Peter Scheemakers or Pieter Scheemaeckers II or the Younger (10 January 1691 – 12 September 1781) was a Southern Netherlands, Flemish sculptor who worked for most of his life in London. His public and church sculptures in a classicism, classicist style had an important influence on the development of modern sculpture in England.Peter Scheemakers
at online Encyclopædia Britannica
Scheemakers is perhaps best known for executing the William Kent-designed memorial to William Shakespeare which was erected in Poets' Corner in Westminster Abbey in 1740, as well as that to John Dryden in the same church.


Biography


Early life

Peter Scheemakers the Younger was born in Antwerp and baptised Pieter-Caspar Scheemaekers at the Sint-Jacobskerk or St. James' Church, Antw ...
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Andreas Bernardus De Quertenmont
Andreas Bernardus de Quertenmont (1 February 1750, in Antwerp – 3 June 1835, in Antwerp) was a Southern Netherlands, Flemish painter, copyist, engraver and etching, etch artist. He was also an art educator and administrator as he held positions as a professor and director of the Royal Academy of Fine Arts (Antwerp), Academy of Fine Arts in Antwerp.Andreas Bernardus de Quertenmont
at the Netherlands Institute for Art History
He was born in the Austrian Netherlands in the Holy Roman Empire.


Life

De Quertenmont studied with the Antwerp engraver Philippus Keminckx while studying at the same time drawing at the Royal Academy of Fine Arts (Antwerp), Academy of Fine Arts in Antwerp. He won the first prize for live model drawing at the Antwerp Academy in 1771. The same year he became master in the local Guil ...
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Laurent Delvaux
Laurent Delvaux (1696, in Ghent – 24 February 1778, in Nivelles) was a Flemish sculptor. After a successful international career that brought him to London and Rome, he returned to the Austrian Netherlands where he was a sculptor to the court. Delvaux was a transitional figure between the Baroque and Neo-classicism. Life Training Delvaux probably trained in his native Ghent under the local sculptor J. B. van Helderberghe. At the age of 18 he went to Brussels to study under Pierre-Denis Plumier from Antwerp and attended the local drawing academy.Laurent Delvaux
at the


London

He went to London in 1717 whe ...
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Josef Frans Nollekens
Josef Frans Nollekens'' or ''Joseph Frans Nollekens (1702–1748)Josef Frans Nollekens
at the British Museum
was a Flemish painter who was principally active in England where he is often referred to as "Old Nollekens" to distinguish him from his famous son, the sculptor Joseph Nollekens. He painted conversation pieces, galant companies and fêtes champêtres in the style of Watteau, Genre art, genre scenes as well as portraits.Josef Frans Nollekens
at the Netherlands Institute for Art History
Sam Segal, Klara Alen, ''Dutch and Flemish Flower Pieces'', BRILL, 2020, p. 211 He was also active as a picture restorer.
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Joseph Nollekens
Joseph Nollekens R.A. (11 August 1737 – 23 April 1823) was a sculptor from London generally considered to be the finest British sculptor of the late 18th century. Life Nollekens was born on 11 August 1737 at 28 Dean Street, Soho, London, the son of the Flemish painter Josef Frans Nollekens (1702–1748) who had moved from Antwerp to London in 1733. He studied first under another Flemish immigrant in London, the sculptor Peter Scheemakers, before studying and working as an antiques dealer, restorer and copier in Rome from 1760 or 1762. The sculptures he made in Rome included a marble of ''Timocles Before Alexander'', for which he was awarded fifty guineas by the Society of Arts, and busts of Laurence Sterne and David Garrick, who were visiting the city. On his return to London in 1770 he set up as a maker of busts and monuments at 9, Mortimer Street, where he built up a large practice. Although he preferred working on mythological subjects, it was through his portrait ...
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Thomas Banks (sculptor)
Thomas Banks (29 December 1735 – 2 February 1805) was an 18th-century English sculptor. Life The son of William Banks, a surveyor who was land steward to the Duke of Beaufort, he was born in London. He was educated at Ross-on-Wye. Banks was taught drawing by his father, and from 1750 to 1756 was apprenticed to a woodcarver, William Barlow, in London. In his spare time he worked at sculpture, spending his evenings in the studio of the Flemish émigré sculptor Peter Scheemakers. During this period he is known to have worked for the architect William Kent. Before 1772, when he obtained a travelling studentship given by the Royal Academy and proceeded to Rome, he had already exhibited several fine works. Returning to England in 1779 Banks found that the taste for classical poetry, long the source of his inspiration, no longer existed, and he spent two years in Saint Petersburg, being employed by Catherine the Great, who purchased his ''Cupid Tormenting a Butterfly''. On his ret ...
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Netherlands Institute For Art History
The Netherlands Institute for Art History or RKD (Dutch: ), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times. All of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, and make art research available, most notably in the field of Dutch Masters. Via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca. 150,000 are auction catalogs. There are ca. 3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the standard record format includes a link to library entries and images of known work ...
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Charles Cope Trubshaw
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (James (wikt:Appendix:Proto-Indo-European/ǵerh₂-">ĝer-, where the ĝ is a palatal consonant, meaning "to rub; to be old; grain." An old man has been worn away and is now grey with age. In some Slavic languages, the name ''Drago (given name), Drago'' (and variants: ''Dragom ...
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