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Parallel And Counter Parallel
Parallel and counter parallel chords are terms derived from the German (''Parallelklang'', ''Gegenparallelklang'') to denote what is more often called in English the "relative", and possibly the "counter relative" chords. In Hugo Riemann's theory, and in German theory more generally, these chords share the function of the chord to which they link: subdominant parallel, dominant parallel, and tonic parallel.Haunschild, Frank (2000). ''The New Harmony Book'', p.47. . Riemann defines the relation in terms of the movement of one single note: For example, the major and and minor and . :The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone. :The minor tonic, subdominant, dominant, and their parallels, created by lowering the fifth (German)/root (US) a whole tone. The parallel chord (but ''not'' the counter parallel chord) of a major chord will always be the minor cho ...
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Tonic Parallel In C Major
Tonic may refer to: *Tonic water, a drink traditionally containing quinine *Soft drink, a carbonated beverage *Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed syllable of a word *Herbal tonic, a herbal medicine with tonic effects *Tonic (music), a concept of music theory *Tonic (band), an American rock band * ''Tonic'' (Tonic album), 2010 *Tonic (music venue), a New York City music venue, 1998–2007 * ''Tonic'' (Medeski Martin & Wood album), 2000 * ''Tonic'' (radio program), Canadian radio program *Tonic suit, a garment made from a shiny mohair blend that was fashionable among the Mods of the mid 1960s *Windtech Tonic, a Spanish paraglider design * ''Tonic'' (film), a Bengali film See also *Patent medicine that claims to have tonic properties *Tonči * Tonic sol-fa, a method of teaching sight-singing *Tonic Sol-fa (a cappella group), American singing group with a largely pop-music-oriented repe ...
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Whole Tone
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are notated on adjacent staff positions. Diminished, minor and augmented seconds are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three). The major second is the interval that occurs between the first and second degrees of a major scale, the tonic and the supertonic. On a musical keyboard, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two frets. In moveable-do solfège, it is the interval between ''do'' and ''re''. It is considered a melodi ...
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Tonic Counter Parallel In C Minor
Tonic may refer to: *Tonic water, a drink traditionally containing quinine *Soft drink, a carbonated beverage *Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed syllable of a word *Herbal tonic, a herbal medicine with tonic effects *Tonic (music), a concept of music theory *Tonic (band), an American rock band * ''Tonic'' (Tonic album), 2010 *Tonic (music venue), a New York City music venue, 1998–2007 * ''Tonic'' (Medeski Martin & Wood album), 2000 * ''Tonic'' (radio program), Canadian radio program *Tonic suit, a garment made from a shiny mohair blend that was fashionable among the Mods of the mid 1960s *Windtech Tonic, a Spanish paraglider design * ''Tonic'' (film), a Bengali film See also *Patent medicine that claims to have tonic properties *Tonči * Tonic sol-fa, a method of teaching sight-singing *Tonic Sol-fa (a cappella group), American singing group with a largely pop-music-oriented repe ...
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Tonic Counter Parallel In C Major
Tonic may refer to: *Tonic water, a drink traditionally containing quinine *Soft drink, a carbonated beverage *Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed syllable of a word *Herbal tonic, a herbal medicine with tonic effects *Tonic (music), a concept of music theory *Tonic (band), an American rock band * ''Tonic'' (Tonic album), 2010 *Tonic (music venue), a New York City music venue, 1998–2007 * ''Tonic'' (Medeski Martin & Wood album), 2000 * ''Tonic'' (radio program), Canadian radio program *Tonic suit, a garment made from a shiny mohair blend that was fashionable among the Mods of the mid 1960s *Windtech Tonic, a Spanish paraglider design * ''Tonic'' (film), a Bengali film See also *Patent medicine that claims to have tonic properties *Tonči * Tonic sol-fa, a method of teaching sight-singing *Tonic Sol-fa (a cappella group), American singing group with a largely pop-music-oriented repe ...
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German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ...
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Hermann Von Helmholtz
Hermann Ludwig Ferdinand von Helmholtz (31 August 1821 – 8 September 1894) was a German physicist and physician who made significant contributions in several scientific fields, particularly hydrodynamic stability. The Helmholtz Association, the largest German association of research institutions, is named in his honor. In the fields of physiology and psychology, Helmholtz is known for his mathematics concerning the eye, theories of vision, ideas on the visual perception of space, color vision research, the sensation of tone, perceptions of sound, and empiricism in the physiology of perception. In physics, he is known for his theories on the conservation of energy, work in electrodynamics, chemical thermodynamics, and on a mechanical foundation of thermodynamics. As a philosopher, he is known for his philosophy of science, ideas on the relation between the laws of perception and the laws of nature, the science of aesthetics, and ideas on the civilizing power of science. ...
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Klang (music)
In music, ''klang'' (also "clang") is a term sometimes used to translate the German ''Klang'', a highly polysemic word. Technically, the term denotes any periodic sound, especially as opposed to simple periodic sounds (sine tones). In the German lay usage, it may mean "sound" or "tone" (as synonymous to ''Ton''), "musical tone" (as opposed to noise), "note", or "timbre"; a chord of three notes is called a ''Dreiklang'', etc. ''Klang'' has been used among others by Hugo Riemann and by Heinrich Schenker. In translations of their writings, it has erroneously been rendered as " chord" and more specifically as "chord of nature". The idea of the chord of nature connects with earlier ideas that can be found especially in French music theory. Both Hugo Riemann and Heinrich Schenker implicitly or explicitly refer to the theory of the chord of nature (which they recognize as a triad, a ''Dreiklang''), but both reject the theory as a foundation of music because it fails to explain the minor ...
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Primary Triad
In music, a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed to an auxiliary triad or secondary triad. Each triad found in a diatonic key corresponds to a particular diatonic function. Functional harmony tends to rely heavily on the primary triads: triads built on the tonic, subdominant, and dominant degrees.Harrison, Daniel (1994). ''Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of its Precedents'', p.45. . Cited in Deborah Rifkin. "A Theory of Motives for Prokofiev's Music", p.274, ''Music Theory Spectrum'', Vol. 26, No. 2 (Autumn, 2004), pp. 265-289. University of California Press on behalf of the Society for Music Theory The roots of these triads begin on the first, fourth, and fifth degrees (respectively) of the diatonic scale, otherwise symbolized: I, IV, and V (again, respectively). Primary triads, "express function clearly and unambigu ...
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Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ...
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Dominant (music)
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chords: ty ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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Minor Third
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of " Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is co ...
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