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Putti From 'The Judgement Of Paris' By Hans Von Marées
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology a cherub is actually one of the most senior types of angel. The same figures were also seen in representations of classical myth, and increasingly in general decorative art. In Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amaretto
Amaretto ( Italian for 'a little bitter') is a sweet Italian liqueur originating from the ''comune'' (municipality) of Saronno. Depending on the brand, it may be made from apricot kernels, bitter almonds, peach stones, or almonds, all of which are natural sources of the benzaldehyde that provides the almond-like flavour of the liqueur. It generally contains 21 to 28 percent alcohol by volume. When served as a beverage, amaretto can be drunk by itself, used as an ingredient to create several popular mixed drinks, or added to coffee. Amaretto is also commonly used in Italian and other cuisines, especially in recipes for confectionery and sweet baked goods. Origin Etymology The name ''amaretto'' originated as a diminutive of the Italian word ''amaro'', meaning "bitter", which references the distinctive flavour lent by the ''mandorla amara'' or by the drupe kernel. However, the bitterness of amaretto tends to be mild, and sweeteners (and sometimes sweet almonds) enhance the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Persian
Old Persian is one of two directly attested Old Iranian languages (the other being Avestan) and is the ancestor of Middle Persian (the language of the Sasanian Empire). Like other Old Iranian languages, it was known to its native speakers as (Iranian).''cf.'' , p. 2. Old Persian is close to both Avestan and Vedic Sanskrit, and all three languages are highly inflected. Old Persian appears primarily in the inscriptions, clay tablets and seals of the Achaemenid era ( to 300 BCE). Examples of Old Persian have been found in what is now Iran, Romania ( Gherla), Armenia, Bahrain, Iraq, Turkey and Egypt, with the most important attestation by far being the contents of the Behistun Inscription (dated to 522 BCE). In 2007, research into the vast Persepolis Administrative Archives at the Oriental Institute at the University of Chicago unearthed Old Persian tablets, which suggest Old Persian was a written language in use for practical recording and not only for royal display. Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysian Mysteries
The Dionysian Mysteries were a ritual of ancient Greece and Rome which sometimes used intoxicants and other trance-inducing techniques (like dance and music) to remove inhibitions. It also provided some liberation for people marginalized by Greek society, such as slaves, outlaws, and non-citizens. In their final phase the Mysteries shifted their emphasis from a chthonic, underworld orientation to a transcendental, mystical one, with Dionysus changing his nature accordingly. By its nature as a mystery religion reserved for the initiated, many aspects of the Dionysian cult remain unknown and were lost with the decline of Greco-Roman polytheism. Modern knowledge is derived from descriptions, imagery and cross-cultural studies. Origins The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origins. It spread throughout the Mediterranean region by the start of the Classical Greek period. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek language, Greek wikt:σάρξ, σάρξ ' meaning "flesh", and wikt:φαγεῖν, φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' (wikt:λίθος, λίθος wikt:σαρκοφάγος, σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the corpse decomposition, decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Pharaoh, Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 BC. The Hagia Triada sarcoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimon
The daimon (), also spelled daemon (meaning "god", "godlike", "power", "fate"), denotes an "unknown superfactor", which can be either good or hostile. In ancient Greek religion and Greek mythology, mythology a daimon was imagined to be a lesser deity or guiding spirit. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the Ensoulment#Ancient Greeks, souls of men of the golden age, Tutelary deity, tutelary deities, or the forces of fate. Description Daimons are lesser divinity, divinities or spirits, often personifications of abstraction, abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium (Plato), Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genius (mythology)
In Religion in ancient Rome, Roman religion, the genius (; : ''genii'') is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the ''genius'' would follow each man from the hour of his birth until the day he died. For women, it was the Juno (mythology), Juno spirit that would accompany each of them. Nature Each individual place had a ''genius'' (''genius loci'') and so did powerful objects, such as volcanoes. The concept extended to some specifics: the ''genius'' of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate ''genii'' for the major undertakings and events of their lives. Thus man, following the dictates of his heart, venerated something higher and more divine than he could find in his own limited individuality, and brought to "th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (; ) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. As such, she is usually depicted nude. Etymology The Latin theonym and the common noun ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic , Old Indic 'desire'). Derivatives include ''venust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite
Aphrodite (, ) is an Greek mythology, ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretism, syncretised Roman counterpart , desire, Sexual intercourse, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, Myrtle (common), myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Ancient Canaanite religion, Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian religion, Sumerian cult of Inanna. Aphrodite's main cult centers were Kythira, Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of Prostitution in ancient Greece, prostitutes, an association which led early scholars to propose the concept of sacred prostitution in Greco-Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid ( , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor (Latin: ', "love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eros
Eros (, ; ) is the Greek god of love and sex. The Romans referred to him as Cupid or Amor. In the earliest account, he is a primordial god, while in later accounts he is the child of Aphrodite. He is usually presented as a handsome young man, though in some appearances he is a juvenile boy full of mischief, ever in the company of his mother. In both cases, he is winged and carries his signature bow and arrows, which he uses to make both mortals and immortal gods fall in love, often under the guidance of Aphrodite. His role in myths is mostly complementary, and he often appears in the presence of Aphrodite and the other love gods and often acts as a catalyst for people to fall in love, but has little unique mythology of his own; the most major exception being the myth of Eros and Psyche, the story of how he met and fell in love with his wife. Eros and Cupid, are also known, in art tradition, as a Putto (pl. Putti). The Putto's iconography seemed to have, later, influenced t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
