|
Prometheus Bound
''Prometheus Bound'' () is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. British-born author, C.J. Herington, a scholar of classical Greek and Latin, wrote that Aeschylus certainly did not mean ''Prometheus Bound'' to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that ''Prometheus Bound'' was followed by a work with the title ''Prometheus Lyomenos ( Prometheus Unbound)''. Herington adds that "some very slight evidence" indicates that ''Prometheus Unbound'' "may have been followed by a third play", ''Prometheus Pyrphoros ( Prometheus the Fire-Bearer)''; the latter two survive only in fragments. Some scholars have propos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Being Chained By Vulcan
''Prometheus Being Chained by Vulcan'' is an oil painting of 1623 by Dirck van Baburen of the Utrecht School, and an example of Baroque chiaroscuro. The painting represents a tale from Greco-Roman mythology. Mercury, the messenger of the gods, watches the club-footed blacksmith god, Vulcan, punish the bold and cunning Titan Prometheus In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titans, Titan. He is best known for defying the Olympian gods by taking theft of fire, fire from them and giving it to humanity in the form of technol ... for stealing fire from the gods and giving it to mortals. Prometheus's punishment is to be bound to a rock and to have his liver consumed daily by an eagle, which appears partially at the top left. The painting mysteriously has two signatures: the first is a clear signature below the right-hand shoulder of Prometheus. During a restoration of the painting, a second signature was discovered at the lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Taplin
Oliver Taplin, FBA (born 2 August 1943) is a retired British academic and classicist. He was a fellow of Magdalen College and Professor of Classical Languages and Literature at the University of Oxford. He holds a DPhil from Oxford University. Academic career Taplin's primary focus as a scholar is Greek drama, especially from the viewpoint of staging and performance. His first book (based on his dissertation) was ''The Stagecraft of Aeschylus'', in which he dealt with the entrances and exits of characters in Aeschylus's plays. Subsequent books, including ''Comic Angels'' (1993) and ''Pots and Plays'' (2007) examine vase paintings as evidence for the performance of tragedy and comedy. In 1996, together with Edith Hall, he set up the APGRD (Archive of Performances of Greek and Roman Drama). It is devoted to the international production and reception of ancient plays since the Renaissance. He has also worked with productions in the theatre, including ''The Oresteia'' at the Natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hera
In ancient Greek religion, Hera (; ; in Ionic Greek, Ionic and Homeric Greek) is the goddess of marriage, women, and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea (mythology), Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offended her, especially Zeus's numerous adulterous lovers and illegitimate offspring. Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a ''polos'' or diadem, sometimes veiled as a married woman. She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the Cattle, cow, cuckoo, and Peafowl, peacock. She is sometimes shown holding a pomegranate as an emblem of immort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Griffin
The griffin, griffon, or gryphon (; Classical Latin: ''gryps'' or ''grypus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ...: ''griffon'') is a legendary creature with the body, tail, and Hindlimb">back legs of a lion, and the head and wings of an eagle">lion.html" ;"title="Hindlimb">back legs of a lion">Hindlimb">back legs of a lion, and the head and wings of an eagle with its talons on the front legs. Overview Because the lion was traditionally considered the king of the beasts and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oceanid
In Greek mythology, the Oceanids or Oceanides ( ; , ) are the nymphs who were the three thousand (a number interpreted as meaning "innumerable") daughters of the Titans Oceanus and Tethys. Description and function The Oceanids' father Oceanus was the great primordial world-encircling river, their mother Tethys was a sea goddess, and their brothers the river gods (also three thousand in number) were the personifications of the great rivers of the world. Like the rest of their family, the Oceanid nymphs were associated with water, as the personification of springs. Hesiod says they are "dispersed far and wide" and everywhere "serve the earth and the deep waters", while in Apollonius of Rhodes' ''Argonautica'', the Argonauts, stranded in the desert of Libya, beg the "nymphs, sacred of the race of Oceanus" to show them "some spring of water from the rock or some sacred flow gushing from the earth". The Oceanids are not easily categorized, nor confined to any single function, no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titanomachy
In Greek mythology, the Titanomachy (; ) was a ten-year war fought in ancient Thessaly, consisting of most of the Titans (the older generation of gods, based on Mount Othrys) fighting against the Twelve Olympians, Olympians (the younger generations, who would come to reign on Mount Olympus) and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just the Titan War. The war was fought to decide which generation of gods would have dominion over the universe; it ended in victory for the Olympian gods. Greeks of the classical age knew of several poems about the war between the gods and many of the Titans. The dominant one, and the only one that has survived, is the ''Theogony'' attributed to Hesiod. The Titans also played a prominent role in the poems attributed to Orpheus. Although only scraps of the Orphism, Orphic narratives survive, they show differences from the Hesiodic tradition. Conflict among the first gods The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyrant
A tyrant (), in the modern English usage of the word, is an absolute ruler who is unrestrained by law, or one who has usurped a legitimate ruler's sovereignty. Often portrayed as cruel, tyrants may defend their positions by resorting to repressive means. The original Greek term meant an absolute sovereign who came to power without constitutional right, yet the word had a neutral connotation during the Archaic and early Classical periods. However, Greek philosopher Plato saw ''tyrannos'' as a negative form of government, and on account of the decisive influence of philosophy on politics, deemed tyranny the "fourth and worst disorder of a state."Plato, ''The Republic'' Book VIII The philosophers Plato and Aristotle defined a tyrant as a person who rules without law, using extreme and cruel methods against both his own people and others. The ''Encyclopédie'' defined the term as a usurper of sovereign power who makes "his subjects the victims of his passions and unjust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Personification
Personification is the representation of a thing or abstraction as a person, often as an embodiment or incarnation. In the arts, many things are commonly personified, including: places, especially cities, National personification, countries, and continents; elements of the natural world, such as trees, the Deities and personifications of seasons, four seasons, the "four elements", the Anemoi, four cardinal winds, and the Sense, five senses; moral abstractions, especially the four cardinal virtues and seven deadly sins; the nine Muses; and Personifications of death, death. In many polytheistic early religions, deity, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman religion, this was perhaps especially strong, in particular among the minor deities. Many such deities, such as the or tutelary deities for major cities, survived the arrival of Christianity, now as symbolic personif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kratos (mythology)
In Greek mythology, Kratos () also known as Cratus or Cratos, is the divine personification of strength. He is the son of Pallas and Styx. Kratos and his siblings Nike ('Victory'), Bia ('Force'), and Zelus ('Glory') are all the personification of a specific trait. Kratos is first mentioned alongside his siblings in Hesiod's ''Theogony''. According to Hesiod, Kratos and his siblings dwell with Zeus because their mother Styx came to him first to request a position in his regime, so he honored her and her children with exalted positions. Kratos and his sister Bia are best known for their appearance in the opening scene of Aeschylus' ''Prometheus Bound''. Acting as agents of Zeus, they lead the captive Titan Prometheus on stage. Kratos compels the mild-mannered blacksmith god Hephaestus to chain Prometheus to a rock as punishment for his theft of fire. Kratos is characterized as brutal and merciless, repeatedly mocking both Hephaestus and Prometheus and advocating for the use of u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus () in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing. History A common theory for the origin of the Greek chorus stems from the ancient Greek poet Arion's invention of the tragedy, the stationary chorus, and satyrs' verses. In Aristotle's ''Poetics,'' he writes that " ragedy'sbeginnings, certainly, were in improvisation utoschediastikês as were also those for comedy, tragedy originating in impromptus by the leaders of dithyrambic choruses, and comedy in those of the leaders of the phallic performances which still remain customary in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scythia
Scythia (, ) or Scythica (, ) was a geographic region defined in the ancient Graeco-Roman world that encompassed the Pontic steppe. It was inhabited by Scythians, an ancient Eastern Iranian equestrian nomadic people. Etymology The names and are themselves Latinisations of the Ancient Greek names () and (), which were themselves derived from the ancient Greek names for the Scythians, () and (), derived from the Scythian endonym . Geography Scythia proper The territory of the Scythian kingdom of the Pontic steppe extended from the Don river in the east to the Danube river in the west, and covered the territory of the treeless steppe immediately north of the Black Sea's coastline, which was inhabited by nomadic pastoralists, as well as the fertile black-earth forest-steppe area to the north of the treeless steppe, which was inhabited by an agricultural population. The northern border of this Scythian kingdom were the deciduous woodlands, while several rivers, incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titans
In Greek mythology, the Titans ( ; ) were the pre-Twelve Olympians, Olympian gods. According to the ''Theogony'' of Hesiod, they were the twelve children of the primordial parents Uranus (mythology), Uranus (Sky) and Gaia (Earth). The six male Titans were Oceanus, Coeus, Crius, Hyperion (Titan), Hyperion, Iapetus, and Cronus; the six female Titans—called the Titanides () or Titanesses—were Theia, Rhea (mythology), Rhea, Themis, Mnemosyne, Phoebe (Titaness), Phoebe, and Tethys (mythology), Tethys. After Cronus mated with his older sister Rhea, she bore the first generation of Olympians: the six siblings Zeus, Hades, Poseidon, Hestia, Demeter, and Hera. Certain other descendants of the Titans, such as Prometheus, Atlas (mythology), Atlas, Helios, and Leto, are sometimes also called Titans. The Titans were the former gods: the generation of gods preceding the Twelve Olympians#Olympians, Olympians. They were overthrown as part of the Greek succession myth, which tells how Cron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
