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Prince Charles' Men
Prince Charles's Men (known as the Duke of York's Men from 1608 to 1612) was a playing company or troupe of actors in Jacobean and Caroline England. The Jacobean era troupe The company was formed in 1608 as the Duke of York's Men, under the titular patronage of King James' second son, the eight-year-old Charles (1600–49), then the Duke of York. Upon the death of Charles's elder brother Prince Henry in 1612, the company became Prince Charles's Men. They played mainly in the provinces for the first two years of their existence, but in 1610 they received a renewed royal patent that authorized them to play in London, "in such usual houses as themselves shall provide." Seven actors are listed in the patent: John Garland, William Rowley, Thomas Hobbes, Robert Dawes, Joseph Taylor, John Newton, and Gilbert Reason. Rowley was their dramatist and clown; Joseph Taylor would be their leading man in future years, and then fill the same function with the King's Men, when he replaced th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playing Company
In Renaissance-era London, playing company was the usual term for a company of actors. These companies were organised around a group of ten or so shareholders (or "sharers"), who performed in the plays but were also responsible for management. The sharers employed "hired men" that is, the minor actors and the workers behind the scenes. The major companies were based at specific theatres in London; the most successful of them, William Shakespeare's company the King's Men, had the open-air Globe Theatre for summer seasons and the enclosed Blackfriars Theatre in the winters. The Admiral's Men occupied the Rose Theatre in the 1590s, and the Fortune Theatre in the early 17th century. Less fortunate companies spent most of their existences touring the provinces; when Worcester's Men gained official permission to perform in London in 1602, they were, in a manner of speaking, "coming in from the cold" of a life of constant touring. Origins The development of theatre in England in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hope Theatre
The Hope Theatre was one of the theatres built in and around London for the presentation of plays in English Renaissance theatre, comparable to the Globe Theatre, Globe, the Curtain Theatre, Curtain, the The Swan (theatre), Swan, and other famous theatres of the era. The Hope was built in 1613–14 by Philip Henslowe and a partner, Jacob Meade, on the site of the old Beargarden on the Bankside in Southwark, on the south side of the River Thames — at that time, outside the legal bounds of the City of London. Henslowe had had a financial interest in the Beargarden (the ring for bear-baiting and similar "animal sports") since 1594; on 29 August 1613 he contracted with the carpenter Gilbert Katherens to tear down the Beargarden, and to build a theatre in its place, for a fee of £360. (After the Hope was built, it was often still called the "Beargarden" in common parlance and in the extant documentary record.) Construction was slow, taking over a year. The Hope may have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellis Worth
Ellis Worth (c. 1587 – 1659), or Woorth, was a noted English actor in the Jacobean and Caroline eras. He was a leading member of two important companies, Queen Anne's Men and Prince Charles's Men. Biography Nothing is known of Worth's origins or early life, or the start of his career; he was with the Queen Anne's company by 1615, and continued with the troupe until it dissolved in 1623. The paucity of the extant historical record means that little is known of the roles he played; he was most likely the "Ellis" who played a Lord in Robert Daborne's '' The Poor Man's Comfort'' around 1617. After 1623, Worth was a member of what is usually called the Company of the Revels at the Red Bull Theatre, and sometimes simply the Red Bull company; little is known of their activities. When Richard Gunnell built his Salisbury Court Theatre in 1629, he needed a company to act there. He brought in the new or second version of Prince Charles's Men. Worth was an original member and a "sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Cane
Andrew Cane (fl. 1602–1650) — also Kayne, Kene, Keine, and other variants — was a comic actor in late Jacobean and Caroline era London. In his own generation he was a leading comedian and dancer, and one of the famous and popular performers of his time. Beginnings A child with the surname "Keane" (no Christian name recorded) was baptized on 2 March 1589; this might have been the actor/goldsmith. In 1602, Cane began a ten-year apprenticeship to his older brother Richard, who had finished his own apprenticeship and established himself as a goldsmith in 1600. The younger Cane won his "freedom" in the goldsmiths' guild in 1611. Cane married and began a family in 1612. Jigging clown Cane's stage career had begun by 1622, when he moved from Lady Elizabeth's Men (at the Cockpit) to the Palsgrave's Men (at the Fortune). After 1631 he was a "chiefe" member of the Prince Charles's Men (II) troupe, and received their payments for their performances at Court. One of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortune Playhouse
The Fortune Playhouse was an historic theatre in London. It was located between Whitecross Street, London, Whitecross Street and the modern Golden Lane, London, Golden Lane, just outside the City of London. It was founded about 1600, and suppressed by the Puritan Parliament of England, Parliament in 1642. History Origins The Fortune Theatre was contemporary with William Shakespeare, Shakespeare's Globe Theatre, Globe, The Swan (theatre), The Swan and others; it stood in the parish of St Giles-without-Cripplegate, to the west of the Shoreditch locations of The Theatre and the Curtain Theatre, between Whitecross Street and Golden Lane in what is today named Fortune Street, just outside the City of London. Between 1600 and 1642, it was among the chief venues for English drama, drama in London. The site is said to have originally been occupied by a nursery for the children of Henry VIII. The Fortune was erected as the second half of a substantial realignment of London's chief ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Gunnell
Richard Gunnell (fl. 1613 – 1634) was an actor, playwright, and theatre manager in Jacobean and Caroline era London. He is best remembered for his role in the founding of the Salisbury Court Theatre. Actor and playwright Nothing is known of Gunnell's early life or the first phase of his stage career. He acted with the Admiral's Men, then called the Palsgrave's Men, from 1613 to 1622. When the Palsgrave's Men received their renewed charter and their new name on 4 January 1613, Gunnell was already a sharer in the company. Despite the scantiness of the documentary record for the Palsgrave's troupe, Gunnell can be seen moving up into a managerial responsibility over his years with the company. In the 1613 charter he is listed twelfth of the fourteen sharers. On the company's 1618 lease of the Fortune Playhouse from owner Edward Alleyn, Gunnell is fourth of ten. And when the company leased the rebuilt Fortune in 1622, Gunnell is listed first. The fire that destroyed the Fortune on 9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Admiral's Men
The Admiral's Men (also called the Admiral's company, more strictly, the Earl of Nottingham's Men; after 1603, Prince Henry's Men; after 1612, the Elector Palatine's Men or the Palsgrave's Men) was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre (after the company of Shakespeare, the Lord Chamberlain's or King's Men). Beginnings They were first known as the Lord Howard's Men, named after their patron Charles Howard, 1st Earl of Nottingham. The company played once at Court on December 1576 (the play was called ''Tooley''), again on 17 February 1577 (''The Solitary Knight''), and a third time the following Christmas season, 5 January 1578 (all dates new style). They toured widely, from Bath to Nottingham, in the years 1577–79. A powerful patron like Howard could make a great difference in a company's fortunes. Though there is little evidence that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles II Of England
Charles II (29 May 1630 – 6 February 1685) was King of Scotland from 1649 until 1651 and King of England, Scotland, and King of Ireland, Ireland from the 1660 Restoration of the monarchy until his death in 1685. Charles II was the eldest surviving child of Charles I of England, Scotland and Ireland and Henrietta Maria of France. After Charles I's execution at Palace of Whitehall, Whitehall on 30 January 1649, at the climax of the English Civil War, the Parliament of Scotland proclaimed Charles II king on 5 February 1649. However, England entered the period known as the English Interregnum or the English Commonwealth with a republican government eventually led by Oliver Cromwell. Cromwell defeated Charles II at the Battle of Worcester on 3 September 1651, and Charles Escape of Charles II, fled to mainland Europe. Cromwell became Lord Protector of England, Scotland and Ireland. Charles spent the next nine years in exile in France, the Dutch Republic and the Spanish Netherlands. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew John Gurr
Andrew John Gurr (born 23 December 1936) is a contemporary literary scholar who specializes in William Shakespeare and English Renaissance theatre. Life and work Born in Leicester, Gurr was raised in New Zealand, and educated at the University of Auckland and at Cambridge University. He has taught at the Universities of Wellington, Leeds, and Nairobi (1969–73); at the latter institution he was also head of his department. From 1976 until his retirement in 2002 he was professor of English at the University of Reading (head of department, 1979–86), where he taught Shakespeare studies and where he is now Emeritus Professor. Gurr co-wrote a 1981 study of Katherine Mansfield (with Claire Hanson) and two books on African literature; but he is best known for his books on Shakespeare and his contemporaries, and the theatre of that historical era—books that are recognized and utilized as essential references on English Renaissance drama. He has authored a wide range of articles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Bull Theatre
The Red Bull Theatre was an inn-yard conversion erected in Clerkenwell, London, operating in the 17th century. For more than forty years, it entertained audiences drawn primarily from the City and its suburbs, developing a reputation over the years for rowdiness. After Parliament closed the theatres in 1642, it continued to host illegal performances intermittently, and when the theatres reopened after the Restoration, it became a legitimate venue again. There is a myth that it burned down in the Great Fire of London but the direct reason for its end is unclear. Design The Red Bull was constructed in about 1605 on St John Street in Clerkenwell on a site corresponding to the eastern end of modern-day Hayward's Place. Contemporary documents reveal that it was converted from a yard in an inn. This origin accounts for its square-ish shape, shared, for example, by the original Fortune Theatre among playhouses of the time. The Red Bull inn's name may relate to drovers bringing cattle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
