Pierre L'Arétin
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Pierre L'Arétin
Pietro Aretino (, ; 19 or 20 April 1492 – 21 October 1556) was an Italian author, playwright, poet, satirist and blackmailer, who wielded influence on contemporary art and politics. He was one of the most influential writers of his time and an outspoken critic of the powerful. He gained prominence through his politically charged writings and biting satire, which targeted powerful figures, including monarchs and popes. His works spanned various genres, including poetry, drama, and religious commentary, but he is particularly noted for his lampoons and erotic literature. Owing to his communications and sympathies with religious reformers, he is considered to have been a Nicodemite Protestant. Aretino was a good friend and publicist of the Venetian artist Titian, who painted his portrait three times. Aretino is also remembered for an exchange of letters he had with Michelangelo concerning the latter's fresco '' The Last Judgment''. Aretino was a key figure in 16th-century It ...
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Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Pope Adrian VI
Pope Adrian VI (; ; ; ), born Adriaan Florensz Boeyens (2 March 1459 – 14 September 1523), was head of the Catholic Church and ruler of the Papal States from 9 January 1522 until his death on 14 September 1523. The only Dutch people, Dutchman to become pope, he was the last non-Italian pope until the Polish John Paul II 455 years later. Born in the Episcopal principality of Utrecht of the Holy Roman Empire of the German Nation, Adrian studied at the Old University of Leuven, University of Leuven in the Low Countries, where he rose to the position of professor of theology, also serving as its rector (academia), rector (the equivalent of president or Chancellor (education)#Vice-chancellor, vice-chancellor). In 1507, he became the tutor of the future Charles V, Holy Roman Emperor, who later trusted him as both his Ambassador, emissary and his regent. In 1516, Charles, now King of Crown of Castile, Castile and Crown of Aragon, Aragon, appointed Adrian bishop of Tortosa, Spai ...
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Pope Clement VII
Pope Clement VII (; ; born Giulio di Giuliano de' Medici; 26 May 1478 – 25 September 1534) was head of the Catholic Church and ruler of the Papal States from 19 November 1523 to his death on 25 September 1534. Deemed "the most unfortunate of the popes", Clement VII's reign was marked by a rapid succession of political, military, and religious struggles—many long in the making—which had far-reaching consequences for Christianity and world politics. Elected in 1523 at the end of the Italian Renaissance, Clement came to the papacy with a high reputation as a statesman. He had served with distinction as chief advisor to Pope Leo X (1513–1521, his cousin), Pope Adrian VI (1522–1523), and commendably as gran maestro of Florence (1519–1523). Assuming leadership at a time of crisis, with the Protestant Reformation spreading, the Church nearing bankruptcy, and large foreign armies invading Italy, Clement initially tried to unite Christendom by making peace among the m ...
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I Modi
''I Modi'' (''The Ways''), also known as ''The Sixteen Pleasures'' or under the Latin title ''De omnibus Veneris Schematibus'', is a famous Erotic art, erotic book of the Italian Renaissance that had engravings of sexual scenes. The engravings were created in a collaboration between Giulio Romano (painter), Giulio Romano and Marcantonio Raimondi. They were thought to have been created around 1524 to 1527. There are now no known copies of the first two editions of ''I modi'' by Giulio Romano and Marcantonio Raimondi. In around 1530 Agostino Veneziano is thought to have created a replacement set of engravings for the engravings in ''I modi'' by Giulio and Marcantonio. Giulio Romano and Marcantonio Raimondi edition (around 1524–1527) The first edition of ''I Modi'' was created in a collaboration between Giulio Romano and Marcantonio Raimondi. One idea that is speculated is that Giulio drew the figures while Marcantonio designed the settings. Another idea is that this collab ...
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Marcantonio Raimondi
Marcantonio Raimondi, often called simply Marcantonio ( – ), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere. His collaboration with Raphael greatly helped his career, and he continued to exploit Raphael's works after the painter's death in 1520, playing a large part in spreading High Renaissance styles across Europe. Much of the biographical information we have comes from his life, the only one of a printmaker, in Vasari's ''Lives of the Artists''. He is attributed with around 300 engravings. After years of great success, his career ran into trouble in the mid-1520s; he was imprisoned for a time in Rome over his role in the series of erotic prints ''I Modi'', and then, according to Vasari, lost all his money in the Sack of Rom ...
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Giulio Romano (painter)
Giulio Pippi ( – 1 November 1546), known as Giulio Romano and Jules Romain ( , ; ), was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the leading painter and architect Raphael. He became an important member of Raphael's large team working on the frescos in the Raphael Rooms and Vatican loggias using designs by Raphael and, later painting a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he ...
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Pasquinade
A pasquinade or pasquil is a form of satire, usually an anonymous brief lampoon in verse or prose, and can also be seen as a form of literary caricature. The genre became popular in early modern Europe, in the 16th century, though the term had been used at least as early as the 4th century, as seen in Augustine's '' City of God''. Pasquinades can take a number of literary forms, including song, epigram, and satire. Compared with other kinds of satire, the pasquinade tends to be less didactic and more aggressive, and is more often critical of specific persons or groups. The name "pasquinade" comes from ''Pasquino'', the nickname of a Hellenistic statue, the remains of a type now known as a '' Pasquino Group'', found in the River Tiber in Rome in 1501 – the first of a number of "talking statues of Rome" which have been used since the 16th century by locals to post anonymous political commentary. The verse pasquinade has a classical source in the satirical epigrams of ancient Rom ...
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Roman Curia
The Roman Curia () comprises the administrative institutions of the Holy See and the central body through which the affairs of the Catholic Church are conducted. The Roman Curia is the institution of which the Roman Pontiff ordinarily makes use in the exercise of his supreme pastoral office and universal mission in the world: thus curialism refers traditionally to an emphasis on the supreme authority of the Holy See within the Catholic Church. It is at the service of the Pope and Bishops in the Catholic Church, bishops, fulfilling their function with an Gospel, evangelical spirit, working for the good and at the service of Communion of saints, communion, unity and edification of the Universal Church and attending to the demands of the world in which the Church is called to fulfill its duty and mission (''Praedicate evangelium'', article 1). The structure and organization of responsibilities within the Curia are at present regulated by the apostolic constitution issued by Pope F ...
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Pope Leo X
Pope Leo X (; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521. Born into the prominent political and banking Medici family of Florence, Giovanni was the second son of Lorenzo de' Medici, ruler of the Florentine Republic, and was elevated to the cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly war that succeeded in securing his nephew Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances. In Protestant circles, Leo is associated with granting indulgences for those who donated to reconstruct St. Peter's Basilica, a practice that was soon challenged by M ...
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Hanno (elephant)
Hanno (; c. 1510 – 8 June 1516) was the pet white elephant given by King Manuel I of Portugal to Pope Leo X (born Giovanni de' Medici) at his coronation. He was named Annon and Hanno after the Malayalam word Aana ( ആന) meaning elephant. Hanno, an Asian elephant, came to Rome in 1514 with the Portuguese ambassador Tristão da Cunha and quickly became the Pope's favorite animal. Hanno died two years later from complications of a treatment for constipation with gold-enriched laxative. Background King Manuel had either received him as a gift from the Raja of Cochin, or had asked Afonso de Albuquerque, his viceroy in India, to purchase him. Hanno was said to be white in colour, and arrived by ship from Lisbon to Rome in 1514, aged about four years, and was kept initially in an enclosure in the Belvedere courtyard, then moved to a specially constructed building between St. Peter's Basilica and the Apostolic Palace, near the Borgo Sant'Angelo (a road in the rione of ...
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Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ...
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