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Pierre Corneille
Pierre Corneille (; ; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, '' Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' ( Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he began to study law, but ...
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Charles Le Brun
Charles Le Brun (; baptised 24 February 1619 – 12 February 1690) was a French Painting, painter, Physiognomy, physiognomist, Aesthetics, art theorist, and a director of several art schools of his time. He served as a court painter to Louis XIV, who declared him "the greatest French artist of all time". Le Brun was a dominant figure in 17th-century French art and was influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Pierre Séguier, Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier (painter), François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he ...
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Rouen - Maison Natale De Pierre Corneille 03
Rouen (, ; or ) is a city on the River Seine, in northwestern France. It is in the prefecture of Regions of France, region of Normandy (administrative region), Normandy and the Departments of France, department of Seine-Maritime. Formerly one of the largest and most prosperous cities of medieval Europe, the population of the metropolitan area () is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Normans, Anglo-Norman and Angevin kings of England, Angevin dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried and burned alive on 30 ...
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Guillén De Castro Y Bellvis
Guillén de Castro y Mateo (1569 – 28 July 1631) was a Spanish dramatist of the Spanish Golden Age. He was distinguished member of the "Nocturnos", a Spanish version of the "Academies" in Italy. Life A Valencian by birth, he soon achieved a literary reputation. In 1591 he joined a local literary academy called the ''Nocturnos''. At one time a captain of the coast guard, at another the protégé of Benavente, viceroy of Naples, who appointed him governor of Scigliano, patronized by Pedro Téllez-Girón, 3rd Duke of Osuna and Gaspar de Guzmán, Count-Duke of Olivares, Castro was nominated a knight of the order of Santiago in 1623. He settled at Madrid in 1626, but died there in such poverty that his funeral expenses were defrayed by charity. Career He probably made the acquaintance of Lope de Vega at the festivals (1620–1622) held to commemorate the beatification and canonization of St Isidore, the patron saint of Madrid. On the latter occasion Castro's ''octavas'' wer ...
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Claude De L'Estoile
Claude de L'Estoile (1602, Paris – May 1652) was a French playwright and poet. He was a founder member of the Académie française An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of tertiary education. The name traces back to Plato's school of philosophy, founded approximately 386 BC at Akademia, a sanctuary of Athena, the go .... Biography Third son of Pierre de L'Estoile he inherited fortune, he devoted himself entirely to poetry and belles-lettres and became one of the first members of the French Academy in 1634 . He is the author of odes and stanzas and two plays, the beautiful slave, tragicomedy published in 1643, and Intrigue tricksters, comedy released in 1644 . A third part, Secretary of St. Innocent, remained unfinished. It also produces two ballets, The Ballet happy shipwreck and Maistre Galimathias represented before the king in 1626, and has also collaborated with François le Métel de Boisrobert, Pierre Cornei ...
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Jean Rotrou
Jean Rotrou (21 August 1609 – 28 June 1650) was a French poet and tragedian. Life Rotrou was born at Dreux, city of the current department of Eure-et-Loir, in Centre-Val de Loire region. He studied at Dreux and at Paris, and, though three years younger than Pierre Corneille, began writing before him. In 1632, he became playwright to the actors of the Hôtel de Bourgogne. (This hall is the setting for the first act of Rostand's play ''Cyrano de Bergerac'', and Rotrou's name is mentioned - as is Corneille's) With few exceptions, the only events recorded of Rotrou's life are the successive appearances of his plays, and his enrolment in 1635 in the band of five poets who had the duty of turning Richelieu's dramatic ideas into shape. Rotrou's own first piece, ''L'Hypocondriaque'' (first published in 1631, probably staged in 1628; critical edition by JC Vuillemin roz, 1999, dedicated to the Comte de Soissons, seigneur of Dreux, appeared when he was only eighteen. In the same yea ...
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Guillaume Colletet
Guillaume Colletet (12 March 1598 – 11 February 1659) was a French poet and a founder member of the Académie française. His son was François Colletet. Biography Colletet was born and died in Paris. He had a great reputation among his contemporaries and enjoyed the patronage of several important people, including Cardinal Richelieu, which whom he sometimes collaborated and who once gave him 600 livres for six verses. Colletet married, in succession, three female servants, one of whom, ''Claudine Le Nain'', he attempted to pass off as a poet in her own right, himself composing works which she then signed. When he realised he was dying, he produced a poem stating that she was giving up poetry following her husband's death; but no one was fooled. Jean de La Fontaine wrote an epigram on the subject. Works *'' Divertissements '' ; *poems (tragedies, pastorals, etc.), including '' le Banquet des Poètes '' (1646) ; *'' Epigram An epigram is a brief, interesting, memorable, ...
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Médée
''Médée'' is a dramatic tragedy in five acts written in alexandrine verse by Pierre Corneille Pierre Corneille (; ; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage ..., first performed in 1635 at the Théâtre du Marais. Corneille was inspired by both the Seneca and Euripedes tellings. Summary The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée exacts her revenge on her husband by burning his new spouse and slitting the throats of her two children. The final act of the play ends with Médée's escape in a chariot pulled by two dragons, and Jason's suicide. In Pierre Corneille's career ''Médée'' was Corneille's first tragedy. Furthermore, the performances of ''Médée'' followed Corneille's expulsion from Richelieu's ...
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Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ...
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Mélite
''Mélite'', or ''The False Letters'', is a comedy in five acts by Pierre Corneille. Written in 1625, it is Corneille's first play and debuted on stage in December 1629 in Berthaud's Jeu de paume court, and was performed by the acting troupe of Montdory. ''Mélite'' represents Corneille's creation of a new genre, the comedy of manners, which was a departure from the coarse or buffoonish farce Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical comedy, physical humor; the use of delibe ... in vogue at the time. Plot It is said Corneille based his play on an actual event he witnessed.Charles Henry Conrad Wright, ''A history of French literature'' (Oxford university press, American branch, 1912), 310. The plot turns on "the misunderstandings of lovers misled by false letters." Éraste is in love with Mélite. When Éraste in ...
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Jesuit Drama
Jesuit drama was a form of theatre practised in the colleges of the Society of Jesus between the 16th and 18th centuries, as a way of instructing students in rhetoric, assimilating Christian values and imparting Catholic doctrine. History In the late 16th and early 17th centuries, Jesuit colleges spread across Europe, and almost all of these presented at least one play each year. The first recorded performance was in 1551, at the College Mamertino at Messina, in Sicily, but by the mid-17th centuries, several hundred plays were being performed annually. The '' Ratio Studiorum'' of 1599 made it mandatory for Jesuit schools to exercise their students in rhetorical self-expression through dramas, debates, and other declamation of poetry. This effort to improve training in Latin for priests and other religious entrants was a central feature of the Counter Reformation, following the Humanist emphasis of understanding and standardisation of Latin towards Classical standards, now known a ...
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Lycée Pierre-Corneille
The Lycée Pierre-Corneille (; also known as the Lycée Corneille) is a state secondary school located in the city of Rouen, France. Founded by the Jesuits in 1593, the school was secularized following the 1905 French law on the Separation of the Churches and the State, and is today non-religious and governed by the French Ministry of Education. The school adopted the name of the playwright ''Pierre Corneille'' in 1873, and was classified as a national heritage site in December 1985. Origins The Protestant Reformation in the 16th century inspired the Archbishop of Rouen, Charles, Cardinal de Bourbon, to create a school to educate the children of the aristocracy and bourgeoisie ''in accordance with the purest doctrinal principles of Roman Catholicism''. The opened in 1593, run by the Jesuits and known initially as the ''Collège de Bourbon''. From 1595 to 1604, teaching ceased because of Jesuit expulsions. Between 1614 and 1631, the gatehouse and chapel were built. By 1662, ...
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