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Picardy Third
A Picardy third, (; ) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic (music), tonic at the end of a musical Musical form, section that is either musical mode, modal or in a minor scale, minor key. This is achieved by raising the third (chord), third of the expected Minor chord, minor triad by a semitone to create a Major chord, major triad, as a form of resolution (music), resolution. For example, instead of a cadence (music), cadence ending on an A minor chord (music), chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schutz Heu Mihi, Domine From Cantiones Sacrae 01
Schutz () is a German surname, related to Schütz (which needs to be spelled ''Schuetz'' without umlaut ü). Notable people with the surname include: *Alfred Schutz, Phenomenological philosopher and sociologist * Bernard F. Schutz (born 1946), physicist *Dana Schutz, painter in New York * David Schütz, Israeli writer *Guillermo Schutz (born 1980), Mexican sports announcer *Heinrich Schütz (1585-1672), German composer * Herbert Schutz (1937-2018), German-born Canadian philologist *Ignaz Schütz (1867-1927), Czech–German mathematician and a physicist * Johan Christher Schütz, Swedish singer and composer * Katelin Schutz, physicist and cosmologist *Maurice Schutz, French actor * Peter W. Schutz (1930–2017), Porsche manager * Philipp Balthasar Sinold von Schütz (1657–1742), German writer * Roger Louis Schutz-Marsauche (Frère Roger, 1915–2005) * Susan Polis Schutz, American poet *William Schutz, psychologist in the 1960s See also *Schutzjude, an old status for German Jew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picardy
Picardy (; Picard language, Picard and , , ) is a historical and cultural territory and a former regions of France, administrative region located in northern France. The first mentions of this province date back to the Middle Ages: it gained its first official recognition in the 13th century through the nation of Picardy at the University of Paris and entered French administration in the 14th century. Unlike regions such as Normandy, Brittany, or Champagne (province), Champagne, Picardy was never established as a duchy, county, or principality, and its boundaries fluctuated over the centuries due to the political instability in the area it covered. Since 1 January 2016, it has been part of the new region of Hauts-de-France. The first geographic description of Picardy appeared in the late central Middle Ages, including the bishoprics of Amiens, Beauvais, Arras, Tournai, and Thérouanne. In the late Middle Ages, it also encompassed Saint-Quentin, Douai, Abbeville, Béthune, Clermo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; ; 28 June 1712 – 2 July 1778) was a Republic of Geneva, Genevan philosopher (''philosophes, philosophe''), writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'', which argues that private property is the source of inequality, and ''The Social Contract'', which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published ''Confessions (Rousseau), Confessions'' (completed in 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams ( ; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German classical music, German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tierce De Picardie In Ich Habe Genug , the third liturgical hour
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Tierce comes from the Latin word for ''third'' and may refer to: * Tiercé, a commune in France * Tierce (fencing), a fencing manoeuvre * Tierce (unit), both an archaic volume unit of measure of goods and the name of the cask of that size * Tierce, an organ stop, also known as a seventeenth * Tierce, an archaic term for one- sixtieth of a second * Tierce, a horse racing bet type also known as a trifecta * ''Tierced'' in heraldry, the dividing of the field into three sections, ''per pale'' or ''per fess'' See also * Terce Terce is a canonical hour of the Divine Office. It consists mainly of psalms and is held around 9 a.m. Its name comes from Latin and refers to the third hour of the day after dawn. Along with Prime, Sext, None, and Compline, Terce belongs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Language Of Music
''The Language of Music'' is a 1959 book about music by the critic and musician Deryck Cooke. Reception Robert M. Wallace reviewed ''The Language of Music'' in ''The Nation''. ''The Language of Music'' is an often cited representative of the expressionist theory of art. No systematic experimental study of Cooke's theory has emerged relating it to musical education, but one pilot study showed that for 22 non-musician students, his characterizations of musical phrases were not experienced. The philosopher Douglas Hofstadter Douglas Richard Hofstadter (born 15 February 1945) is an American cognitive and computer scientist whose research includes concepts such as the sense of self in relation to the external world, consciousness, analogy-making, Strange loop, strange ... writes that ''The Language of Music'' is, "A valuable start down what is sure to be a long hard road to understanding music and the human mind." References Bibliography ;Books * * * ;Journals * {{D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deryck Cooke
Deryck Cooke (14 September 1919 – 26 October 1976) was a British musician, musicologist, broadcaster and Gustav Mahler expert. Life Cooke was born in Leicester to a poor, working-class family; his father died when he was a child, but his mother was able to afford piano lessons. Cooke acquired a brilliant technique and began to compose. From Wyggeston Grammar School for Boys he won an organ scholarship to Selwyn College, Cambridge, where he was taught by Patrick Hadley and Robin Orr. His undergraduate studies were interrupted by the Second World War, during which he served in the Royal Artillery and took part in the invasion of Italy. Towards the end of the war he became pianist in an army dance band. Back in Cambridge, a number of his compositions were successfully performed, but he was insecure about their unfashionably conservative idiom, and eventually destroyed most of his works. After graduating in 1947 Cooke joined the BBC; apart from an interlude (1959–65) working a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolute Music
Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non- representational.M. C. Horowitz (ed.), ''New Dictionary of the History of Ideas'', , Vol. 1, p. 5 The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony. The aesthetic ideas underlying absolute music derive from debates over the relative value of what was known in the early years of aesthetic theory as the fine arts. Kant, in his ''Critique of Judgment'', dismissed music as "more a matter of enjoyment than culture" and "less worth in the judgement of reason than any other of the fine arts" because of its lack of conceptual content, thus treating as a deficit the very feature of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
