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Piano Concertos By Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart's piano concerto, concertos for piano and orchestra are numbered from 1 to 27. The Piano Concertos Nos. 1–4 (Mozart), first four numbered concertos and three unnumbered concertos Piano Concertos K. 107 (Mozart), K. 107 are early works that are arrangements of keyboard sonatas by various contemporary composers. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. Many of these concertos were composed by Mozart for himself to play in the Vienna concert series of 1784–86. For a long time relatively neglected, Mozart's piano concertos are recognised as among his greatest achievements. They were championed by Donald Tovey in his Essays in Musical Analysis, ''Essay on the Classical Concerto'' in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively. Hans Tischler published a structural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Baptist Wanhal
Johann Baptist Wanhal (12 May 1739 – 20 August 1813) was a Czech composer of the Classical period. He was born in Nechanice, Bohemia, and died in Vienna. His music was well respected by Wolfgang Amadeus Mozart, Joseph Haydn, Ludwig van Beethoven and Franz Schubert. He was an instrumental performer as well. While being a proficient organist, he also played the violin and cello. Name Wanhal and at least one of his publishers used the spelling Waṅhal, the dot being an archaic form of the modern háček. Other attested variants include Wanhall, Vanhal and Van Hall. The modern Czech form Jan Křtitel Vaňhal was introduced in the 20th century."He himself spelt his name Johann Baptist Waṅhal; his Viennese contemporaries and most scholars until World War II used the spelling Waṅhal, but later in the 20th century a modern Czech form, Jan Křtitel Vaňhal, was erroneously introduced." Paul Robey Bryan, "Vanhal, Johann Baptist an Křtitel in ''The New Grove Dictionary of Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (5 September 1735 – 1 January 1782) was a German composer of the Classical era, the youngest son of Johann Sebastian Bach. He received his early musical training from his father, and later from his half-brother, Carl Philipp Emanuel Bach in Berlin. After his time in Berlin he made his way to Italy to study with famous Padre Martini in Bologna. While in Italy, J.C. Bach was appointed as an organist at the Milan Cathedral. In 1762 he became a composer to the King’s Theatre in London where he wrote a number of successful Italian operas and became known as "The English Bach". He is responsible for the development of the sinfonia concertante form. He became one of the most influential figures of the classical period, influencing compositional styles of prolific composers like Joseph Haydn and Wolfgang Amadeus Mozart. Life Johann Christian Bach was born to Johann Sebastian and Anna Magdalena Bach in 1735 in Leipzig, Germany. His father, Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue () is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'' or ''KV''. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem (Mozart), Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''. Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49, K. 49 (47d) or K. 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version. History In the decades after Mozart's death in 1791 there were severa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Wolfgang Amadeus Mozart At The Age Of 13 In Verona, 1770
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viotti
Giovanni Battista Viotti (12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven. Biography Viotti was born at Fontanetto Po in the Kingdom of Sardinia (today in the province of Vercelli, Piedmont, Italy). For his musical talent, he was taken into the household of principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education that prepared him to be a pupil of Gaetano Pugnani. He served at the Savoia court in Turin, 1773–80, then toured as a soloist, at first with Pugnani, before going to Paris alone, where he made his début at the Concert Spirituel, 17 March 1782. He was an instant sensation and served for a time at Versailles before founding a new opera house, the Théâtre de Monsieur in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programmatic music. He consolidated the emerging concerto form, especially the solo concerto, into a widely accepted and followed idiom. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and List of operas by Antonio Vivaldi, more than fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), The Four Seasons''. Many of his compositions were written for the all-female music ensemble of the , a home for abandoned children. Vivaldi b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's '' L'estro armonico'', originally scored for four violins, two violas, cello, and continuo, and in Allan Pettersson's first concerto, for violin and string quartet. List of violin concertos The following concertos are presently found near the center of the mainst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Renaissance music and Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo (music)
In music, a solo () is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was ''Concertino (group), concertino''. An instrumental solo is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
