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Piano Concerto
A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique. Piano concertos are typically written out in music notation, including sheet music for the pianist (which is typically memorized for a more virtuosic performance), orchestral parts, and a full score for the conductor. The standard practice in the Baroque and Classical eras (together spanning from circa 1600 to circa 1800), was for the orchestra to provide subordinate accompaniment over which the piano plays solo parts. However, at the end of the classical era, the orchestra had an equal role to the pianist and frequently had “dialogue” or “conversation” between the two. When music students and music competition auditionees play piano concertos, the orchestra part may be performed in an orchestral reduction, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto On Stage
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the Late Baroque (music), late Baroque era, mostly understood as an instrumental composition, written for one or more solo (music), soloists accompanied by an orchestra or other Musical ensemble, ensemble. The typical three-Movement (music), movement structure, a slow movement (e.g., lento (music), lento or adagio (music), adagio) preceded and followed by fast movements (e.g., presto (music), presto or allegro (music), allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venice, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Friedrich Abel
Carl Friedrich Abel (22 December 1723 – 20 June 1787) was a German composer of the pre-Classical period (music), Classical era. He was a renowned player of the viol, viola da gamba, and produced significant compositions for that instrument. He was director of music at the Dresden court from 1743, and moved to London in 1759, becoming chamber-musician to Queen Charlotte in 1764. He founded a subscription concert series there with Johann Christian Bach. According to the ''Catalogue of Works of Carl Friedrich Abel'' (AbelWV), he left 420 compositions, with a focus on chamber music. Life Abel was born in Köthen, where his father, Christian Ferdinand Abel, had worked for years as the principal viol, viola da gamba and cello player in the court orchestra of Leopold, Prince of Anhalt-Köthen. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. The young Abel later boarded at St. Thomas School, Leipzig, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Field (composer)
John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody over an arpeggiated accompaniment. He was born into a musical family, in Dublin, and received his early education there, in particular with the Italian composer Tommaso Giordani. The family moved to London in 1793, where Field studied under Muzio Clementi, and under whose tutelage Field soon became a famous and sought-after concert pianist. Together, master and pupil visited Paris, Vienna, and St. Petersburg. Ambiguity surrounds Field's decision to remain in the former Russian capital (Saint Petersburg), but it is likely that Field acted as a sales representative for the Clementi Pianos. Field was very highly regarded by his contemporaries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Ries
Ferdinand Ries (baptised 28 November 1784 – 13 January 1838) was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven. He composed eight symphony, symphonies, a violin concerto, nine piano concertos (the first concerto is not published), three operas, and numerous other works, including 26 string quartets. In 1838 he published a collection of reminiscences of his teacher Beethoven, co-written with Beethoven's friend, Franz Gerhard Wegeler, Franz Wegeler. Ries' symphonies, some chamber works—most of them with piano—his violin concerto and his piano concertos have been recorded, exhibiting a style which, given his connection to Beethoven, lies between the classical period (music), Classical and early romantic music, Romantic styles. Early life Ries was born into a musical family of Bonn. His grandfather, Johann Ries (1723–1784), was appointed court trumpeter to the Prince Elector, Elector of Cologne at Bonn. Ries was the eldest son of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nepomuk Hummel
Johann Nepomuk Hummel (14 November 177817 October 1837) was an Austrian composer and pianist. His music reflects the transition from the Classical to the Romantic musical era. He was a pupil of Wolfgang Amadeus Mozart, Antonio Salieri, and Joseph Haydn. Hummel significantly influenced later piano music of the nineteenth century, particularly in the works of Frédéric Chopin, Franz Liszt, and Felix Mendelssohn. Life Early life Hummel was born in Pressburg, Kingdom of Hungary (now Bratislava, Slovakia). Unusually for that period, he was an only child. He was named after the Czech patron saint John of Nepomuk. His father, Johannes Hummel, was the director of the Imperial School of Military Music in Vienna; his mother, Margarethe Sommer Hummel, was the widow of the wigmaker Josef Ludwig. The couple married just four months before his birth. Hummel was a child prodigy. At the age of eight, he was offered music lessons by the classical composer Wolfgang Amadeus Mozart, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian'' and '' Scottish'' Symphonies, the oratorios '' St. Paul'' and '' Elijah'', the ''Hebrides'' Overture, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's '' Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion until he was baptised aged seven into the Reformed Christian church. He was recognised early as a musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Period (music)
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Wölfl
Joseph Johann Baptist Woelfl (surname sometimes written in the German form Wölfl; 24 December 1773 – 21 May 1812) was an Austrian pianist and composer of the late Classical period (music), Classical period. Life Woelfl was born in Salzburg, where he studied music under Leopold Mozart and Michael Haydn. He first appeared in public as a soloist on the violin at the age of seven. Moving to Vienna in 1790 he visited Wolfgang Amadeus Mozart and may have taken lessons from him. His first opera, ''Der Höllenberg'', appeared there in 1795. Woelfl was very tall (over 6 feet), and with an enormous finger span (his hand could span interval (music), a thirteenth, according to his contemporary Václav Tomášek); to his wide grasp of the keyboard he owed a facility of execution which he turned to good account, especially in his improvised performances. Like the virtuoso violinist Niccolò Paganini, Paganinni, he probably had Marfan syndrome, which is associated with these physical ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Stamitz
Carl Philipp Stamitz (; baptized 8 May 17459 November 1801) was a German composer of partial Czech ancestry. He was the most prominent representative of the second generation of the Mannheim School. He was the eldest son of Johann Stamitz, a violinist and composer of the early classical period. Born in Mannheim, he received lessons from his father and Christian Cannabich, his father's successor as leader of the Mannheim orchestra. As a youth, Stamitz was employed as a violinist in the court orchestra at Mannheim. In 1770, he began travelling as a virtuoso, accepting short-term engagements, but never managing to gain a permanent position. He visited a number of European cities, living for a time in Strasbourg and London. In 1794, he gave up travelling and moved with his family to Jena in central Germany. His circumstances deteriorated and he descended into debt and poverty, dying in 1801. Papers on alchemy were found after his death. Stamitz wrote symphonies, symphonies concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
