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Pentax Q
The Pentax Q is a mirrorless interchangeable-lens camera introduced by Pentax on June 23, 2011. Characteristics Introduced as "The world's smallest interchangeable lens system camera..." The Pentax Q system is composed of four bodies (Q, Q10, Q7, Q-S1) and eight lenses: the 01 prime normal, the 02 wide-tele zoom, 03 fish-eye, the 04 "toy" wide angle, the 05 "toy" telephoto, the 06 telephoto zoom, the 07 "mount shield" lens, and the 08 ultra-wide zoom. The zooms and prime normal lenses have leaf shutters (with built-in neutral density filters) and sync with flash up to 1/2000 of a second. The other lenses use the camera's electronic shutter. The 09 macro lens was prototyped but never released. Modern Pentax K mount lenses can be used on the Q with an adapter that has a mechanical shutter. Other adapted lenses use the electronic shutter. The camera's small sensor size (1/2.3 inches) means that the Q has a crop factor of 5.6× (compared to full-frame 35mm cameras), as well as a ...
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Pentax Q 01n2000
was a Japanese camera and optical equipment manufacturer. Currently, it exists as the Pentax Life Care Business Division of Hoya's medical endoscope business, as well as the digital camera brand of Ricoh Imaging, a subsidiary of Ricoh. Pentax, founded in 1919 as a town workshop specializing in polishing eyeglass lenses, developed Japan's first single-lens reflex camera, the Asahiflex, in 1952. By 2006, Pentax's domestic market share in digital cameras had declined to 4%. In 2007, Pentax was acquired by Hoya and subsequently merged with the company the following year. In 2011, Hoya spun off the Pentax brand's digital camera business, which was then acquired by Ricoh, leading to the establishment of Pentax Ricoh Imaging (current Ricoh Imaging). As a response to growing interest in film photography, Pentax launched the Pentax 17 on June 17, 2024. The Pentax 17 is a half-frame film camera. This launch marks the first Pentax film camera in over two decades. Corporate history Earl ...
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Crop Factor
In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. In the case of digital cameras, the imaging device would be a digital image sensor. The most commonly used definition of crop factor is the ratio of a 35 mm frame's diagonal (43.3 mm) to the diagonal of the image sensor in question; that is, \text = \text_ / \text_. Given the same 3:2 aspect ratio as 35mm's 36 mm × 24 mm area, this is equivalent to the ratio of heights or ratio of widths; the ratio of sensor areas is the square of the crop factor. The crop factor is sometimes used to compare the field of view and image quality of different cameras with the same lens. The crop factor is sometimes referred to as the focal length multiplier ("Film") since multiplying a lens f ...
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List Of Smallest Mirrorless Cameras
This is a list of the lightest and smallest mirrorless digital cameras ever released with an interchangeable lens mount, excluding smartphones and action cameras, sorted by weight including battery and memory card. Nearly all the lightest models have been discontinued, as smartphone cameras have rapidly improved and taken over their market. Some high-end smartphones now exceed several of these models in weight, sensor size, and functionality. (For example, an iPhone 15 Pro Max weighs 221 g, and a Galaxy S24 Ultra weighs 233 g.) The lightest mirrorless cameras in production today are the Olympus E-P7 at 337 g and Sony ZV-E10 at 343 g. The lightest models in production with an electronic viewfinder (EVF) are the Panasonic G100D at 346 g and Canon R100 at 356 g. With the exception of the E-P7's in-body image stabilization (IBIS), these models eschew certain hardware features, such as IBIS and weather sealing, that add weigh ...
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List Of Pentax Products
The following is a partial list of products Manufacturing, manufactured under the Pentax brand. Examples of Pentax products include Digital camera, digital cameras and binoculars. Film cameras 135 film, 35 mm Single-lens reflex camera, SLR cameras M37 screw mount Cameras using the M37 lens mount. * Asahiflex, Ashiflex I (1952–1953) * Asahiflex, Asahiflex Ia (1953–1954) — also sold as the Tower 23 * Asahiflex, Asahiflex IIb (1954–1957) — also sold as the Tower 23 * Asahiflex, Asahiflex IIa (1955–1957) — also sold as the Tower 22 and Tower 24 M42 screw mount Cameras using the M42 lens mount, also known as the ''Pentax screw mount''. * Asahi Pentax (1957) — also sold as the Tower 26 * Asahi Pentax, Asahi Pentax S (1958) — also sold as the Tower 26 * Asahi Pentax, Asahi Pentax K (1958) — also sold as the Tower 29 * Asahi Pentax, Asahi Pentax S2/H2 (1959) — also sold as the Honeywell Pentax H2/Honeywell Heiland Pentax H2 * Asahi Pentax, Asahi Pentax S3/ ...
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Focus Peaking
Focus peaking is a focusing aid in live preview or electronic viewfinder An electronic viewfinder (EVF) is a camera viewfinder where the image captured by the lens is displayed on a small screen (usually LCD or OLED) which the photographer can look through when composing their shot. It differs from a live preview sc ...s on digital cameras that places a white or coloured highlight on in-focus edges (contours) within an image using an edge detect filter. It was initially only common on video cameras, as the feature is incompatible with the optical viewfinders found on DSLRs. Some external monitors and some image organisation programs can also perform focus peaking separately from the camera body. It is sometimes referred to as "focus assist" or "peaking highlights". Focus peaking is fast but it is considered to be inferior to digitally zooming in, and is not recommended when taking pictures with either a very narrow or very wide depth of field. References {{photography-st ...
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Image Stabilization
Image stabilization (IS) is a family of techniques that reduce motion blur, blurring associated with the motion of a camera or other imaging device during exposure (photography), exposure. Generally, it compensates for panning (camera), pan and tilt (camera), tilt (angular movement, equivalent to aircraft principal axes, yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation about the optical axis (aircraft principal axes, roll). It is mainly used in high-end image-stabilized binoculars, digital camera, still and video camera, video cameras, astronomical telescopes, and also smartphones. With still cameras, camera shake is a particular problem at slow shutter speeds or with long focal length lenses (telephoto lens, telephoto or zoom lens, zoom). With video cameras, camera shake causes visible frame-to-frame jitter (optics), jitter in the recorded video. In astronomy, the problem of lens shake is added to Astronomical seeing, ...
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Shallow-focus
Shallow focus is a photographic and cinematographic technique incorporating a small depth of field. In shallow focus, one plane of the scene is in focus while the rest is out of focus. Shallow focus is typically used to emphasize one part of the image over another. Photographers sometimes refer to the aesthetic quality of the unfocused area(s) as bokeh. The opposite of shallow focus is deep focus, in which the entire image is in focus. Overview Shallow focus has become more popular in the 2000s and 2010s. It is also a means by which low budget filmmakers use to hide places that would require expensive props. It is often proclaimed by some to being a way to avoid the "video look." Extremely shallow focus – sometimes called ''bokeh porn'' – made its debut in cinematography in 2008 with the release of the Canon EOS 5D Mark II and the start of DSLR cinematography. Details The effect can be obtained by a larger aperture, a close viewpoint, a larger image sensor or a longer ...
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Bokeh
In photography, bokeh ( or ; ) is the aesthetic quality of the blur produced in out-of-focus parts of an image, whether foreground or background or both. It is created by using a wide aperture lens. Some photographers incorrectly restrict use of the term bokeh to the appearance of bright spots in the out-of-focus area caused by circles of confusion. Bokeh has also been defined as "the way the lens renders out-of-focus points of light". Differences in lens aberrations and aperture shape cause very different bokeh effects. Some lens designs blur the image in a way that is pleasing to the eye, while others produce distracting or unpleasant blurring ("good" and "bad" bokeh, respectively). Photographers may deliberately use a shallow focus technique to create images with prominent out-of-focus regions, accentuating their lens's bokeh. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is ofte ...
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High-dynamic-range Imaging
High dynamic range (HDR), also known as wide dynamic range, extended dynamic range, or expanded dynamic range, is a signal with a higher dynamic range than usual. The term is often used in discussing the dynamic ranges of images, videos, audio or radio. It may also apply to the means of recording, processing, and reproducing such signals including analog and digitized signals. Imaging In this context, the term ''high dynamic range'' means there is a large amount of variation in light levels within a scene or an image. The ''dynamic range'' refers to the range of luminosity between the brightest area and the darkest area of that scene or image. (HDRI) refers to the set of imaging technologies and techniques that allow the dynamic range of images or videos to be increased. It covers the acquisition, creation, storage, distribution and display of images and videos. Modern films have often been shot with cameras featuring a higher dynamic range, and legacy films can be post-con ...
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Pentax Auto 110
The Pentax Auto 110 and Pentax Auto 110 Super were fully automatic single-lens reflex cameras manufactured by Asahi Pentax for use with Kodak 110 film cartridges. The Auto 110 was introduced with three interchangeable, fixed focal length lenses in 1978. A further three lenses (including one zoom lens) were added in 1981 to coincide with the release of the Auto 110 Super the following year. The camera system was sold until 1985. The complete system is sometimes known as the Pentax System 10, apparently for its official Pentax name, although most Pentax advertising only uses the camera name or Pentax-110. This model represented the only complete ultraminiature SLR system manufactured for the 110 film format, although several fixed-lens 110 SLRs were sold. The camera system also claims to be the smallest interchangeable-lens SLR system ever created. Auto 110 The Pentax Auto 110 features fully automatic exposure, with no user-settable exposure compensation or adjustments. Meteri ...
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Depth Of Field
The depth of field (DOF) is the distance between the nearest and the farthest objects that are in acceptably sharp focus (optics), focus in an image captured with a camera. See also the closely related depth of focus. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus in the image. "Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance to subject (object to be imaged), the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: \text \approx \frac for a given maximum acceptable circle of confusion , focal length , f-number , and distance to subject . As distance or the size of the acc ...
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Flange Focal Distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and source) of a lens mount system is the distance from the mounting flange (the interlocking metal rings on the camera and the rear of the lens) to the film or image sensor plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths, is usually measured to a precision of hundredths of millimetres, and is not to be confused with depth of field. Lenses can be adapted from one mount (and respective FFD) to another. FFD determines whether infinity focus can be accomplished with a simple non-optical adapter. Optics to correct for distance introduce more cost and can lower image quality, so non-optical lens adapters are preferred. A simple non-optical adap ...
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