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Parody
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satire, satirical or irony, ironic imitation. Often its subject is an Originality, original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or Counterculture of the 1960s, 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, parody music, music, Theatre, theater, television and film, animation, and Video game, gaming. The writer and critic John Gross observes in his ''Oxford Book of Parodies'', that parody seems to flourish on te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Music
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect. Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect. Etymology The word "parody" derives fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Hutcheon
Linda Hutcheon, FRSC, OC (born August 24, 1947) is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian studies. She is a University Professor Emeritus in the Department of English and of the Centre for Comparative Literature at the University of Toronto, where she has taught since 1988. In 2000 she was elected the 117th President of the Modern Language Association, the third Canadian to hold this position, and the first Canadian woman. She is particularly known for her influential theories of postmodernism. Works Postmodernism Hutcheon's publications reflect an interest in aesthetic micro-practices such as irony in '' Irony's Edge'' (Routledge, 1994), parody in ''A Theory of Parody'' (Meuthen, 1985), and adaptation in ''A Theory of Adaptation'' (Routledge, 2006). Hutcheon has also authored texts which synthesize and contextualize these practices with regard to broader debates about postmodernism, such as ''The Politics of Postmode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hegemon Of Thasos
Hegemon of Thasos () was a Greek writer of the Old Comedy. Hardly anything is known of him, except that he flourished during the Peloponnesian War. According to Aristotle (''Poetics'', ii. 5) he was the inventor of a kind of parody; by slightly altering the wording in well-known poems he transformed the sublime into the ridiculous. When the news of the disastrous defeat of the Sicilian Expedition reached Athens, his parody of the '' Gigantomachia'' was being performed: it is said that the audience were so amused by it that, instead of leaving to show their grief, they remained in their seats. He was also the author of a comedy called ''Philinne'' (Philine), written in the manner of Eupolis and Cratinus, in which he attacked a well-known courtesan. Athenaeus (p. 698), who preserves some parodic hexameters of his, relates other anecdotes concerning him (pp. 5, 108, 407). Criticisms In Aristotle's '' Poetics'', Aristotle states "Homer Homer (; , ; possibly bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', , accessed 16 February 2011 The word is loaned from French and derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps with , and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Comedy
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians.Mastromarco (1994) p.12 The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, ''de facto'' define the genre. The only extant plays of Old Comedy are credited to Aristophanes. There are only fragments and 'testimonia' of all other Old Comedy playwrights and plays. Origins and history The word "comedy" (, ''kōmōidía'') derives from the words for 'revel' and 'song' ( κῶμος, ''kōmos'', and ᾠδή, ''ōidē'') and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BCE, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of ''The Acharnians'', the first of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post- Restoration and Augustan periods in Great Britain. The earliest example of the form is the '' Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin, Dustin H. (1994) ''Satire: A Critical Reintroduction'p. 135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face". Keaton was a child vaudeville star, performing as part of his family's traveling act. As an adult, he began working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, with whom he made a series of successful two-reel comedies in the early 1920s, including ''One Week (1920 film), One Week'' (1920), ''The Playhouse (film), The Playhouse'' (1921), ''Cops (1922), Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-length films; several of them, such as ''Sherlock Jr.'' (1924), ''The General (1926 film), The General'' (1926), ''Steamboat Bill, Jr.'' (1928), and ''The Camerama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche () is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is the French borrowing of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Its first recorded use in this sense was in 1878. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Allusion requires the audience to share in the author's cultural knowledge. Allusion and pastiche are both mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, Play (theatre), plays, and poetry, poems. It includes both print and Electronic literature, digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caricature
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines. In literature, a ''caricature'' is a distorted representation of a person in a way that exaggeration, exaggerates some characteristics and oversimplifies others. Etymology The term is derived for the Italian ''caricare''—to charge or load. An early definition occurs in the English doctor Thomas Browne's ''Christian Morals'', published posthumously in 1716. with the footnote: Thus, the word "caricature" essentially means a "loaded portrait". In 18th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heracles
Heracles ( ; ), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a Divinity, divine hero in Greek mythology, the son of ZeusApollodorus1.9.16/ref> and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus (mythology), Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a descendant and half-brother (as they are both sired by the god Zeus) of Perseus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Twelve Olympians, Olympian order against chthonic monsters. In Roman mythology, Rome and the modernity, modern western world, West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult (religion), cult were adapted to Rome as well. Origin Many popular stories were told ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
