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Palazzo Delle Poste, Palermo
The Palazzo delle Poste or Palazzo Postale is a monumental government building, executed in the rationalist architectural style of the 1920s, originally intended as the mail and telegraph center, located on Via Roma #320, in the quarter of Castellamare in Palermo, region of Sicily, Italy. The modern building is bordered on the north by the church of the Sant'Ignazio all'Olivella and the adjacent Regional Archeologic Museum, while Piazza San Domenico is a few blocks to the south. History The building was designed by the rationalist, and later fascist, government architect Angiolo Mazzoni in the early 1920s. Construction was begun on the structure in 1929 and the building was inaugurated in 1934 with the Italian government's communications minister Umberto Puppini in attendance. The Palermo flood occurred from February 21–23, 1931 while the building was being constructed and during that time a large crane which was being used to erect the post office collapsed onto a neigh ...
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Palermo - Panoramio (29)
Palermo ( ; ; , locally also or ) is a city in southern Italy, the capital (political), capital of both the autonomous area, autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea. The city was founded in Isla Palermo 734 BC by the Phoenicians as ("flower"). Palermo then became a possession of Ancient Carthage, Carthage. Two ancient Greeks, Greek ancient Greek colonization, colonies were established, known collectively as ; the Carthaginians used this name on their coins after the 5th centuryBC. As , the town became part of the Roman Republic and Roman Empire, Empire for over a thousand years. From 831 to 1072 the city was under History of Islam in south ...
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Michael Portillo
Michael Denzil Xavier Portillo ( ; born 26 May 1953) is a British journalist, broadcaster, and former Conservative Party (UK), Conservative Party politician. His broadcast series include railway documentaries such as ''Great British Railway Journeys'' and ''Great Continental Railway Journeys''. A former member of the Conservative Party, he was Member of Parliament (United Kingdom), Member of Parliament (MP) for Enfield Southgate from 1984 Enfield Southgate by-election, 1984 to 1997 United Kingdom general election, 1997 and Kensington and Chelsea (UK Parliament constituency), Kensington and Chelsea from 1999 Kensington and Chelsea by-election, 1999 to 2005 United Kingdom general election, 2005, holding a number of ministerial and Cabinet positions. Portillo obtained a first-class degree in history from the University of Cambridge, having been a student at Peterhouse. He began his working life as a graduate trainee with the transport company Ocean Group plc, before joining the Con ...
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Buildings And Structures In Palermo
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ...
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Italian Fascist Architecture
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian ...
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Pompeii
Pompeii ( ; ) was a city in what is now the municipality of Pompei, near Naples, in the Campania region of Italy. Along with Herculaneum, Stabiae, and Villa Boscoreale, many surrounding villas, the city was buried under of volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, Pompeii offers a unique snapshot of Culture of ancient Rome, Roman life, frozen at the moment it was buried, as well as insight into ancient urban planning. It was a wealthy town of 10,000 to 20,000 residents at the time it was destroyed. It hosted many fine public buildings and luxurious private houses with lavish decorations, furnishings and artworks, which were the main attractions for early excavators; subsequent excavations have found hundreds of private homes and businesses reflecting various architectural styles and social classes, as well as numerous public buildings. Organic remains, including wooden objects and human bodies, were interred in the as ...
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Encaustic Painting
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though recipes most commonly consist of beeswax and damar resin, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleable ...
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Benedetta Cappa
Benedetta Cappa (14 August 1897 – 15 May 1977) was an Italian futurist artist who has had retrospectives at the Walker Art Center and the Solomon R. Guggenheim Museum. Her work fits within the second phase of Italian Futurism. Biography Benedetta was born in Rome, the second of five children. Her mother, Amalia Cappa, was a numerologist and believed in the properties of alphabetic letters and gave her four sons names that begin with the letter A and her only daughter, Benedetta, a name that began with B. Her mother was a cultured woman and a Protestant. Her parents were rigid, but affectionate in her upbringing. Cappa’s father, Innocenzo Cappa, was an official of the Ministry of Railways and later an officer in the Italian army. He died after returning from World War I, a tragic event that impacted her so deeply that she described her emotional and psychological state as a “broken core”. Her brothers Alberto and Arturo, a historian and a journalist, also had ties t ...
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Futurism
Futurism ( ) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later go on to found gr ...
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Colonnade
In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space. When in front of a building, screening the door (Latin ''porta''), it is called a portico. When enclosing an open court, a peristyle. A portico may be more than one rank of columns deep, as at the Pantheon in Rome or the stoae of Ancient Greece. When the intercolumniation is alternately wide and narrow, a colonnade may be termed "araeosystyle" (Gr. αραιος, "widely spaced", and συστυλος, "with columns set close together"), as in the case of the western porch of St Paul's Cathedral St Paul's Cathedral, formally the Cathedral Church of St Paul the Apostle, is an Anglican c ...
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Courtyards
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary architects as a typical and traditional building feature. Such spaces in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court. Both of the words ''court'' and ''yard'' derive from the same root, meaning an enclosed space. See yard and garden for the relation of this set of words. In universities courtyards are often known as quadrangles. Historic use Courtyards—private open spaces surrounded by walls or buildings—have been in use in residential architecture for almost as long as people have lived in constructed dwellings. The courtyard house makes its first appearance –6000 BC (calibrated), in the Neolithic Yarmukian site at Sha'ar HaGolan, in the cent ...
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Great Continental Railway Journeys
''Great Continental Railway Journeys'' is a British television documentary series presented by Michael Portillo. In the early series, Portillo explores the railway networks of continental Europe, but in later series he also ventured further afield. He refers to a 1913 copy of '' Bradshaw's Continental Railway Guide'', as he describes how the places he visits have changed since Edwardian times. The first series was originally broadcast on BBC Two in 2012 and the seventh series first aired in 2020. After a five year hiatus, it was announced that a new series was to be shown in 2025 as part of the BBC's contribution to the "Railway 200" celebrations. Series overview Episodes Series 1 (2012) The first series was originally broadcast on BBC Two in 2012. Portillo made five separate journeys across France, Germany, the Low Countries, Switzerland, and the countries whose land made up the former Austro-Hungarian Empire. Series 2 (2013) Production of a second series included filmi ...
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Rationalism (architecture)
In architecture, Rationalism () is an architectural current which mostly developed from Fascist Italy (1922–1943), Italy in the 1920s and 1930s. Vitruvius had claimed in his work that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism (art), illusionism with the classic beauty of truth and reason. Twentieth-century Rationalism derived less from a special, unified theoretical work than from a common belief that the most varied problems posed by the real world could be resolved by reason. In that respect, it represented a reaction to Historicism (art), Historicism and a contrast to Art Nouveau and Expressionism. The term ''Rationalism'' is commonly used to refer to the wider International Style (architecture), International Style. Enlightenment rationalism The name Rationalism is retroa ...
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