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Palatino
Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with open counters, balanced proportions, moderate stroke contrast and flared serifs. Background Named after the 16th-century Italian master of calligraphy Giambattista Palatino, Palatino is based on the humanist types of the Italian Renaissance, which mirror the letters formed by a broad nib pen reflecting Zapf's expertise as a calligrapher. Its capital 'Y' is in the unusual 'palm Y' style, inspired by the Greek letter upsilon, a trait found in some of the earliest versions of the letter such as that of Aldus Manutius. Unlike most Renaissance typeface revivals, which tend to have delicate proportions such as a low x-height (short lower-case letters and longer ascenders and descenders), Palatino has larger proportions, increasing legibility. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palatino Swash Initials
Palatino is an Serif#Old-style, old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel Type Foundry, Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with counter (typography), open counters, balanced proportions, moderate stroke contrast and flared serifs. Background Named after the 16th-century Italian master of calligraphy Giambattista Palatino, Palatino is based on the humanist types of the Italian Renaissance, which mirror the letters formed by a broad nib pen reflecting Zapf's expertise as a calligraphy, calligrapher. Its capital 'Y' is in the unusual 'palm Y' style, inspired by the Greek letter upsilon, a trait found in some of the earliest versions of the letter such as that of Aldus Manutius. Unlike most Renaissance typeface revivals, which tend to have delicate proportions such as a low x-height (short lower-case letters and longer Ascender (typog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palatino Old And New
Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with open counters, balanced proportions, moderate stroke contrast and flared serifs. Background Named after the 16th-century Italian master of calligraphy Giambattista Palatino, Palatino is based on the humanist types of the Italian Renaissance, which mirror the letters formed by a broad nib pen reflecting Zapf's expertise as a calligrapher. Its capital 'Y' is in the unusual 'palm Y' style, inspired by the Greek letter upsilon, a trait found in some of the earliest versions of the letter such as that of Aldus Manutius. Unlike most Renaissance typeface revivals, which tend to have delicate proportions such as a low x-height (short lower-case letters and longer ascenders and descenders), Palatino has larger proportions, increasing legibility. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Zapf
Hermann Zapf (; 8 November 1918 – 4 June 2015) was a German type designer and calligrapher who lived in Darmstadt, Germany. He was married to the calligrapher and typeface designer Gudrun Zapf-von Hesse. Typefaces he designed include Palatino, Optima, and Zapfino. He is considered one of the greatest type designers of all time. Early life Zapf was born in Nuremberg during turbulent times marked by the German Revolution of 1918–1919 in Munich and Berlin, the end of World War I, the exile of Kaiser Wilhelm, and the establishment of Bavaria as a free state by Kurt Eisner. In addition, the Spanish flu pandemic took hold in Europe in 1918 and 1919. Two of Zapf's siblings died of the disease. Famine later struck Germany, and Zapf's mother was grateful to send him to school in 1925, where he received daily meals in a program organized by Herbert Hoover. In school, Zapf was mainly interested in technical subjects. One of his favorite books was the annual science journa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Palatino
Giovanni Battista Palatino ( 1515 - 1575), also known as Giambattista, was an Italian calligrapher. He was born in Rossano, Calabria, but moved to Rome as a young man. In 1538, Palatino acquired Roman citizenship, much to his pride. Palatino's ''Libro nuovo d'imparare a scrivere'' is the best-known Renaissance treatise on calligraphy. He dedicated it to the ''Academia dello sdegno'' (Academy of the Disdainful), of which he was secretary. As a calligrapher, Palatino was fascinated by ciphers and generally by the metamorphosis of the alphabet. The serif typeface designed by Hermann Zapf Hermann Zapf (; 8 November 1918 – 4 June 2015) was a German type designer and calligrapher who lived in Darmstadt, Germany. He was married to the calligrapher and typeface designer Gudrun Zapf-von Hesse. Typefaces he designed include ... and released in 1948 was named after Giambattista Palatino. References Sources * {{DEFAULTSORT:Palatino, Giovanni Battista 1510s births 157 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stempel Type Foundry
D. Stempel AG was a German type foundry, typographic foundry founded by David Stempel (1869–1927), in Frankfurt am Main, Germany. Many important font designers worked for the Stempel foundry, including Hans Bohn, Warren Chappell, F. H. Ehmcke, Friedrich Heinrichsen, Hanns Th. Hoyer, F. W. Kleukens, Erich Meyer, Hans Möhring, Hiero Rhode, Wilhelm Schwerdtner, Herbert Thannhaeuser, Martin Wilke, Rudolf Wolf (type designer), Rudolf Wolf, Victor Hammer, Hermann Zapf, and Gudrun Zapf von Hesse. With the introduction of ''Memphis (typeface), Memphis'' in 1929, the foundry was the first to cast modern Slab serif#Neo-grotesque model, slab serif typefaces. From 1900 to 1983, Stempel had an exclusive relationship with Mergenthaler Linotype Company, as one of just a few producers of matrices for the Linotype machine worldwide and the only one in Europe. Starting in 1925, Stempel types were distributed in the United States by Continental Type Founders Association. Mergenthaler Linot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mergenthaler Linotype Company
The Mergenthaler Linotype Company was a company founded in the United States in 1886 to market the Linotype machine (), a system to cast metal type in lines (linecaster) invented by Ottmar Mergenthaler. It became the world's leading manufacturer of book and newspaper typesetting equipment; outside North America, its only serious challenger for book typesetting was the Anglo-American Monotype Corporation. Starting in 1960, the Mergenthaler Linotype Company became a major supplier of phototypesetting equipment which included laser typesetters, typefonts, scanners, typesetting computers. In 1987, the US-based Mergenthaler Linotype Company became part of the German Linotype-Hell AG; in the US the company name changed to Linotype Co. In 1996, the German Linotype-Hell AG was taken over by the German printing machine company Heidelberger Druckmaschinen AG. A separate business, Linotype Library GmbH was established to manage the digital assets. In 2005, Linotype Library GmbH shortened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Square Capitals
Roman square capitals, also called ''capitalis monumentalis'', inscriptional capitals, elegant capitals and ''capitalis quadrata'', are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs. When written in documents this style is known as Latin book hand. History Antiquity Square capitals were used to write inscriptions, and less often to supplement everyday handwriting as Latin book hand. For everyday writing, the Romans used a current cursive hand known as Latin cursive. Notable examples of square capitals used for inscriptions are found on the Roman Pantheon, Trajan's Column, and the Arch of Titus, all in Rome. These Roman capitals are also called majuscules, as a counterpart to minuscule letters such as Merovingian and Carolingian. Before the 4th century CE, square capitals were used to write ''de luxe'' copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy () is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". In East Asia and the Islamic world, where written forms allow for greater flexibility, calligraphy is regarded as a significant art form, and the form it takes may be affected by the meaning of the text or the individual words. Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the legibility of letters varies. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Western calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phototypesetting
Phototypesetting is a method of Typesetting, setting type which uses photography to make columns of Sort (typesetting), type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing which gave rise to digital typesetting. The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. The results of this process are then transferred onto printing plates which are used in offset printing. Phototypesetting offe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
