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Paket Aranžman
''Paket aranžman'' () is a New wave music in Yugoslavia, new wave compilation album released in 1981 by Jugoton. Featuring eminent Belgrade acts Šarlo Akrobata, Idoli and Električni Orgazam, it is considered to be one of the most important and influential records ever made in Socialist Federal Republic of Yugoslavia, SFR Yugoslavia. In addition to critical praise, it reached a cult status among the audiences and continues to be popular across the Former Yugoslavia, countries that emerged after the breakup of Yugoslavia. The album was voted the second best Yugoslav rock album of all time by the music critics in the book ''YU 100: najbolji albumi jugoslovenske rok i pop muzike''. It is second only to ''Odbrana i poslednji dani'' by Idoli. The record was produced by Enco Lesić who initiated the entire project. Background and recording During autumn 1980, Belgrade record producer Enco Lesić decided to assemble several young acts from the city's emerging New wave music in Yugosla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šarlo Akrobata
Šarlo Akrobata ( sr-Cyrl, Шарло Акробата, lit= Charlot the Acrobat) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia. Spawning from the progressive/hard rock group Limunovo Drvo ( sr-Cyrl, Лимуново Дрво, lit=Lemon Tree), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir "Gagi" Mihajlović, after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan "Koja" Kojić and drummer Ivan "Vd" Vdović. After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, after a Yugoslav nickname for Charlie Chaplin's character the Tramp. Subsequently, the trio recorded fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult Status
A cult following is a group of fans who are highly dedicated to a person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The latter is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful. Many cult fans express their devotion with a level of irony when describing such entertainment. Fans may become involved in a subculture of fandom, either ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zdenko Kolar
Zdenko Kolar ( sr-cyr, Зденко Колар) is a Serbian bass guitarist, most notable as the member of Idoli and Zona B. Biography Kolar was born in Zemun in 1956 where he lived until 1963 when he moved to inner town in Belgrade. He moved to a building where two of his future bandmates lived, Vlada Divljan and Boža Jovanović. In an interview Kolar noted that Divljan was the first boy he had met in his new neighborhood on the day his family was moving in. First musical steps In 1968 Divljan decided to take up playing and so did Kolar. Divljan managed to get a mandolin and later bought a guitar while Kolar got his first guitar by getting a vacuum cleaner on a newspaper lottery. His parents sold the vacuum cleaner and bought him a guitar. The two started learning how to play while watching others play in their neighborhood at the places where the young were gathering. Later they went to a guitar course at RU "Braća Stamenković" held by professor Branko Perišić. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maljčiki
"Maljčiki" (Serbian Cyrillic alphabet, Serbian Cyrillic: Маљчики; ) is the second single by the Serbian and Socialist Federal Republic of Yugoslavia, Yugoslav New wave music, new wave band Idoli. Its re-recorded version appeared on the New wave music in Yugoslavia, Yugoslav new wave compilation ''Paket aranžman'', which is one of the most important Yugoslav rock releases. History Vlada Divljan, the member of Idoli wanted to create a song which would be a parody on the Soviet Union, Soviet socialist realism. Prior to the release of "Maljčiki", Idoli had written songs about freedom of love like "Retko te viđam sa devojkama" (re-recorded and re-released on the B-side of the "MaljčikI" single), but had not done anything explicitly Music and politics, political. The Soviet Union–Yugoslavia relations, Soviet embassy condemned the release of the song. The song depicts a sort of Alexei Stakhanov, Stakhanov-like Proletariat, proletarian who enthusiastically wakes up in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vlada Divljan
Vladimir "Vlada" Divljan ( sr-Cyrl, Владимир "Влада" Дивљан; 10 May 1958 – 5 March 2015), was a Serbian singer and songwriter. He was known as the frontman of the Serbian and Yugoslav rock band Idoli, one of the bands which initiated the Yugoslav new wave on the music and cultural scene of Yugoslavia in the 1980s, as well as for his solo works. Early career Early activity Divljan got interested in music in 1968, after a Drago Diklić concert in Tučepi, a seaside resort where he went on a holiday with his family. After coming back to Belgrade he asked Zdenko Kolar and Boža Jovanović, two of his friends and neighbors, to form a band. The first instrument Divljan played was a small mandolin because he was a fan of Dubrovački trubaduri. Later he got a guitar, Kolar bought a bass and Boža Jovanović used a tin barrel as a drum with metal sticks made by Kolar's father. The band was called Faraoni (Pharaohs) since Divljan had a necklace from Egypt, given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srđan Šaper
Srđan Šaper ( sr-cyr, Срђан Шапер; born October 9, 1958) is a founder of I&F McCann Grupa. He was also a founder and a member of the Yugoslav new wave band Idoli in the 1980s.P. Janjatović, Idoli, YU rock enciklopedija 1960-1967, Beograd, 1998. Musical career VIS Dečaci and Idoli Šaper became interested in forming a musical group with his friend Nebojša Krstić and at a party during late 1979 he made a deal with his close high school friend Vlada Divljan Vladimir "Vlada" Divljan ( sr-Cyrl, Владимир "Влада" Дивљан; 10 May 1958 – 5 March 2015), was a Serbian singer and songwriter. He was known as the frontman of the Serbian and Yugoslav rock band Idoli, one of the bands which ... to start playing together. Šaper and Krstić were to play guitar and Divljan was to be the drummer. The band was called Dečaci (The Boys). Post Idoli career In 1996 both Šaper and Krstić appeared on the Akcija self-titled debut on the track "7 dana". S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a sound recording, recording or a Concert, live performance, balancing and adjusting sound sources using equalization (audio), equalization, Dynamic range compression, dynamics processing and Effects unit, audio effects, Live sound mixing, mixing, reproduction, and Sound reinforcement system, reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer…" Sound engineering is increasingly viewed as a creative profession and art form, where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goran Vejvoda
Goran Vejvoda ( sr-Cyrl, Горан Вејвода; born in 1956 ) is an English-born Serbian composer, sound and visual artist, performance artist, photographer, writer and actor based in France. Early life Son of the Yugoslav diplomat who had managed to parlay his prior communist revolutionary activity (including being a foreign volunteer fighter in the Spanish Civil War as well as prominent Partisan guerrilla fighter during World War II) into a post-war diplomatic career, Goran was born in London during the time his father was stationed there as FPR Yugoslavia's ambassador to the United Kingdom. The family relocated to Rome in 1960 when his father was reassigned to be the ambassador in Italy. In 1967, the family was on the move again, this time to Paris where his father was named as the Yugoslav ambassador to France. Finally, in 1971 his father took an advisory job at the Yugoslav Foreign Ministry, which meant that 15-year-old Goran came to Belgrade. Activity In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Sleeve
A record sleeve is the outer covering of a vinyl record. Alternative terms are ''dust sleeve'', ''album liner'' and ''liner''. The term is also used to denominate the outermost cardboard covering of a record, i.e. the ''record jacket'' or ''album jacket''. The record jacket is extensively used to Cover art, design and market a recording, as well as to additionally display general information on the record as artist name, titles list, title length etc. if no opening presents a readable record label, label. The terms liner notes, ''sleeve notes'' are used to refer to this label, jacket information. Sleeves were originally printed on simple cardboard. British manufacturers Garrod and Lofthouse patented a "wrap around" sleeve design commonly seen on LPs in the 1960s. See also *Album cover *Cover art *Sleeveface References Packaging Recorded music Record collecting {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Split Album
A split album (or split) is a music album that includes tracks by two or more separate artists. There are also singles and EPs of the same variety, which are often called "split singles" and "split EPs" respectively. Split albums differ from "various artists" compilation albums in that they generally include several tracks of each artist, or few artists with one or two tracks each, instead of multiple artists with only one or two tracks each. History Split albums were initially done on vinyl records, with music from one artist on one side of the record and music from a second artist on the opposite side. As vinyl albums declined as a mass medium, CD issues followed the practice of combining music from two artists. Since the early 1980s, the format has been used widely by independent record labels, and artists in punk rock, emo, hardcore, grindcore, black metal, noise and indie rock circles. Splits usually receive an underground fanbase even if the artists featured are mainstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odbrana I Poslednji Dani
''Odbrana i poslednji dani'' ( sr-Cyrl, Одбрана и последњи дани 'The Defense and the Last Days') is the first studio album by Yugoslav new wave band Idoli released in 1982. '' Džuboks'' magazine critics voted the album the greatest Yugoslav rock album of the 20th century in 1985. The album was polled in 1998 as Yugoslav greatest popular music album in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best albums of Yugoslav pop and rock music''). In 2015, ''Odbrana i poslednji dani'' was polled the greatest Yugoslav rock album in the special edition of Croatian ''Rolling Stone''. Overview The band started recording their first album during autumn 1981. The record was originally supposed to be produced by the band members themselves with the assistance of Dušan "Spira" Mihajlović; however, Mihajlović soon left the recording sessions, so the album was produced with the help from Mile "Pile" Miletić and Goran Vejvoda. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
