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Orlando Furioso (Vivaldi)
''Orlando'' ( RV 728), usually known in modern times as ' (), is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem '' Orlando Furioso'' (''The Frenzy of Orlando''). The first performance of the opera was at the Teatro San Angelo, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, '' Orlando furioso'', set to much the same libretto, once thought to be a revival of a 1713 opera by Giovanni Alberto Ristori but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself. The opera – more formally, the ''dramma per musica'' – alternates arias with recitative, and is set on an island at an unspecified time. The story line combines several plot lines from Ariosto: the exploits of the hero Orlando are detailed, as well as the tale of the sorceress Alcina. Roles Synopsis Act 1 In a delightful garden in which two springs are seen, Medoro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marilyn Horne
Marilyn Horne (born January 16, 1934) is an American mezzo-soprano opera singer. She specialized in roles requiring beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She is a recipient of the National Medal of Arts, the Kennedy Center Honors, and has won four Grammy Awards. Early life Marilyn Horne was born in Bradford, Pennsylvania, to Berneice and Bentz Horne. Her parents were both politicians, with her mother serving as city assessor of the Fifth Ward and her father appointed as McKean County assessor. Bentz was also a semi-professional singer and, noticing Marilyn's talent, sought to move the family to a place where she could have access to professional vocal training and more opportunities to perform. Along with her older brother Richard and sister Gloria, the family moved to Long Beach, California when Marilyn was 11. At age 13, Horne became part of the newly formed Roger Wagner Chorale. She is an alumna of Long Beach Poly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merlin
Merlin ( cy, Myrddin, kw, Marzhin, br, Merzhin) is a mythical figure prominently featured in the legend of King Arthur and best known as a mage, with several other main roles. His usual depiction, based on an amalgamation of historic and legendary figures, was introduced by the 12th-century British author Geoffrey of Monmouth. It is believed that Geoffrey combined earlier tales of Myrddin and Ambrosius, two legendary Briton prophets with no connection to Arthur, to form the composite figure called Merlinus Ambrosius ( cy, Myrddin Emrys, br, Merzhin Ambroaz). Geoffrey's rendering of the character became immediately popular, especially in Wales. Later writers in France and elsewhere expanded the account to produce a fuller image, creating one of the most important figures in the imagination and literature of the Middle Ages. Merlin's traditional biography casts him as an often-mad being born of a mortal woman, sired by an incubus, from whom he inherits his supernatural p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hecate
Hecate or Hekate, , ; grc-dor, Ἑκάτᾱ, Hekátā, ; la, Hecatē or . is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches, a key, snakes, or accompanied by dogs, and in later periods depicted as three-formed or triple-bodied. She is variously associated with crossroads, entrance-ways, night, light, magic, witchcraft, the Moon, knowledge of herbs and poisonous plants, graves, ghosts, necromancy, and sorcery.Seyffert, s.vHecate/ref>d'Este, Sorita & Rankine, David, Hekate Liminal Rites, Avalonia, 2009. Her earliest appearance in literature was in Hesiod's ''Theogony'' in the 8th century BCE as a goddess of great honour with domains in sky, earth, and sea. Her place of origin is debated by scholars, but she had popular followings amongst the witches of Thessaly and an important sanctuary among the Carian Greeks of Asia Minor in Lagina. Her oldest known representation was found in Selinunte, in Sicily. Hecate was one of severa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeson
In Greek mythology, Aeson (; Ancient Greek: Αἴσων ''Aísōn'') was a king of Iolcos, Iolcus in Thessaly. He was the father of the hero Jason. According to one version of the story, he was imprisoned by his half-brother Pelias, and when Pelias intended to kill him he committed suicide. In another story, he was killed by Jason's wife Medea, who brought him back to life as a young man. Family Aeson was the son of Cretheus and Tyro. He had two brothers Pheres and Amythaon. Through his mother Tyro who consorted with the sea god Poseidon, he had two half-brothers, Neleus and Pelias.Hesiod. ''Catalogue of Women'' 30–33(a). Aeson was the father of Jason and Promachus with Alcimede, daughter of Phylacus and Clymene (mythology), ClymeneHyginus, ''Fabulae'14/ref>.Apollonius Rhodius, ''Argonautica'', 1. 45 ff, 233, 251 ffHyginus, ''Fabulae'', 3, 13Gaius Valerius Flaccus, Valerius Flaccus, ''Argonautica'', 1. 297 Other sources say the mother of his children was (1) PolymedePseudo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medea
In Greek mythology, Medea (; grc, Μήδεια, ''Mēdeia'', perhaps implying "planner / schemer") is the daughter of King Aeëtes of Colchis, a niece of Circe and the granddaughter of the sun god Helios. Medea figures in the myth of Jason and the Argonauts, appearing in Hesiod's ''Theogony'' around 700 BCE, but best known from Euripides's tragedy '' Medea'' and Apollonius of Rhodes's epic ''Argonautica''. Medea is known in most stories as a sorceress and is often depicted as a priestess of the goddess Hecate. Medea plays the archetypal role of helper-maiden, aiding Jason in his search for the Golden Fleece by using her magic to save his life out of love. Once he finished his quest, she abandons her native home of Colchis, and flees westwards with Jason, where they eventually settle in Corinth and get married. Euripides's 5th-century BCE tragedy ''Medea'', depicts the ending of her union with Jason, when after ten years of marriage, Jason abandons her to wed King Creon's d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi - Orlando - Titlepage Of The Libretto, Venice 1727
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Caterina Negri
Maria Caterina Negri (28 September 1704 – after 1744) was an Italian contralto who created numerous roles in 18th-century operas, including many by George Frideric Handel. She primarily portrayed male characters ''en travesti'' or female warriors such as Bradamante. Negri was born in Bologna and made her debut there at the age of 15. Her last known performance was in 1744. The date and place of her death are unknown. In its prime, her voice was known for its agility and wide vocal range. Life and career Negri was born in Bologna to Teresa ''née'' Maranelli and Antonio Negri. Little is known about her early life or training, although according to François-Joseph Fétis she studied under the castrato singer Antonio Pasi in Bologna. She was barely 15 when she made her debut at the Teatro Formagliari Bologna during the 1719 carnival season in Bononcini's ''Il trionfo di Camilla '' and Predieri's ''La Partenope''. She sang in various theatres in Italy until 1724 when she joined th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Girò
Anna Girò (also Girrò or Giraud), also known as l'Annina del Prete Rosso, la Nina del Prete Rosso, or l'Annina della Pietà, was the stage name of Anna Maria(?) Maddalena Tessieri (or Tesieri, Teseire or Testeiré), an Italian mezzo-soprano/contralto of the 18th century. She is best remembered for her numerous collaborations with composer Antonio Vivaldi who wrote operatic roles for her. She is the singer who performed the greatest number of Vivaldi's operas, the one who kept them in her repertoire the longest time and who made them known across the largest geographical area. Early life and career Mantua Anna Girò was born in Mantua in 1710 or a few years earlier. She was the daughter of a wig maker of French descent called Pietro, whose surname Giraud was made into Girò in italian and passed onto the offspring in its italianized graphy. Her mother was Bartolomea, widow of Giacomo Trevisan. Venice At twelve she was sent to Venice to study singing. There, she was welcomed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
