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Odissi Music
Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over two thousand years, distinguished by its unique ''sangita-shastra''s (musical treatises), a specialized system of Ragas and Talas, and a distinctive style of performance characterised by specific modulations such as the ''āndolita'' and the ''kurāla''. Odissi compositions are largely written in Sanskrit and Odia language, Odia. The various compositional forms of Odissi music include ''Odissi Prabandha, Chaupadi, Chhanda, Champu, Chautisa, Janāna, Mālasri, Bhajana, Sarimāna, Jhulā, Kuduka, Koili, Poi, Boli,'' and more. Presentation dynamics are roughly classified into four: ''rāgānga'', ''bhābānga, nātyānga'' and ''dhrubapadānga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, ''Krupasidd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi
''Odissi'' (''ଓଡ଼ିଶୀ'') also referred to as ''Orissi'' in old literature, oldest surviving classical dance of India, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi ''Encyclopædia Britannica'' (2013) Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities Shiva and Surya, as well as Hindu goddesses (Shaktism)., Quote: "There are other te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalinga (historical Kingdom)
Kalinga is a historical region of India. It is generally defined as the eastern coastal region between the Ganges and the Godavari rivers, although its boundaries have fluctuated with the territory of its rulers. The core territory of Kalinga now encompasses all of Odisha and some part of northern Andhra Pradesh. At its widest extent, the Kalinga region also included parts of present-day Chhattisgarh, extending up to Amarkantak in the west. In the ancient period it extended until the bank of the Ganges river. The Kalingas have been mentioned as a major tribe in the legendary text '' Mahabharata''. In the 3rd century BCE, the region came under Mauryan control as a result of the Kalinga War. It was subsequently ruled by several regional dynasties whose rulers bore the title ''Kalingādhipati'' ("Lord of Kalinga"); these dynasties included Mahameghavahana, Vasishtha, Mathara, Pitrbhakta, Shailodbhava, Bhaumkara, Somavamshi, and Eastern Ganga. The medieval era ruler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalcolithic
The Chalcolithic ( ) (also called the Copper Age and Eneolithic) was an archaeological period characterized by the increasing use of smelted copper. It followed the Neolithic and preceded the Bronze Age. It occurred at different periods in different areas, but was absent in some parts of the world, such as Russia, where there was no well-defined Copper Age between the Stone and Bronze Ages. Stone tools were still predominantly used during this period. The Chalcolithic covers both the early cold working (hammering) of near pure copper ores, as exhibited by the likes of North American Great Lakes Old Copper complex, from around 6,500 BC, through the later copper smelting cultures. The archaeological site of Belovode, on Rudnik mountain in Serbia, has the world's oldest securely dated evidence of copper smelting at high temperature, from . The transition from Copper Age to Bronze Age in Europe occurred between the late 5th and the late In the Ancient Near East the Copper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angul
Angul (also known as Anugul) is a city, municipality and the headquarters of Angul district in the state of Odisha, India. Angul has an average elevation of above sea level and total area of 6232 km2. Geography Angul is located at . It has an average elevation of above sea level. The total geographical area of the district is 6232 km2. It terms of area, it stands 11th among the 30 Districts of Odisha. Demographics As of the 2011 Census of India, Angul had a population of 44,390. Males constitute 55% of the population and females 45%. Angul has an average literacy rate of 77.53%, higher than the national average of 74.04%; with 58% of the males and 42% of females literate. About 11% of the population is under 6 years of age. There are 3 government high schools present for Odia Medium of instruction, medium education. A Sishu Vidya Mandir and two Kendriya Vidyalayas, Kendriya Vidyalaya Angul Schools are there for children. Politics In the 2019 Indian general elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarjang
Sankarjang (20°52’08“N; 84°59’19“E), Odisha, India is an archaeological site near Angul, a former cemetery and settlement with large, worked stones but no one knows what they were made for, although some people think they might have been part of a lithophone . This site was test excavated by the State Archaeology Department of Odisha after a chance find of 20 long unfinished chipped and ground, lithic bars and axes of basalt, together with human skeletal remains and metallic artifacts, by a shepherd in 1971. Archaeologists understood ground stone lithics to be typical of the Neolithic Period The Neolithic or New Stone Age (from Greek 'new' and 'stone') is an archaeological period, the final division of the Stone Age in Mesopotamia, Asia, Europe and Africa (c. 10,000 BCE to c. 2,000 BCE). It saw the Neolithic Revolution, a wid ... although they were in production later. The elegant lithics from Sankarjang resemble elaborate ones from eastern Asia and the South ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madala Panji
The Madala Panji is a chronicle of the Jagannath Temple, Puri, Odisha, India. It describes the historical events of Odisha related to Lord Jagannath and the Jagannath Temple. The ''Madala Panji'' dates from the 12th century. However other scholars like Harekrushna Mahatab, Krishna Chandra Panigrahi, Nilakantha Das etc date it to 16th century with it’s writing commencing during the reign of Ramachandra Deva I of Bhoi dynasty who used panji as a proof of succession over the throne of Odisha. Madala Panji's role in Odia history The Madala Panji was traditionally written on a year-to-year basis on Vijaya-Dashami day by the Karanas (official history writers of Puri, a caste of Odisha, involved in keeping the chronicle). This ritual is cited as a proof that the tradition of keeping this chronicle began with Odia king Anantavarman Chodaganga Dev (1078–1150) himself. There are some, like Dr. Harekrushna Mahatab, Dr.Nilakantha Dash and Dr. Krushna Chandra Panigrahi who hold that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learn and practice classical Indian dances such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their status as dancers, musicians, and consorts was an essential part of temple worship. Devadasis also engaged in providing sexual services to temple officials and devotees as part of their temple responsibilities, with the earnings from these services being handed over to the temple. The practice of temple prostitution became more prominent with the emergence of Puranic Hinduism. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Govinda
The ''Gita Govinda'' (; IAST: ''gītagovindam'') is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called p''rabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called '' ashtapadis''. The text also elaborates the eight moods of Heroine, the '' Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Every night in the Jagannatha temple, the ''Gitagovinda'' of Jayadeva is sung in the style of Odissi music, a tradition that has continued unbroken since the time of Jayadeva himself. Musicians of Kerala have adapted the ''ashtapadis'' into a musical form performed in temples called ''sopana sangeetham.'' Jayadeva's hymns are also included in the Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagannath Temple, Puri
The Jagannath Temple is a Hindu temple dedicated to the god Jagannath, a form of Vishnu in Hinduism. It is located in Puri in the state of Odisha, situated on the eastern coast of India. As per temple records, King Indradyumna of Avanti built the main temple of Jagannath at Puri. The present temple was rebuilt from the eleventh century onwards, on the site of the pre-existing temples in the compound, but not the main Jagannath temple, and begun by Anantavarman Chodaganga, the first king of the Eastern Ganga dynasty. Many of the temple rituals are based on Oddiyana Tantras which are the refined versions of Mahayana Tantras as well as Shabari Tantras which are evolved from Tantric Buddhism and tribal beliefs respectively. The local legends link the idols with aboriginal tribes and the daitapatis (servitors) claim to be descendants of the aboriginals. The temple is one of the 108 '' Abhimana Kshethram'' of the Vaishnavite tradition. The temple is famous for its annual Rat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Lila
Bharata Lila is an Indian performing theater form of Ganjam district of Odisha. The plot is based on characters of the Mahabharata, thus the name of the form. Because of the importance of a central character ''Duari,'' Arjuna's sentry, it is also called ''Duari Nata'' or ''Duari Llla''. The focal point of the plot is the story of Arjuna & Subhadra's romance, which is why it is also known as ''Subhadra Harana''. Apart from Ganjam, it is also performed in some parts in western Odisha. The play is known for its effective use of humour within the traditional storyline. A regular performance of Bharata Lila in the 21st century goes on for about 10–12 hours. In the last century performances used to last for a couple of days at a stretch. The ''badi'' is a performance method in Odisha's traditional artforms where opponents compete with each other. In urban settings, Bharata Lila performances are regularly condensed to just 2–3 hours owing to lack of time. The plot is based on Odia p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dasakathia
Dasakathia is a traditional Odia folk art. It is a performing art widely performed by local or travelling performers within the state of Odisha. It used to be one of the most important forms of entertainment in Odia culture. In the performance, the performers use a pair of wooden instruments one Ramtali (Held by Gayak) and other dasakathi (Held by the paliya) to create music. The performance is usually done by two person group. One person who leads is called ''Gahana''/''Gayaka'' and one performer follows, called ''Palia''. The performance is usually a form of ballad singing. Gayakratna Baidyanath Sharma is one of the notable performers in recent times. The music used in Dasakathia is based on traditional Odissi music. Etymology 'Dasa' means devotee and 'Kathia' is an instrument used in the performance. In a Dasakathia performance the performers describe themselves as devotee of Lord Shiva Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
