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Ozaï; Ou L'Insulaire
''Ozaï; ou l'Insulaire'' () is a French ballet-pantomime created by Jean Coralli and performed in the late 1840s. It succeeded '' Le Diable boiteux'' and was Coralli's last ballet. Background The ballet ''Ozaï; ou l'Insulaire'' was presented in two acts with music composed by Casimir Gide and choreography by Jean Coralli. The costumes were designed by Paul Lormier. Premiering on 26 April 1847, the first performance took place at the Théâtre de l'Académie Royale de Musique (known as Paris Opéra).Coralli, E. (1847). Ozai, ballet en deux actes et six tableaux musique de C. Gide. France: (n.p.). It was performed with Belgian ballerina Adeline Plunkett starring in the title role of "Ozaï". Music Parisian composer Casimir Gide produced the musical arrangement of ''Ozaï; ou l'Insulaire''.“Ozaï”. Ballet-pantomime. Chorégraphie de Coralli. Fragment du 2d acte (manuscrit autographe). (n.d.). Retrieved from https://gallica.bnf.fr/ark:/12148/btv1b105371033/f7.item Jea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1840s Ballets
__NOTOC__ Year 184 ( CLXXXIV) was a leap year starting on Wednesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Eggius and Aelianus (or, less frequently, year 937 ''Ab urbe condita''). The denomination 184 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place China * The Yellow Turban Rebellion and Liang Province Rebellion break out in China. * The Disasters of the Partisan Prohibitions ends. * Zhang Jue leads the peasant revolt against Emperor Ling of Han of the Eastern Han dynasty. Heading for the capital of Luoyang, his massive and undisciplined army (360,000 men), burns and destroys government offices and outposts. * June – Ling of Han places his brother-in-law, He Jin, in command of the imperial army and sends them to attack the Yellow Turban rebels. * Winter – Zhang Jue dies of illness while his broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahitians
The Tahitians (; ) are the Indigenous peoples of Oceania, Indigenous Polynesians, Polynesian people of Tahiti and thirteen other Society Islands in French Polynesia. The numbers may also include the modern population in these islands of mixed Polynesian and French ancestry (). Indigenous Tahitians are one of the largest Polynesian peoples, Polynesian ethnic groups, behind the Māori people, Māori, Samoans and Hawaiians. History Pre-European period and customs The first Polynesian settlers arrived in Tahiti around 400 AD by way of Samoans, Samoan navigators and settlers via the Cook Islands. Over the period of half a century there was much inter-island relations with trade, marriages and Polynesian navigation, Polynesian expansion with the Islands of Hawaii and through to Rapa Nui people, Rapanui. The original Tahitians cleared land for cultivation on the fertile volcanic soils and built fishing canoes. The tools of the Tahitians when first discovered were made of stone, bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Antoine De Bougainville
Louis-Antoine, Comte de Bougainville (; 12 November 1729 – 31 August 1811) was a French military officer and explorer. A contemporary of the British explorer James Cook, he served in the Seven Years' War and the American Revolutionary War. Bougainville later gained fame for his expeditions, including a circumnavigation of the globe in a scientific expedition in 1763, the first recorded settlement on the Falkland Islands, and voyages into the Pacific Ocean. Bougainville Island of Papua New Guinea as well as the flowering plant '' Bougainvillea'' are named in his honour. Biography Early career Bougainville was born in Paris, the capital of the Kingdom of France, the son of notary Pierre-Yves de Bougainville (1688–1756), on 12 November 1729. In early life, he studied law, but soon abandoned the profession. In 1753, he entered the French Army in the corps of Musketeers of the Guard. At the age of twenty-five he published a treatise on integral calculus, as a supplement to G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six ''Contra dance, contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to traditional square dance, American square dancing. The quadrille also gave rise to Cape Breton Island, Cape Breton Traditional square dance, Square Dancing via Traditional square dance, American square dancing in New England. Les Lanciers, The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as ''kwadril'', and in Jamaica, quadrille is a traditional folk dance which is done in two styles i.e. ''ballroom'' and ''campstyle''. The dance is also still found in Madagascar as well as old Caribbean culture. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adeline Plunkett
Marie-Adeline Plunkett (31 March 1824 – 8 November 1910) was a star of the Paris Opera Ballet from 1845 to 1857. She had earlier performed at the Her Majesty's Theatre, King's Theatre in London and was also engaged by La Fenice in Venice. She left Paris in 1857, appearing for a time in Rome before returning to Paris where she married the newspaper publisher in 1874. Biography Born on 31 March 1824 in Brussels, Marie-Adeline Plunkett was possibly of Irish and Flemish ethnicity. She was trained in Paris by the ballet master Jean-Baptiste Barrez (1792–1868). In 1841, she made her début in Trieste before moving to London where she joined the ballet company at the King's Theatre in 1843. While dancing in the ballet ''Ondine, ou La naïade, Odine'', she caused a scandal when she kicked Elisa Scheffer, her rival for the favours of the Earl of Pembroke. She also made brief appearances at Royal Opera House, Covent Garden, including a performance with Marius Petipa in ''Les amazones'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Diable Boiteux (ballet)
''Le Diable boiteux'' is a ballet in three acts by Jean Coralli, with music by Casimir Gide, which premiered on 1 June 1836 at the Paris Opera. The main roles were played by Fanny Elssler, Joseph Mazilier, Amélie Legallois, Pauline Leroux and Jean-Baptiste Barrez. Loosely inspired by the novel of the same name by Lesage, this ballet was the first great success of Coralli who had, until then, mainly re-edited the ballets of other authors. The ''cachucha Cachucha is a Spanish solo dance in or time, similar to the bolero. Cachucha is danced to an Andalusian national song with castanet accompaniment. Etymology From Spanish , small boat. Possibly from diminutive of ', shard, saucepan, probabl ...'' performed by Fanny Elssler was a sensational success. Britannica. Retrieved 24 October 2022 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casimir Gide
Casimir Gide (4 July 1804 – 18 February 1868) was a 19th-century French composer, bookseller as well as prints and maps editor. Biography The son of the Parisian bookseller Theophile Etienne Gide (1768–1837), to whom he would succeed, and of a singer in the chapel of the king, he studied harmony and musical composition at the Conservatoire de Paris. On 4 February 1833, he received the bookseller patent from the Maison Gide fils. He was a major printer of lithographs and financed the publication of six volumes, among them nineteen of the ''Voyages pittoresques et romantiques dans l'ancienne France'' by Charles Nodier and Justin Taylor. In 1854, he was one of the first to launch the trend of salon operettas and artistic evenings.Vapereau, ''Dictionnaire universel des contemporains'', p. 744. Works He wrote incidental music, ballets and operas. Shows *1828: ''Les Trois Marie'', vaudeville by Louis Duport, chant and accompagnement *1829: ''La Cachucha'' *1830: ''La Chatte blanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre developed in England in the 18th century, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. The origins of pantomime reach back to ancient Greek classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy and partly from other European and British stage traditions, such as 17th-century masques and music hall. An important part of the pantomime, until the late 19th century, was the harlequinade. Modern pantomime is perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
