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Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Gunn (song)
"Peter Gunn" is the theme music composed by Henry Mancini for the television show of the same name. The song was the opening track on the original soundtrack album, '' The Music from Peter Gunn'', released by RCA Victor in 1959. Mancini won an Emmy Award and two Grammys for Album of the Year and Best Arrangement.''Did They Mention the Music?'', Henry Mancini with Gene Lees, Contemporary Books, 1989, page 236 In 2005, the song was inducted into the Grammy Hall of Fame. Recording and releases In his 1989 autobiography, ''Did They Mention the Music?'', Mancini states: In the original recording of the song, the piano riff is played by John Williams, who went on to become an influential film composer. Mancini arranged the first single version of the song for trumpeter Ray Anthony in 1959. Recorded for Capitol Records at Radio Recorders and featuring tenor saxophonist Plas Johnson, it reached number eight on the ''Billboard'' Hot 100, number 12 on the R&B chart, and number 13 in Canad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boléro
''Boléro'' is a 1928 work for large orchestra by French composer Maurice Ravel. It is one of Ravel's most famous compositions. It was also one of his last completed works before illness diminished his ability to write music. Composition The work's creation was set in motion by a commission from the dancer Ida Rubinstein, who asked Ravel for an orchestral transcription of six pieces from Isaac Albéniz's set of piano pieces, ''Iberia (Albéniz), Iberia''. While working on the transcription, Ravel was informed that Spanish conductor Enrique Fernández Arbós had already orchestrated the movements, and that copyright law prevented any other arrangement from being made. When Arbós heard of this, he said he would happily waive his rights and allow Ravel to orchestrate the pieces. But Ravel decided to orchestrate one of his own works instead, then changed his mind and decided to compose a completely new piece based on the ''Bolero (Spanish dance), bolero'', a Spanish dance music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low (Flo Rida Song)
"Low" is the debut single by American rapper Flo Rida featuring American singer and rapper T-Pain, from the former's debut studio album '' Mail on Sunday'' and also featured on the soundtrack to the 2008 film ''Step Up 2: The Streets''. An official remix was made which also features Pitbull. The song peaked at number one on the U.S. ''Billboard'' Hot 100. The song was a massive success worldwide and was the longest-running number-one single of 2008 in the United States, spending ten consecutive weeks atop the ''Billboard'' Hot 100. With over seven million digital downloads it has been certified Diamond by the RIAA, and was the most downloaded single of the 2000s decade, measured by paid digital downloads. The song was named third on the ''Billboard'' Hot 100 Songs of the Decade. Composition Several of T-Pain's stylistic effects are present in this song, including Auto-Tune and call and answer during the chorus. It is a crunk song that contains electronic elements suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baba O'Riley
"Baba O'Riley" is a song by the English Rock music, rock band the Who, written by guitarist and principal songwriter Pete Townshend. It is the opening track to the Who's fifth studio album, ''Who's Next'' (1971). In Europe, it was released as a single in October 1971, coupled with "My Wife (song), My Wife". Performances of "Baba O'Riley" appear on several Who live albums. Widely regarded as one of the Who's finest songs and as one of the greatest rock songs of all time, "Baba O'Riley" appears in ''Time (magazine), Time''s "All-Time 100 Songs" list, ''Rolling Stone''s list of "Rolling Stone's 500 Greatest Songs of All Time, The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. Background and composition Townshend wrote "Baba O'Riley" for his ''Lifehouse (rock opera), Lifehouse'' project, a rock opera intended as the followup to the Who's 1969 opera Tommy (The Who album), ''Tommy''. In ''Lifehouse'', a Scottish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol Of The Bells
"Carol of the Bells" is a popular Christmas carol, which is based on the Ukrainian New Year's song " Shchedryk". The music for the carol comes from the song written by the Ukrainian composer Mykola Leontovych in or before 1916; the English-language lyrics were written in 1936 by American composer of Ukrainian origin Peter Wilhousky. The music is based on a four-note ostinato and is in time signature, with the B-flat bell pealing in time. The carol is metrically bistable (which means it is characterized by hemiola), with a listener being able to focus on either meter or switch between them. It has been adapted for musical genres that include classical, heavy metal, jazz, country music, rock, trap, and pop. The music has been featured in films and television shows. Background Origins The conductor of the Ukrainian Republic Capella, Oleksander Koshyts, commissioned Ukrainian composer Leontovych to create the song based on traditional Ukrainian folk songs/chants, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a musical form, formal technique where material is musical repetition, repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with musical Development (music), development, which is a slightly different means to the same end. Variation depends upon ''one'' type of presentation at a time, while development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time. Variation techniques Wolfgang Amadeus Mozart, Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), a French folk song known in the English-speaking world as "Twinkle, Twinkle, Little Star", exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme (music), theme. While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to frequency, periodic sounds, it is especially prominent in specific styles. Usage A literal repetition of a musical passage is often indicated by the use of a repeat sign, or the instructions da capo or dal segno. Theodor W. Adorno damned repetition and popular music as psychotic and infantile. In contrast, Richard Middleton (musicologist), Richard Middleton (1990) argues that "while repetition is a feature of ''all'' music, of any sort, a high level of repetition may be a specific mark of 'the popular'" and that this allows an "enabling" of "an inclusive rather than exclusive audience". "There is no universal norm or convention" for the amount or type of repetition; "all music contains repetition – but in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Kamien
Roger Kamien (born 1934) is a retired professor emeritus of musicology at the Hebrew University of Jerusalem. He was born in Paris, and was raised in America. He is the author of the book ''Music: An Appreciation'', which is intended to show students the basics and the importance of music. It is considered essentially a textbook because''of'' its use mostly in colleges (and sometimes in high schools). It is published by McGraw-Hill and provides learners with information on how to understand classical and modern music. Kamien taught at Queens College, New York. He developed the concept of the ''listening outline'', which he incorporated into the first edition of ''Music: An Appreciation'' and which he has refined and enhanced in every subsequent edition. This is a text intended for students of all levels and backgrounds. The latest edition is the twelfth. It contains a multimedia CD-ROM and histories of jazz, rock, and classical music and details of the composition of an orchestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Development
In music, development is a process by which a musical idea is transformed and restated in the course of a composition. Certain central ideas are repeated in different contexts or in altered form so that the listener can consciously or unconsciously compare the various statements of the idea, often in surprising or ironic manners. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contrapuntal capabilities are gradually unveiled. Development is often contrasted with musical variation, which is a slightly different means to the same end. Development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time, while variation depends upon ''one'' type of presentation at a time. The development is the middle section of the sonata form, between the exposition and the recapitulation; in some older texts, this s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etymology
Etymology ( ) is the study of the origin and evolution of words—including their constituent units of sound and meaning—across time. In the 21st century a subfield within linguistics, etymology has become a more rigorously scientific study. Most directly tied to historical linguistics, philology, and semiotics, it additionally draws upon comparative semantics, morphology, pragmatics, and phonetics in order to attempt a comprehensive and chronological catalogue of all meanings and changes that a word (and its related parts) carries throughout its history. The origin of any particular word is also known as its ''etymology''. For languages with a long written history, etymologists make use of texts, particularly texts about the language itself, to gather knowledge about how words were used during earlier periods, how they developed in meaning and form, or when and how they entered the language. Etymologists also apply the methods of comparative linguistics to reconstruct in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
