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Organ Concertos, Op.7 (Handel)
The Handel organ concertos, Op. 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh. They were written for performance during Handel's oratorios, contain almost entirely original material, including some of his most popular and inspired movements. Works Borrowings *HWV 306 – Originally composed material. The first movement contains a quotation from the Passacaglia in the Suite in G minor for harpsichord, HWV 432. The less played fuga is borrowed from the second movement of Handel’s Concerto Grosso Op. 6, No. 11. *HWV 307 – The last movement is based on ''La Coquette'' from Suite No.6 of ''Componimenti musicali'' by Gottlieb Muffat. *HWV 308 – The second minuet is by an unidentified composer. *HWV 309 – The second movement is borrowed from Georg Philipp Telemann's '' Tafelmusik'' (1733) and the last from his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one or more strings. The strings are under tension on a Sound board (music), soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard Manual (music), manual and even a #Pedal harpsichord, pedal board. Harpsichords may also have Organ stop, stop levers which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, virginals#Muselars, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Pinchbeck
Christopher Pinchbeck, also called Catarrón (c. 1670 – ) was a London clockmaker and maker of musical automata. He was born in Clerkenwell, England, but worked in Fleet Street. He is the most famous member of the Pinchbeck family, which took its name from a small village in Lincolnshire. Career In the 18th century Pinchbeck invented his eponymous alloy, a cheap substitute for gold. He made an exquisite musical clock, worth about £500, for Louis XIV, and a fine organ for the Great Mogul, valued at £300. His eldest son, also named Christopher (1710–1783) became King's Clockmaker by appointment to George III: among his timepieces is an important astronomical clock made for the King, now in Buckingham Palace. A number of clocks and watches made by both Christopher Pinchbecks still exist. Nowadays the term 'Pinchbeck Watch' may mean a watch made by Christopher senior or junior, a watch made by another maker and housed in a Pinchbeck case, or a watch made by Harold Pinch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Snetzler
John Snetzler (or Schnetzler) was an organ builder of Swiss origin, who worked mostly in England. Born in Schaffhausen in 1710, he trained with the firm of Egedacher in Passau and came to London about 1741. When he retired in 1781, his business continued and ended up with Thomas Elliot. Snetzler died in Schaffhausen on 28 September 1785. List of works * Belle Skinner Collection, Yale University, New Haven, Connecticut, 1742 (restored 1983 by Noel Mander) *St Saviour's Chapel, Cathedral of the Holy and Undivided Trinity, Norwich, Norfolk 1745 *St Andrew's Qualified Chapel, Carrubbers' Close, Edinburgh 1747, now in University of Glasgow Concert Hall * Fulneck Moravian Church, Leeds 1748 * St Margaret's, King's Lynn 1754 *Chamber organ Clare College, Cambridge 1755 acquired from John Bibby of Winchester in 1985 and restored in 2016. It had been in the Mission Church of St James, Heysham, and before that in the collection of a 19th-century musicologist, J Fuller Maitland, of Bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stuart, 3rd Earl Of Bute
John Stuart, 3rd Earl of Bute (; 25 May 1713 – 10 March 1792), styled Lord Mount Stuart between 1713 and 1723, was a British Tory statesman who served as the Prime Minister of Great Britain from 1762 to 1763 under George III. He became the first Tory to hold the position and was arguably the last important royal favourite in British politics. He was the first prime minister from Scotland following the Acts of Union in 1707. He was also elected as the first president of the Society of Antiquaries of Scotland when it was founded in 1780. Early life Family He was born in Parliament Close, near to St Giles Cathedral on the Royal Mile in Edinburgh on 25 May 1713, the son of James Stuart, 2nd Earl of Bute, and his wife, Lady Anne Campbell. He attended Eton College from 1724 to 1730. He went on to study civil law at the Universities of Groningen (1730–1732) and Leiden (1732–1734) in the Netherlands, graduating from the latter with a degree in civil law. A close relativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Dictionary Of National Biography
The ''Dictionary of National Biography'' (''DNB'') is a standard work of reference on notable figures from History of the British Isles, British history, published since 1885. The updated ''Oxford Dictionary of National Biography'' (''ODNB'') was published on 23 September 2004 in 60 volumes and online, with 50,113 biographical articles covering 54,922 lives. First series Hoping to emulate national biography, biographical collections published elsewhere in Europe, such as the (1875), in 1882 the publisher George Murray Smith, George Smith (1824–1901), of Smith, Elder & Co., planned a universal dictionary that would include biographical entries on individuals from world history. He approached Leslie Stephen, then editor of the ''Cornhill Magazine'', owned by Smith, to become the editor. Stephen persuaded Smith that the work should focus only on subjects from the United Kingdom and its present and former colonies. An early working title was the ''Biographia Britannica'', the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barrel Organ
A barrel organ (also called roller organ or crank organ) is a France, French mechanical musical instrument consisting of bellows and one or more ranks of organ pipe, pipes housed in a case, usually of wood, and often highly decorated. The basic principle is the same as a traditional Organ (music), pipe organ, but rather than being played by an organist, the barrel organ is activated either by a person turning a crank, or by clockwork driven by weights or springs. The pieces of music are encoded onto wooden barrels (or cylinders), which are analogy, analogous to the Musical keyboard, keyboard of the traditional pipe organ. A person (or in some cases, a trained animal) who plays a barrel organ is known as an Street organ, organ grinder. Terminology There are many names for the barrel organ, such as hand organ, cylinder organ, box organ (though that can also mean a positive organ), street organ, grinder organ, and Low Countries organ. In French names include ''orgue à manivelle' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Langshaw
John Langshaw (1725–1798) was an English organist and an organ-builder. Leaving organ cases to others, he specialised in the mechanics, in particular those of chamber barrel organs. He left his native Lancashire to work in London, but returned to Lancashire in 1770. An example of Langshaw's work is in the Judges' Lodgings museum Lancaster. The mahogany case is almost certainly by Gillows, while the barrels are inscribed "John Langshaw / Organ Maker / Lancaster". Langshaw is not to be confused with his eldest son, also named John Langshaw. Langshaw Jr. assisted his father as an organ-builder, but was more active as an organist and teacher, as well as an agent for the piano manufacturer Broadwood.Mr Langshaw's Square Piano (website for book). Life John Langshaw was baptised in[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanuensis
An amanuensis ( ) ( ) or scribe is a person employed to write or type what another dictates or to copy what has been written by another. It may also be a person who signs a document on behalf of another under the latter's authority. In some academic contexts, an amanuensis can assist an injured or disabled person in taking written examinations. Eric Fenby acted as such in assisting the blind and paralysed composer Frederick Delius in writing down the notes he dictated. History In ancient Rome, an amanuensis (Latin ''āmanuēnsis'', “secretary”, from ''ab-'', “from” + ''manus'', “hand”) was a slave or freedperson who provided literary and secretarial services such as taking dictation and perhaps assisting in composition. ''Amanuenses'' were typically Greek, might be either male or female, and were among the higher-status slaves in ancient Rome who were considered to add value to their masters' lives rather than serving as mere instruments of production. Literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude ( or '; ; ; ) is a short piece of music, the form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be notated were organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an extemporary style for the lute and other Renaissance string instruments, which were originally used for warming up the fingers and checki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voluntary (music)
In music a voluntary is a piece of music, usually for an organ, that is played as part of a church service. In English-speaking countries, the music played before and after the service is often called a 'voluntary', whether or not it is so titled. The title 'voluntary' was often used by English composers during the late Renaissance, Baroque, and Classical periods. Originally, the term was used for a piece of organ music that was free in style, and was intended to sound improvised (the word voluntary in general means "proceeding from the will or from one's own choice or consent"). This probably grew out of the practice of church organists improvising after a service. The style is in almost complete contrast to the liturgical chorale preludes of J S Bach and others, where the composition is almost invariably based round the theme of a seasonal chorale (Lutheran hymn). Later, the English voluntary began to develop into a more definite form, though it has never been strictly define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel Organ Concertos Op
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well-known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concerto, organ concerti. Born in Halle (Saale), Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
