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Ordre D'Amilcar Cabral
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavotte From French Suite N
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Gap, Hautes-Alpes, Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time signature, time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite (music), suite of dances. Many were composed by Jean-Baptiste Lully, Lully, Rameau and Gluck, and the 17th-century cibell is a variety. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Graupner
Christoph Graupner (10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School). In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Oper am Gänsemarkt in Hamburg under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany. In 1709, Graupner accepted a post at the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masquerade (Khachaturian)
''Masquerade'' () was written by Aram Khachaturian in 1941 as incidental music for a production of Mikhail Lermontov's play of the same name. He turned it into a suite with five movements for an orchestra in 1944. It is best known for the Waltz, widely considered one of Khachaturian's finest and most popular pieces, second in popularity only to " Sabre Dance" from the ballet '' Gayane''. Background Khachaturian was asked to write music for a production of ''Masquerade'' being produced by director Ruben Simonov. The famous waltz theme in particular gave Khachaturian much trouble in its creation. His former teacher, Nikolai Myaskovsky, attempted to help Khachaturian by giving him a collection of romances and waltzes from Lermontov's time; though these did not provide immediate inspiration, Khachaturian admitted that "had it not been for the strenuous search" for the appropriate style and melodic inspiration, he would not have discovered the second theme of his waltz which ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arlésienne (Bizet)
''L'Arlésienne'' is incidental music composed by Georges Bizet for Alphonse Daudet's L'Arlésienne (short story), drama of the same name, usually translated as ''The Girl from Arles.'' It was first performed on 30 September 1872 at the Théâtre du Vaudeville in Paris. Bizet's original incidental music consists of 27 numbers for chorus and small orchestra, ranging from pieces of background music (mélodrames) only a few measures long, to entr'actes. The score achieves powerful dramatic ends with the most economic of means. Still, the work received poor reviews in the wake of the unsuccessful premiere and is not often performed now in its original form, although recordings are available. However, key pieces of the incidental music, most often heard in the form of two Suite (music), suites for full orchestra, have become some of Bizet's most popular compositions. History Composition history In July 1872, Léon Carvalho, the new director of the Théâtre du Vaudeville, having previo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
