|
Orcus (Dungeons
Orcus was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself. Eventually, he was conflated with Dis Pater and Pluto. A temple to Orcus may once have existed on the Palatine Hill in Rome. It is likely that he was transliterated from the Greek daemon Horkos, the personification of oaths and a son of Eris. Origins The origins of Orcus may have lain in Etruscan religion. The so-called "Tomb of Orcus", an Etruscan site at Tarquinia, is a misnomer, resulting from its first discoverers mistaking a hairy, bearded giant for Orcus; it actually depicts a Cyclops. The Romans sometimes conflated Orcus with other underworld gods such as Pluto, Hades, and Dis Pater. The name "Orcus" seems to have referred specifically to the malicious and punishing side of the ruler of the underworld, as the god who tormented evildoers in their afterlife. Like the name Hades, "Orcus" could refer both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Di Selecti
The Roman deities most widely known today are those the Romans identified with Interpretatio graeca, Greek counterparts, integrating Greek mythology, Greek myths, ancient Greek art, iconography, and sometimes Religion in ancient Greece, religious practices into ancient Roman culture, Roman culture, including Latin literature, ancient Roman art, Roman art, and Religion in ancient Rome, religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the Roman Kingdom, era of kings, the so-called "religion of Numa Pompilius, Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic peoples, Italic or Etruscan religion, Etruscan counterparts, as identified both by ancient sources and by modern scholars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Religion
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and Religion in ancient Rome, religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''La Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''La Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (, ; ; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic '' Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogre
An ogre (feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in " Jack and the Beanstalk" and " Jack the Giant Killer", the Giant Despair in '' The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in " Puss in Boots" and the ogre in " Hop- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Perrault
Charles Perrault ( , , ; 12 January 162816 May 1703) was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales, published in his 1697 book '' Histoires ou contes du temps passé''. The best known of his tales include " Little Red Riding Hood", "Cinderella", " Puss in Boots", "Sleeping Beauty", and "Bluebeard". Some of Perrault's versions of old stories influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to most entertainment formats. Perrault was an influential figure in the 17th-century French literary scene and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns. Life and work Charles Perrault was born in Paris on 12 January 1628,Christian Michel (1996)"Perrault family: (3) Charles Perrault" vol. 24, p. 470, in ''The Dictionary of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Aeneid Legend - The Descent Of Aeneas Into Hell - Walters 44205
Master, master's or masters may refer to: Ranks or titles In education: *Master (college), head of a college *Master's degree, a postgraduate or sometimes undergraduate degree in the specified discipline *Schoolmaster or master, presiding officer of a school In military: *Master (naval), a former naval rank *Master mariner, a licensed mariner who is qualified to be a sea captain in the merchant marine *Master or shipmaster, the sea captain of a merchant vessel * Master-at-arms, a naval police officer, often addressed as "Master" in the Royal Navy In orders and organizations: *Master craftsman, in the Medieval guilds In other: *Master (form of address), an English honorific for boys and young men *Master (judiciary), a judicial official in the courts of common law jurisdictions *Master (Peerage of Scotland), the male heir-apparent or heir-presumptive to a title in the Peerage of Scotland * Master of ceremonies, or MC (emcee), the host of an official public or private staged even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Era
The modern era or the modern period is considered the current historical period of human history. It was originally applied to the history of Europe and Western history for events that came after the Middle Ages, often from around the year 1500, like the Reformation in Germany giving rise to Protestantism. Since the 1990s, it has been more common among historians to refer to the period after the Middle Ages and up to the 19th century as the early modern period. The modern period is today more often used for events from the 19th century until today. The time from the end of World War II (1945) can also be described as being part of contemporary history. The common definition of the modern period today is often associated with events like the French Revolution, the Industrial Revolution, and the transition from nationalism toward the liberal international order. The modern period has been a period of significant development in the fields of science, politics, warfare, and techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Man
The wild man, wild man of the woods, woodwose or wodewose is a mythical figure and motif that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to ''Silvanus (mythology), Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, it was consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee Vault (architecture), vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for Heraldry, heraldic Coat of arms, coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that the entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. People with high social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclopes
In Greek mythology and later Roman mythology, the Cyclopes ( ; , ''Kýklōpes'', "Circle-eyes" or "Round-eyes"; singular Cyclops ; , ''Kýklōps'') are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's ''Theogony'', the Cyclopes are the three brothers, Brontes, Steropes, and Arges (Cyclops), Arges, who made Zeus's weapon, the thunderbolt. In Homer's ''Odyssey'', they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. Cyclopes were also famous for being the builders of the Cyclopean masonry, Cyclopean walls of Mycenae and Tiryns. In ''Cyclops (play), Cyclops'', the fifth-century BC play by Euripides, a satyr play, chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus, as does Virgil in the Latin epic ''Aeneid'', where he seems to equate the Hesiodic and Homeric Cyclop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
