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O Heiland, Reiß Die Himmel Auf
"" (O Saviour, tear open the heavens) is a Christian Advent song. The text was first printed in 1622, attributed to Friedrich Spee; the melody was first printed in 1666. History "" was first published in Würzburg in the collection ''Das Allerschönste Kind in der Welt'' (The most beautiful child in the world). Its author is not named, but is thought to be Friedrich Spee, due to similarities to his later collection ''Trutznachtigall''. The text was written in the context of the Thirty Years' War, the plague and witch trials. The text was first sung to the melody of Conditor alme siderum. The melody known today appeared first in the '' Rheinfelsisches Gesangbuch'' of 1666. The song is focused on the longing for the arrival of a Saviour. It has been included in both Catholic and Protestant hymnals; in Protestant hymnals sometimes with an added seventh stanza of unknown authorship. It is part of the Catholic '' Gotteslob'' as GL 231, of the '' Evangelisches Gesangbuch'' as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advent Song
Advent songs () are songs and hymns intended for Advent, the four weeks of preparation for Christmas. Topics of the time of expectation are the hope for a Messiah, prophecies, and the symbolism of light, among others. Several of the songs are part of hymnals such as the German Catholic ''Gotteslob'' (GL) and the Protestant ''Evangelisches Gesangbuch'' (EG). ''This is a Wikipedia:WikiProject Lists#Incomplete lists, dynamic list and may never be able to satisfy particular standards for completeness.'' 4th century * Veni redemptor gentium 6th century * O Antiphons * Vox clara ecce intonat 12th century * Veni, Veni, Emmanuel, Veni, veni, Emmanuel (the most common Musical setting, setting in the English-speaking world, Anglophone world dates to the 19th century) 13th century * Angelus ad virginem * Gabriel's Message 14th century * Sei uns willkommen, Herre Christ 15th century * Adam lay ybounden * The Cherry-Tree Carol * Es kommt ein Schiff, geladen * Trinity Carol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Gregor Corner
David Gregor Corner, (1585 – 9 January 1648) was a German Benedictine abbot, hymn writer and theologian best known for his influential 1631 ''Gross Catholisches Gesängbuch'' ("Great Catholic Hymnal"). Born in Hirschberg, Germany (now Jelenia Góra, Poland), he studied theology at Prague, Graz and Vienna, where he earned a doctorate. He became a pastor in Retz in 1614. In 1628 he became a novice monk at Göttweig Abbey. By 1636, Corner was the abbot of Göttweig, where he became a leading figure of the Counter-Reformation, and was made Rector of the University of Vienna in 1638.''The Presbyterian hymnal companion'', (Westminster John Knox Press, 1993) , 229 He died 9 January 1648 at Göttweig. His magnum opus, the ''Gross Catholische Gesängbuch'' was published in 1625, and a later publication from 1631 contained 546 hymns and 276 melodies (including 76 Latin hymns), one of the largest song books of the 16th and 17th century. This collection featured devotional Catholic hymns for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advent Songs
Advent is a season observed in most Christian denominations as a time of waiting and preparation for both the celebration of Nativity of Christ, Jesus's birth at Christmas and the return of Jesus in Christianity, Christ at the Second Coming. It begins on the Advent Sunday, fourth Sunday before Christmas, often referred to as Advent Sunday. Advent is the beginning of the liturgical year in Western Christianity. The name comes from Latin ('coming; arrival'), translating the Ancient Greek, Greek from the New Testament, originally referring to the Second Coming. The season of Advent in the Christian calendar anticipates the "coming of Christ" from three different perspectives: the physical nativity in Bethlehem, the reception of Christ in the heart of the believer, and the Christian eschatology, eschatological Second Coming. Practices associated with Advent include Advent calendars, lighting an Advent wreath, praying an Advent daily devotional, erecting a Chrismon tree, lighting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Hymns In German
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1622 Songs
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ''MCID' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wetz
Richard Wetz (26 February 1875 – 16 January 1935) was a German late Romantic composer best known for his three symphonies. In these works, he "seems to have aimed to be an immediate continuation of Bruckner, as a result of which he actually ended up on the margin of music history". Biography 1875–1906: Youth Richard Wetz was born to a merchant family in Gleiwitz, Upper Silesia (now Poland). Although his family owned a piano, no family member was particularly interested in music. The young Richard, who felt drawn to music early on, did not receive regular piano lessons until the age of eight years, but quickly taught himself by composing smaller piano and song pieces. He later stated that he resolved to dedicate his life to music by the age of 13. After passing his final examinations in 1897, he went to Leipzig to study at the conservatoire under such tutors as Carl Reinecke and Salomon Jadassohn. After only 6 weeks, however, he discontinued his studies after sufferin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Weyrauch
Johannes Weyrauch (20 February 1897 – 1 May 1977) was a German composer and Cantor (Christianity), cantor. Life Childhood Weyrauch was born on 20 February 1897 in Leipzig. His mother, Maria Große, who had received a thorough musical education and worked in several cantor houses, introduced her son to sacred music at an early age. His father, Friedrich Louis Weyrauch, was a merchant by profession and was able to finance his son's attendance of the . Through his stepbrother (from his father's first marriage), Weyrauch got in touch with the music of Richard Wagner, which had a decisive influence on his musical life: :''My brother sent me into the Ring when I was 14 years old - with the success that I became Wagner mad. A pedagogical, irreparable mistake, because since that time I have had no proper relationship with most operas.'' Parallel to his schooling at the Gymnasium, Weyrauch became a pupil of Helene Caspar, a music teacher and writer known around the turn of the 19th an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Distler
August Hugo Distler (24 June 1908 – 1 November 1942)Slonimsky & Kuhn, ''Baker's Biographical Dictionary of Musicians'', v. 2, p. 889 was a German organist, choral conductor, teacher and composer. Life and career Born in Nuremberg, Distler attended the Leipzig Conservatory from 1927 to 1931, first as a conducting student with piano as his secondary subject, but changing later, on the advice of his teacher, to composition and organ. He studied there with Martienssen (piano), Günther Ramin (organ) and Grabner (harmony). He became the organist at St. Jacobi in Lübeck in 1931. In 1933 he married Waltraut Thienhaus. That same year he joined the NSDAP (National Socialist German Workers' Party), reluctantly, as his continued employment depended on his doing so. In October 1933 Distler was appointed head of the chamber music department at the Lübeck Conservatory, and at about the same time he began teaching at the Spandauer Kirchenmusikschule (Spandau school of church music).Klaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nepomuk David
Johann Nepomuk David (30 November 1895 – 22 December 1977) was an Austrian composer. Life and career David was born in Eferding. He was a choirboy in the monastery of Sankt Florian and studied at an episcopal teacher training college in Linz, 1912–1915, after which he became a school teacher. He studied briefly (1921–22) at both the Musikhochschule (where was a composition student of Joseph Marx) and the university of Vienna (where he studied with Guido Adler). He returned to Linz in 1922, where he acted as musical director of the Linz "Kunststelle" until 1924. From January 1925 until the autumn of 1934 he was a teacher at a local catholic school, founded and directed a Bach choir, and was organist at a Protestant church at Wels. He then became professor of composition and theory at the Musikhochschule in Leipzig (November 1934 – January 1945). From 1945 to 1947 he was professor of music at the Mozarteum, Salzburg, and finally, from 1948 to 1963, professor of theory and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian Mode
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek music, Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval Mode (music), musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself. : Greek Dorian mode The Dorian mode (properly ''harmonia'' or ''tonos'') is named after the Dorians, Dorian Greeks. Applied to a whole octave, the Dorian octave species was built upon two tetrachords (four-note segments) separated by a whole tone, running from the ''hypate meson'' to the ''nete diezeugmenon''. In the enharmonic genus, the intervals in each tetrachord are quarter tone–quarter tone–major third. : In the chromatic genus, they are semitone–semitone–minor third. : In the diatonic genus, they are semitone–tone–tone. : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
