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Native Americans In Film
The portrayal of Native Americans in television and films concerns Indigenous roles in cinema, particularly their depiction in Hollywood productions. Especially in the Western genre, Native American stock characters can reflect contemporary and historical perceptions of Native Americans and the Wild West. The portrayal of Native Americans in film has been criticized for perceived systemic problems since the inception of the industry for its use of stereotypes that range from violent barbarians to noble and peaceful savages. A variety of images appeared from the early to mid 1930s, and by the late 1930s negative images briefly dominated Westerns. In 1950, the watershed film '' Broken Arrow'' appeared that many credit as the first postwar Western to depict Native Americans sympathetically. Starting in the 1990s, Native American filmmakers have attempted to make independent films that work to represent the depth and complexity of indigenous peoples as people and provide a realist ...
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Barbarian
A barbarian (or savage) is someone who is perceived to be either Civilization, uncivilized or primitive. The designation is usually applied as a generalization based on a popular stereotype; barbarians can be members of any nation judged by some to be less civilized or orderly (such as a tribal society) but may also be part of a certain "primitive" culture, cultural group (such as nomads) or social class (such as bandits) both within and outside one's own nation. Alternatively, they may instead be admired and romanticised as noble savages. In idiomatic or figurative usage, a "barbarian" may also be an individual reference to a brutal, cruel, warlike, and insensitive person. The term originates from the el, βάρβαρος (''barbaros'' pl. βάρβαροι ''barbaroi''). In Ancient Greece, the Greeks used the term not only towards those who did not speak Greek and follow classical Greek customs, but also towards Greek populations on the fringe of the Greek world with peculiar ...
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Racism In Early American Film
Racism in early American film is the negative depiction of racial groups, racial stereotypes, and racist ideals in classical Hollywood cinema from the 1910s to the 1960s. From its inception, Hollywood has largely been dominated by white male filmmakers and producers, catering to a predominantly white audience. Various techniques have been used to depict non-white characters including whitewashing and ethnic stereotyping. Themes of white supremacy and xenophobia are commonly found within these films, reflecting contemporary attitudes towards non-white groups, taking on different imagery as race relations shift. 1910s–1930s African American In February 1915, the film ''The Birth of a Nation'' by D.W. Griffith was released. The film depicted Ku Klux Klansmen as the saviors to the nation that bring back a stable government and uphold American values. The movie used actors in blackface to depict African Americans as mindless, lustful savages, portraying them as an active danger ...
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The Birth Of A Nation
''The Birth of a Nation'', originally called ''The Clansman'', is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play ''The Clansman''. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken. ''The Birth of a Nation'' is a landmark of film history, lauded for its technical virtuosity. It was the first non-serial American 12-reel film ever made. Its plot, part fiction and part history, chronicles the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years—the pro-Union ( Northern) Stonemans and the pro- Confederacy ( Southern) Camerons. It was originally shown in two parts separated by an intermission, and it was the first American-made film to have a musical score for an orchestra. It pioneered closeups and fadeout ...
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American Indian Wars
The American Indian Wars, also known as the American Frontier Wars, and the Indian Wars, were fought by European governments and colonists in North America, and later by the United States and Canadian governments and American and Canadian settlers, against various American Indian and First Nation tribes. These conflicts occurred in North America from the time of the earliest colonial settlements in the 17th century until the early 20th century. The various wars resulted from a wide variety of factors, the most common being the desire of settlers and governments for lands that the Indian tribes considered their own. The European powers and their colonies also enlisted allied Indian tribes to help them conduct warfare against each other's colonial settlements. After the American Revolution, many conflicts were local to specific states or regions and frequently involved disputes over land use; some entailed cycles of violent reprisal. As settlers spread westward across North America ...
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George Armstrong Custer
George Armstrong Custer (December 5, 1839 – June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Custer graduated from West Point in 1861 at the bottom of his class, but as the Civil War was just starting, trained officers were in immediate demand. He worked closely with General George B. McClellan and the future General Alfred Pleasonton, both of whom recognized his qualities as a cavalry leader, and he was promoted to brigadier general of volunteers at age 23. Only a few days after his promotion, he fought at the Battle of Gettysburg, where he commanded the Michigan Cavalry Brigade and despite being outnumbered, defeated J. E. B. Stuart's attack at what is now known as the East Cavalry Field. In 1864, he served in the Overland Campaign and in Philip Sheridan's army in the Shenandoah Valley, defeating Jubal Early at Cedar Creek. His division blocked the Army of Northern Virginia's final retreat an ...
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The Massacre (film)
''The Massacre'' is a 1912 American silent Western film directed by D. W. Griffith and released by Biograph Studios. It stars Blanche Sweet and Wilfred Lucas. The film was shot in 1912 and released in Europe that year, but not released in the United States until 1914. Cast * Wilfred Lucas as Stephen * Blanche Sweet as Stephen's ward * Charles West as Stephen's ward's husband * Alfred Paget as Indian Chief * Lionel Barrymore * Charles Craig * Edward Dillon as John Randolph, In the Prologue/and in the Cavalry * Charles Gorman as In Cavalry * Robert Harron as In Cavalry * Dell Henderson as In Wagon Train * Harry Hyde as In Wagon Train * J. Jiquel Lanoe as In Wagon Train * Charles Hill Mailes as In Wagon Train * Claire McDowell as Stephen's Belle, In Prologue * W. Chrystie Miller as In Wagon Train * Frank Opperman as Old Settler * Jack Pickford as Young Boy * W. C. Robinson as Amongst the Indians * Kate Toncray as Maid, in Prologue See also * D. W. Griffith filmography * Blan ...
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A Play Acted By A Tribe Of Red Indians In America''
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Pathé
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French people, French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles Pathé, Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the large ...
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James Young Deer
James Young Deer (April 1, 1876 – April 6, 1946), also known as J. Younger Johnson or Jim Young Deer, was actually born James Young Johnson in Washington, D.C. Although he was identified in the early Hollywood trade paper Moving Picture World as of the Winnebago Tribe of Nebraska, his ancestry is of the Nanticoke people of Delaware. He became an early film actor, director, writer, and producer. He is believed to be the first Native American filmmaker/producer in Hollywood. Together with his wife and partner Lillian St. Cyr, Winnebago, the couple were labeled an "influential force" in the production of one-reel Westerns during the first part of the silent film era. Their films, along with several others of the silent era, were notable for portraying Native Americans in a positive light. Questions were raised about Young Deer's Winnebago background when film historians were unable to verify much about his origins, and he was not listed on the Winnebago tribal rolls in the early 2 ...
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Nanticoke People
The Nanticoke people are a Native American Algonquian people, whose traditional homelands are in Chesapeake Bay and Delaware. Today they live in the Northeastern United States and Canada, especially Delaware; in Ontario; and in Oklahoma. The Nanticoke people consisted of several tribes: The Nanticoke proper (the subject of this article), the Choptank, the Assateague, the Piscataway, and the Doeg. History The Nanticoke people may have originated in Labrador, Canada, and migrated through the Great Lakes region and the Ohio Valley to the east, along with the Shawnee and Lenape peoples. In 1608, the Nanticoke came into European contact, with the arrival of British captain John Smith. They allied with the British and traded beaver pelts with them. They were located in today's Dorchester, Somerset and Wicomico counties.
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The Red Man's View
''The Red Man's View'' (also cited ''The Redman's View'') is a 1909 American short silent Western film directed by D. W. Griffith and shot in New York state. Prints of the film exist in the film archives of the Museum of Modern Art and the Library of Congress. According to the ''New York Dramatic Mirror'', the film is about "the helpless Indian race as it has been forced to recede before the advancing white, and as such is full of poetic sentiment". In his 2003 publication ''The Invention of the Western Film: A Cultural History of the Genre's First Half Century'', film historian Scott Simon observes that "the film's title works out to mean 'The Red Man's Point of View', and for all the film's difficulty in making drama from a long, passive march, there's nothing like ''The Red Man's View'' in Hollywood until John Ford's ''Cheyenne Autumn'' more than fifty years later". A remake starring Daniel Baldwin, Saginaw Grant, Booboo Stewart, Elaine Miles, Michael Spears, and Crystal Li ...
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