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Noise In Music
In music, "noise" has been variously described as Indefinite pitch, unpitched, indeterminate, uncontrolled, convoluted, unmelodic, loud, otherwise unmusical, or unwanted sound, or simply as sound in general. The exact definition is often a matter of both cultural norms and personal tastes. Noise is an important component of the sound of the Vocal music, human voice and all musical instruments, particularly in unpitched percussion instruments and electric guitars (using distortion (music), distortion). Electronic musical instrument, Electronic instruments create various colors of noise, colours of noise. Traditional uses of noise are unrestricted, using all the frequencies associated with pitch (music), pitch and timbre, such as the white noise component of a drum roll on a snare drum, or the transient (acoustics), transients present in the prefix (acoustics), prefix of the sounds of some organ pipes. The influence of modernism in the early 20th century led composers such as Edg ...
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Jimi Hendrix 1967
Jimi may refer to: * Jimi language (Cameroon) * Jimi language (Nigeria) * Jimi languages * Jimi system, administration system of ancient China * Jimi River, in Papua New Guinea * Jimi Valley, in Papua New Guinea * Jimi District, in Papua New Guinea * Jimi Rural LLG, in Papua New Guinea * "Jimi", a song by Beastie Boys from their 1994 album, '' Some Old Bullshit'' * A waist-cloth traditionally worn by Bharwad women in India * '' Dendropsophus jimi'', a species of frog * '' Lulu and Jimi'', a 2009 German drama film * '' Parotocinclus jimi'', a species of catfish * '' Rhinella jimi'', a species of toad * '' Syncope jimi'', a species of frog People with the name * Jimi Agbaje (born 1957), Nigerian pharmacist and politician * Jimi Bani, Indigenous Australian actor * Jimi Bellmartin (1949–2021), Dutch singer * Jimi Bertucci (born 1951), Italian Canadian musician * Jimi Bolakoro, Fijian rugby footballer * Jimi Cauty (born 1956), British musician * Jimi Constantine (born 1981) ...
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Prefix (acoustics)
In acoustics, the prefix of a sound is an initial phase, the onset of a sound quite dissimilar to the ensuing lasting vibration. The term was coined by J. F. Schouten (1968, 42), who called it one of ''at least five major acoustic parameters'' that determine the ''elusive attributes of timbre''. See also * Onset (audio) * Timbre#Attributes * Synthesizer#ADSR envelope * Transient (acoustics) In acoustics and audio, a transient is a high amplitude, short-duration sound at the beginning of a waveform that occurs in phenomena such as musical sounds, noises or speech. Transients do not necessarily directly depend on the frequency of the ... References * Schouten, J. F. (1968). "The Perception of Timbre". In ''Reports of the 6th International Congress on Acoustics, Tokyo, GP-6-2'', 6 vols., edited by Y. Kohasi, 6:35–44, 90. Tokyo: Maruzen; Amsterdam: Elsevier. Acoustics {{music-stub ...
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Genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle' ...
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Bass Drum Pedal
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension, either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments that vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest drum ...
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Tape Hiss
Tape hiss is the high frequency noise present on analogue magnetic tape recordings caused by the size of the magnetic particles used to make the tape. Effectively it is the noise floor of the recording medium. It can be reduced by the use of finer magnetic particles or by increasing the tape speed or the track width used by the recorder. A 3  dB improvement of the signal to noise ratio occurs for every doubling of the track width. A number of noise reduction techniques can be used to reduce the impact of tape hiss, including Dolby NR and DBX, or, in the case of videotape recording, frequency modulation of either the composite video signal, or the luma component. See also * Audio quality measurement * Sound recording Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of ... Ref ...
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Audio Signal
An audio signal is a representation of sound, typically using either a changing level of electrical voltage for analog signals or a series of binary numbers for Digital signal (signal processing), digital signals. Audio signals have frequencies in the audio frequency range of roughly 20 to 20,000 Hz, which corresponds to the lower and upper Human hearing range, limits of human hearing. Audio signals may be Synthesizer, synthesized directly, or may originate at a transducer such as a microphone, Pickup (music technology), musical instrument pickup, phonograph cartridge, or tape head. Loudspeakers or headphones convert an electrical audio signal back into sound. Digital audio systems represent audio signals in a variety of digital formats.Hodgson, Jay (2010). ''Understanding Records'', p.1. . An audio channel or audio track is an audio signal communications channel in a data storage device, storage device or mixing console. It is used in operations such as multi-track recordi ...
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Sound
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequency, frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges, allowing some to even hear ultrasounds. Definition Sound is defined as "(a) Oscillation in pressure, stress, particle displacement, particle velocity, etc., propagated in a medium with internal forces (e.g., elastic or viscous), or the superposition of such propagated oscillation. (b) Auditory sen ...
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Noise
Noise is sound, chiefly unwanted, unintentional, or harmful sound considered unpleasant, loud, or disruptive to mental or hearing faculties. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrations through a medium, such as air or water. The difference arises when the brain receives and perceives a sound. Acoustic noise is any sound in the acoustic domain, either deliberate (e.g., music or speech) or unintended. In contrast, noise in electronics may not be audible to the human ear and may require instruments for detection. In audio engineering, noise can refer to the unwanted residual electronic noise signal that gives rise to acoustic noise heard as a hiss. This signal noise is commonly measured using A-weighting or ITU-R 468 weighting. In experimental sciences, noise can refer to any random fluctuations of data that hinders perception of a signal. Measurement Sound is measured based on the amplitude and frequency of ...
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Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of music genre, musical styles and sound art, sound-based creative practices that feature noise as a primary aspect of music, aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical Vocals#Vocal technique, vocal techniques, physically manipulated audio media, Sound effect, processed sound recordings, field recording, Computer music, computer-generated noise, stochastic process, and other randomly produced electronic signals such as Distortion (music), distortion, Audio feedback, feedback, Noise (radio), static, hiss and hum. There may also be emphasis on high volume levels and lengthy, cont ...
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Intonarumori
Intonarumori are experimental musical instruments invented and built by the Italian futurist Luigi Russolo between roughly 1910 and 1930. There were 27 varieties of intonarumori built in total, with different names. Background Russolo built these instruments to perform the music outlined in his ''The Art of Noises'' manifesto written in 1913 and published in book form in 1916. The instruments were completely acoustic, not electronic. The boxes had various types of internal construction to create different types of noise music. Often a wheel was touching a string attached to a drum. The wheel rattled or bowed the strings, while the drum functioned as an acoustic resonator. Many of the instruments featured a handle on top of the box, which was used to vary the string tension. Pulling the handle raised the tone, and the horn attached to the box amplified the sound. Intonarumori ('noise tuner' in Italian) made noise, but not at a very high volume, since they were all acoustic devic ...
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Luigi Russolo
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto '' The Art of Noises'' (1913). Russolo completed his secondary education at Seminary of Portograuro in 1901, after which he moved to Milan and began gaining interest in the arts. He is often regarded as one of the first noise music experimental composers with his performances of ''noise music concerts'' in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori. Biography Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, '' L'Arte dei Rumori (The Art of Noises)'', stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replaceme ...
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Futurism
Futurism ( ) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later go on to found gr ...
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