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Nocturne Sa Chearnóg
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French ''nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00 pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for solo piano, the noctur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturne Op
A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '':wikt:nocturne#French, nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensemble piece in several movements, normally played for an evening party and then laid aside. Sometimes it carried the Italian equivalent, ''notturno'', such as Wolfgang Amadeus Mozart's Notturno in D, K.286, written for four lightly echoing separated ensembles of paired horns with strings, and his ''Serenata Notturna'', K. 239. At this time, the piece was not necessarily evocative of the night, but might merely be intended for performance at night, much like a serenade. The chief difference between the serenade and the notturno was the time of the evening at which they would typically be performed: the former around 9:00 pm, the latter closer to 11:00 pm. In its form as a single-movement character piece usually written for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturnes (Debussy)
''Nocturnes'', L 98 (also known as ''Trois Nocturnes'' or Three Nocturnes) is an Impressionist orchestral composition in three movements by the French composer Claude Debussy, who wrote it between 1892 and 1899. It is based on poems from ''Poèmes anciens et romanesques'' ( Henri de Régnier, 1890). Composition "Three Scenes at Twilight" Based on comments in various Debussy letters and in Léon Vallas's biography, it has generally been assumed that composition of the ''Nocturnes'' began in 1892 under the title ''Trois Scènes au Crépuscule'' ("Three Scenes at Twilight"), an orchestral triptych. However, the lack of actual manuscripts makes it impossible to determine whether such works were truly related to the ''Nocturnes''. ''Trois Scènes au Crépuscule'' was inspired by ten poems by Henri de Régnier entitled ''Poèmes anciens et romanesques'' (published in 1890). Régnier was a symbolist poet, and his poems contain vivid imagery and dreamlike associations of ideas. In a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream
''A Midsummer Night's Dream'' is a Comedy (drama), comedy play written by William Shakespeare in about 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. ''A Midsummer Night's Dream'' is one of Shakespeare's most popular and widely performed plays. Characters The Athenians: * Theseus – Duke of Athens * Hippolyta – Queen of the Amazons and Theseus' fianceé * Hermia – in love with Lysander * Helena (A Midsummer Night's Dream), Helena – in love with Demetrius * Lysander (A Midsummer Night's Dream), Lysander – in love with Hermia * Demetrius (A Midsummer Night's Dream), Demetrius – s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The phrase "incidental music" is from the German ''Inzidenzmusik'', which is defined in the ''Methuen Drama Dictionary of the Theatre'' as "music that is specifically written fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions include symphony, symphonies, concertos, piano music, organ music and chamber music. His best-known works include the Overture#Concert overture, overture and incidental music for ''A Midsummer Night's Dream (Mendelssohn), A Midsummer Night's Dream'' (which includes his "Wedding March (Mendelssohn), Wedding March"), the ''Symphony No. 4 (Mendelssohn), Italian'' and ''Symphony No. 3 (Mendelssohn), Scottish'' Symphonies, the oratorios ''St. Paul (oratorio), St. Paul'' and ''Elijah (oratorio), Elijah'', the ''The Hebrides (overture), Hebrides'' Overture, the mature Violin Concerto (Mendelssohn), Violin Concerto, the Octet (Mendelssohn), String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's ''Songs W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Helps
Robert Eugene Helps (b. Passaic, New Jersey, United States, September 23, 1928; d. Tampa, Florida, United States, November 24, 2001) was an American pianist and composer. Career Helps studied at the universities of Columbia (1947–49) and Berkeley (1949–51) He was one of the most distinguished pupils of Abby Whiteside and perhaps the most well-known practitioner of her theories of rhythm and of a technique directed from the humerus rather than the fingers. He studied composition with Roger Sessions, who exerted a strong influence on his career, and whose music he often performed and recorded. He cultivated a lifelong interest for Frédéric Chopin's Études as well as Leopold Godowsky's Studies on Chopin's Études which informed both his piano playing and his composition. Helps taught piano at the New England Conservatory of Music, the San Francisco Conservatory of Music, Princeton University, Stanford University, the University of California, Berkeley, and the Manhattan Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor (music), conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of Modernism (music), musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the ''Cello Concerto (Barber), Cello Concerto'' (1945) and ''Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of serialism in his ''Piano Sonata (Barber), Piano Sonata'' (1949), ''Prayers of Kierkegaard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Glenn Williams
Michael Glenn Williams (born October 23, 1957, in Lancaster, California) is an American composer, pianist and technologist. Musical Biography Williams' earliest years were spent in New York City, beginning trumpet studies and composing at 8 years old. At age 12 he was programming DEC PDP 8 minicomputers. He attended CSU Northridge as a dual major in composition and piano performance where he studied with Aurelio de la Vega, Daniel Kessner, Frank Campo, and Francoise Regnat. He pioneered composing for FM synthesis combined with music concrete and acoustic instruments. He did graduate studies at the Eastman School of Music as a composition major, where he taught undergraduate electronic music, and worked with Samuel Adler, Robert Morris, Warren Benson, pianist Rebecca Penneys, and briefly with Joseph Schwantner and David Burge. Performance career Williams is performing as pianist in The Chopin Project, with the jazz group 1 40 4 20, and as a studio pianist for film and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lowell Liebermann
Lowell Liebermann (born February 22, 1961, in New York City) is an American composer, pianist and conductor. Life and career At the age of sixteen, Liebermann performed at Carnegie Hall, playing his Piano Sonata, op. 1. He studied at the Juilliard School of Music with David Diamond and Vincent Persichetti, earning bachelor's, master's and doctoral degrees. The English composer-pianist Kaikhosru Shapurji Sorabji also expressed interest in Liebermann's early work, having critiqued the young composer's Piano Sonata in a private exchange between the two; Liebermann's Concerto for Piano, op. 12 would be dedicated to Sorabji. His most recorded works are his Sonata for Flute and Piano (1987), '' Gargoyles'' for piano (1989), and his Concerto for Flute and Orchestra (1992). Other notable works include a sonata for flute and guitar (1988), five cello sonatas (most recently 2019) the second piano concerto (1992), the opera ''The Picture of Dorian Gray'' (1996), a second symphony (2000), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Among his notable works are the opera ''Bluebeard's Castle'', the ballet ''The Miraculous Mandarin'', ''Music for Strings, Percussion and Celesta'', the Concerto for Orchestra (Bartók), Concerto for Orchestra and List of string quartets by Béla Bartók, six string quartets. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became known as ethnomusicology. Per Anthony Tommasini, Bartók "has empowered generations of subsequent composers to incorporate folk music and classical traditions from whatever culture into their works and was "a formidable modernist who in the face of Schoenberg’s breathtaking formulations showed another way, forgi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
