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No More (Baby I'ma Do Right)
"No More (Baby I'ma Do Right)" is a song by American girl group 3LW from their self-titled debut album (2000). Released on August 22, 2000, as the group's debut single, it reached number 23 on the US ''Billboard'' Hot 100 chart. The song was issued in other countries in early 2001, peaking inside the top 10 in the United Kingdom and the top five in New Zealand. There are two versions of the song, both with different rap verses by Kiely Williams. Music video "No More (Baby I'ma Do Right)" is also 3LW's first music video. It was shot in August 2000 in various locations around New York City by director Chris Robinson and released in September. It received a fair amount of video play on TV channels such as BET, The Box and MTV and enjoyed some success on BET's top ten video countdown series ''106 & Park'', and MTV's ''Total Request Live''. Track listings US CD single # "No More (Baby I'ma Do Right)" – 4:22 # "I Can't Take It" ("No More" remix featuring Nas Nas (born 1973) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3LW (album)
''3LW'' is the debut studio album by American girl group 3LW. It was released through Epic Records on December 5, 2000. The album contains their debut single "No More (Baby I'ma Do Right)" which peaked at number 23 on the ''Billboard'' Hot 100, and their follow-up single " Playas Gon' Play". ''3LW'' peaked at number 29 on the US ''Billboard'' 200 and was certified Platinum by Recording Industry Association of America (RIAA). As of March 2003, the album has sold 1.3 million copies in the US. Background and production In April 1999, Kiely Williams, Adrienne Bailon and Naturi Naughton met each other at an audition. The following week later the trio went to a recording studio to record a 4-song demo tape. Eventually they caught the attention of Sony Music Entertainment chairman/CEO Tommy Mottola and after performing for him he signed them to his label. For nine months the girls recorded material for their debut album. Bailon discussed the developmental experience saying, "We've ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
106 & Park
''106 & Park'' is an American hip hop and R&B music video show, set up in a countdown format, that was broadcast on weekdays at 6:00 pm ET/5:00 pm CT on BET; it aired on a one-day delay on BET International. It was the network's highest- rated show throughout its run. On November 14, 2014, BET cancelled ''106 & Park'', with an alleged shift to a digital-only format, with occasional specials during network event programming, though the last time it was seen in any form was the 2016 BET Experience, and the digital-only program never aired. Several outlets have reported that, in light of the show's 25th anniversary, a reboot will premiere by September. Location The show was originally produced in East Harlem, New York City, and the title of the show is derived from the original studio location, NEP's Metropolis Studios, at East 106th Street and Park Avenue. In 2001, Viacom's acquisition of BET prompted a change to the CBS Broadcast Center at 524 West 57th Street between 10th & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival Records (Australia), Festival, Sony Music, CBS, Bertelsmann Music Group, RCA, Warner Music Group, WEA and PolyGram, Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties. The association has more than 190 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a board of directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to ''Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop rap, quiet storm, urban adult contemporary and hip hop; Latin music such as Latin pop, Chicano R&B and Chicano rap; and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely U.S. phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City; Washington, D.C.; Detroit; Atlanta; Miami; Chicago; Cleveland; Philadelphia; Montgomery; Memphis; St. Louis; Newark; Charleston; New Orleans; Milwaukee; Cincinnati; Dallas; Houston; Oa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 20, Rhythmic Top 30, Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip-hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or an urban contemporary gospel hit. Essentially, the format is a cross between the mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UKChartsPlus
''UKChartsPlus'' is an independent weekly newsletter about the UK music charts. It was first published in September 2001 as ''ChartsPlus'' in order to authoritatively record the official music chart information in the UK, as compiled by the Official Charts Company. It began after ''Hit Music'', a sister publication of ''Music Week'', ceased publication in May 2001. The new newsletter was established totally independent of ''Music Week'', licensing the chart data directly from Official Charts Company and other chart providers. History Initially, the newsletter covered: * The UK Singles Chart up to number 200 * The UK Albums Chart up to number 200 * The Compilation Album Chart up to number 50 It also included a ''New Entries Spotlight'' on all new top 200 singles, and a ''Year to Date'' collection of all the current year's Top 200 albums and singles. Since then, it has expanded to include the BPI silver, gold or platinum sales awards, predictions of the success of forthcoming rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airplay Monitor
''Billboard Radio Monitor'' was a weekly music trade publication that followed the radio industry and tracked the monitoring of current songs by format, station and audience cumes. The magazine was a spinoff of ''Billboard'' magazine and was mostly available through subscription to people who worked in the radio industry as well as music chart enthusiasts. It was developed in Columbia, Maryland, initially by Alan Smith and Jonas Cash, principals of the music company called AIR. AIR created music listening competitions for radio programmers in five different musical genres and were looking for a "qualifier" for the contests. The contests involved testing new songs' potential by having radio programmers listen to and respond to each song's hit potential using a national chart as the qualifier. After using Radio and Records chart for the first 10 years of the competition, AIR developed the BAM, and went into partnership with ''Billboard Magazine'' to produce and market the magazine. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Top 40
The Dutch Top 40 () is a weekly music chart compiled by ''Stichting Nederlandse Top 40''. It started as a radio program titled "Veronica Top 40", on the offshore radio, offshore station Radio Veronica in 1965. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting. Willem van Kooten, Joost den Draaijer initiated the Top 40 in the Netherlands. The show currently airs on Fridays from 2 to 6 PM on Qmusic (Netherlands), Qmusic. History On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "I Feel Fine" by The Beatles. In September 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it ''De Nederlandse Top 40''. The Dutch Top 40 is one of the four official charts in the Netherlands, the other three being the Single Top 100, B2B Single Top 100, which is based entirely on pure sales and streaming, the Mega Top 50, Mega Top 30 from (NPO 3FM) which, like the Dutch Top 40 also includes airplay (radio), airplay da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased publication in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts * European Top 100 Albums (sales) * European Hot 100 Singles (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs breaking out of their country of signing) *Top 10 Sales in Europe - top 10 singles and albums charts for sixteen European countries: the United Kingdom, Germany, France, Italy, Spain, Holland, Belgium, Sweden, Denmark, Norway, Finland, Ireland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and ''Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was " Only Girl (in the World)" by Rihanna. History Europarade top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
